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DTSTART;TZID=America/Indiana/Indianapolis:20180610T161500
DTEND;TZID=America/Indiana/Indianapolis:20180611T180000
DTSTAMP:20260406T214509
CREATED:20180326T014823Z
LAST-MODIFIED:20240223T234058Z
UID:6099-1528647300-1528740000@www.theryder.com
SUMMARY:Oh Lucy!
DESCRIPTION:Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \nA single woman\, seemingly stuck in a drab\, meaningless life in Tokyo\, is convinced by her niece to enroll in an unorthodox English class that requires her to wear a blonde wig and take on an American alter ego named “Lucy.”  Her assumed identity awakens hidden desires\, but there are unforseen consequences. \nShinobu Terjima and Josh Hartnett star in San Francisco filmmaker Atsuko Hirayanagi’s bittersweet cross-cultural comedy. / 95 min\n \n“CRITIC’S PICK! AN AGAINST-THE-ODDS CHARMER about a woman\, a tragic wig and an improbable journey. It’s a near-minor miracle that just about everything works … a movie in which the human comedy is by turns TENDER\, PLAINTIVE\, HEARTFELT & JOYFUL!“\n –The New York Times \nVOICE CHOICE! “BRACINGLY FUNNY! ” –The Village Voice\n  \n “VERY SMART…HARTNETT IS A GEM!” –NPR \n “A DELICIOUSLY DARK COMEDY!” \n –City Pages\n  \n “HARTNETT IS FANTASTIC… A TENSE\, OBSERVANT & HEARTFELT ACCOMPLISHMENT!” \n– San Francisco Chronicle  \n  \n  \nSun\, June 10\nOh Lucy! 4:15 at Bear’s Place – Last Chance!\nRBG (Ruth Bader Ginsburg) 6:30 and 8:45 @ Bear’s Place \nFri\, June 15 \nRBG (Ruth Bader Ginsburg) 7:30 @ @ IU Fine Arts Theater Upstairs\nIsmael’s Ghosts 8 pm @ IU Fine Arts Downstairs\nSat\, June 16\nThe Workshop 6pm @ IU Global and International Theater \nRBG (Ruth Bader Ginsburg) 7:30 @ IU Fine Arts Theater\nIsmael’s Ghosts 8 pm @ IU Global and International Theater \nSun\, June 17\nIsmael’s Ghosts 5:15 at Bear’s Place \nThe Workshop 7:45 @ Bear’s Place – – Last Chance! \n 
URL:https://www.theryder.com/film/oh-lucy/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180609T140000
DTEND;TZID=America/Indiana/Indianapolis:20180609T211500
DTSTAMP:20260406T214509
CREATED:20180430T201310Z
LAST-MODIFIED:20240223T234058Z
UID:6168-1528552800-1528578900@www.theryder.com
SUMMARY:Heroes Icons  Dissenters: A Celebration of Women in Film
DESCRIPTION:On Sat\, June 9th we are hosting three films at the Buskirk-Chumley Theater celebrating the lives of women whose accomplishments may not have been fully appreciated during their lifetimes. \nTHE GUARDIANS Three women in rural France during WWI raise their families and work the farm while their sons and husbands are on the battlefront. Nathalie Baye stars in acclaimed filmmaker Xavier Beauvois’ story of resilience unfolding amidst the mysteries and beauties of the French countryside. “Critics Pick! A beautifully photographed chronicle of rural existence … Nathalie Baye\, one of the great living French screen actresses\, is magnificent.” – A.O. Scott\, New York Times    2pm  Watch the Trailer\n \nBOMBSHELL: The Hedy Lamarr Story “More than just a pretty face.” That expression has never applied more aptly to anyone as it does actress Hedy Lamarr. In the 1930s and 40s\, she was considered the world’s most beautiful woman. Never taken seriously in her lifetime – and manipulated by powerful men (sound familiar?) like studio mogul Louis B. Mayer – Lamarr never got the recognition she deserved. But during World War II\, she worked on top secret projects for the U.S. Navy. Today\, her research is the basis for wifi. 5pm  WATCH THE TRAILER\n \nRBG: Ruth Bader Ginsburg You may know her accomplishments\, but chances are you haven’t heard her story. U.S. Supreme Court Justice Ginsburg has created a breathtaking legal legacy for women’s rights while becoming an unexpected pop culture icon. The personal journey of this diminutive\, quiet warrior’s rise to the nation’s highest court during a hostile time for women\, is revealed in this inspiring and multidimensional portrait. Now 85\, Ginsburg refuses to relinquish her passionate duty\, continues to have vigorous dissenting opinions and equally vigorous exercise workouts. 7:30pm   \nWATCH THE TRAILER  CLICK HERE TO READ MORE ABOUT RUTH BADER GINSBERG\n \nWe use a different ticketing structure for films at the BCT: \nSingle Admission Ticket (to one movie) $8 in advance / $12day of show \nAll Day Pass (all three films) $12 in advance / $18 day of show \nTickets are on sale now at the BCT Box Office \nClick here to purchase an All Day Pass \nClick here to purchase Single Admission Tickets \nPRESENTED IN PART BY \nFERGUSON LAW\, FREITAG & MARTOGLIO\, LLC\, THE MAURER SCHOOL OF LAW\, LENNIE’S and THE NEW YORK TIMES
URL:https://www.theryder.com/film/heroes-icons-dissenters/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2018/04/RBG-POSTER-600dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180609
DTEND;VALUE=DATE:20180611
DTSTAMP:20260406T214509
CREATED:20171223T203613Z
LAST-MODIFIED:20240223T234058Z
UID:5920-1528506000-1528592399@www.theryder.com
SUMMARY:Bombshell: The Hedy Lamarr Story
DESCRIPTION:June 9: 5pm at the Buskirk-Chumley Theater \n“More than just a pretty face.” That expression has never applied more aptly to anyone as it does actress Hedy Lamarr. In the 1930s and 40s\, Hedy Lamarr was considered the world’s most beautiful woman. Never taken seriously in her lifetime – and manipulated by powerful men (sound familiar?) like studio mogul Louis B. Mayer  – Lamarr never got the recognition she deserved. \nIn her private life. Lamarr was also the inventor. She worked on secret projects for the military during World War II and invented “frequency hopping\,” which was used by the U.S. Navy to make torpedoes radio-controlled and unjammable by their targets. Today\, her research is the basis for that smart phone that you just might be reading this on. \nDirected by Alexandra Dean / 88  minutes. \nAlexendra Dean relates Lamarr’s ventures with savvy and narrative snap\, fluidly marshaling a mix of original interviews and archival material that includes film clips and home movies….At home Lamarr had an inventing table. Howard Hughes gave her a small version of this setup that was kept in the trailer she used while shooting films. Hughes also lent her a few of his chemists for one of her projects; for her part\, Lamarr counseled him on a plane design. – The New York Times \nHEROES   ICONS   DISSENTERS \nJune 9 at the Buskirk-Chumley Theater\n \nThe Guardians – 2pm  \nBombshell: The Hedy Lamarr Story – 5pm \nRBG: Ruth Bader Ginsburg – 7:30pm \n  \n  \n 
URL:https://www.theryder.com/film/bombshell/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2017/12/BOMBSHELL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180527T160000
DTEND;TZID=America/Indiana/Indianapolis:20180527T174500
DTSTAMP:20260406T214509
CREATED:20180321T153433Z
LAST-MODIFIED:20240223T234058Z
UID:5982-1527436800-1527443100@www.theryder.com
SUMMARY:The Two Of Us
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?       Watch the Trailer \nOriginally released in 1967\, this new 4K restoration of filmmaker Claude Berri’s wonderful coming-of-age film is both a heartwarming vision of pastoral life and a knotty portrait of prejudice without judgment\, featuring a late-career turn from venerable French actor Michel Simon. \nWith his Jewish family burdened by life in Nazi-occupied Paris\, eight-year-old Claude is sent to live with a Catholic family in the Grenoble countryside. Forced to hide his identity\, the mischievous boy develops an unlikely friendship with the irascible\, dog-loving\, anti-Semitic vegetarian Pépé (Simon) who is unaware of the boy’s heritage. The Two of Us was acclaimed director Claude Berri’s debut feature\, based on own childhood experiences\, and gave the legendary Simon one of his most memorable roles in the twilight of his career. \nFrance / 95 minutes / subtitled \nSun May 27 – Five Films!\n \nTALL: The American Skyscraper and Louis Sullivan  2pm @ IU Fine Arts\nMarcel Proust’s Time Regained  3pm @ IU Global and International Theater\nThe Two of Us  4pm @ IU Fine Arts\nDouble Lover  5:15 Bear’s Place \nOh Lucy! 7:45 @ Bear’s Place \n  \n  \n 
URL:https://www.theryder.com/film/the-two-of-us/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180527T150000
DTEND;TZID=America/Indiana/Indianapolis:20180527T174500
DTSTAMP:20260406T214509
CREATED:20180315T190825Z
LAST-MODIFIED:20240223T234058Z
UID:6079-1527433200-1527443100@www.theryder.com
SUMMARY:Marcel Proust's Time Regained
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?       Watch the Trailer \nCatherine Deneuve\, Emanuelle Béart and John Malkovich star in Time Regained\, Chilean filmmaker Raúl Ruiz’s adaptation Marcel Proust’s In Search of Lost Time. \nOriginally filmed in 1999 and restored this year\, the film opens in 1922\, as Proust is on his deathbed pouring through old photographs. Gradually\, we watch as his own experiences merge with his own literary creations. Idyllic memories of youth alternate with rich recollections of 19th century Parisian society where the drama of the Great War and the anxieties of the emerging modern era are skewered in the spectacular staged soirees and lush grand parties. Entrancing figures that seem to drift in and out of the film’s field of view: notably Catherine Deneuve as the stately former courtesan Odette de Crecy and John Malkovich as the closeted\, mysterious Baron de Charlus. Ruiz gives special attention to Proust’s fascination with photography and early forms of radio and cinema—technologies that promised a more perfect form of “time regained” than words or memories could provide. Time Regained is a phantasmagorical comedy of manners as well as a powerful reflection on cinema’s ability to seize and preserve moments of time. \nArguably Chile’s most internationally renowned and prolific filmmaker\, Raúl Ruiz completed over 100 movies in numerous national cinemas. Following the coup d’état led by Pinochet in 1973\, Ruiz fled Chile with his wife\, fellow filmmaker Valeria Sarmiento\, and made France his home. His mind-bending works are obsessed with questions of theology\, philosophy\, psychoanalysis\, literature\, and visual expression; wildly experimental and slyly humorous; surrealist\, magical-realist\, gothic\, and neo-Baroque. To see one of Ruiz’s films is to go on an adventure full of humor\, intellectual curiosity\, and artistic daring; to see several is to land on a new continent\, where his many obsessions find their delirious expression in the most surprising ways and where reason and madness are delightfully\, terrifyingly indistinguishable. \nFrance / 158 minutes / subtitles \nTime Magazine:\n This is a serious filmgoer’s treat.\n\nBoston Globe\, Jay Carr:\n\n You can count on the fingers of one hand the number of works in any given year to which one is moved to apply the word ”masterpiece.” Raul Ruiz’s Time Regained is one of them.\n\n\n\n\n\nVillage Voice:\n\n\n The daring of the conception is matched only by the brilliance of the execution.\n\n\n\n\nThe New York Times:\nTime Regained is a testament to the Proustian notion that true paradises are those that are lost. Proust is a writer whose work defeated such distinguished adapters as Joseph Losey and Luchino Visconti; Ruiz succeeds because his movie is something of a search for Proust’s own search.\n\nSun May 27 – Five Films!\n \nTALL: The American Skyscraper and Louis Sullivan  2pm @ IU Fine Arts\nMarcel Proust’s Time Regained  3pm @ IU Global and International Theater\nThe Two of Us  4pm @ IU Fine Arts\nDouble Lover  5:15 Bear’s Place \nOh Lucy! 7:45 @ Bear’s Place \n\n 
URL:https://www.theryder.com/film/time-regained/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2018/03/timeregained.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180527T140000
DTEND;TZID=America/Indiana/Indianapolis:20180527T153000
DTSTAMP:20260406T214509
CREATED:20180321T142819Z
LAST-MODIFIED:20240223T234058Z
UID:6086-1527429600-1527435000@www.theryder.com
SUMMARY:TALL: THE AMERICAN SKYSCRAPER AND LOUIS SULLIVAN
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \nStarting in 1869\, in New York and Chicago\, elevators\, steel\, and electricity combined to create a frenzy of tall and taller buildings. Tall traces the experiments of the early skyscraper architects\, especially Louis Sullivan\, the Chicago architect (and mentor of Frank Lloyd Wright) who pioneered a new skyscraper form. His credo was that “form ever follows function.” His elegant buildings\, some still standing and featured in the film\, bear out his reputation as the father of the skyscraper. Fierce rivals\, led by Daniel Burnham\, builder of the Flatiron Building\, competed with him for favor\, money\, and power. \nTall pits the struggle for artistic integrity against the demands of fashion and the client’s bottom line. It documents the showdown between Louis Sullivan and Daniel Burnham. The outcome changed the future\, shaping the modern skyline throughout the world. \nFilmmaker Manfred Kirchheimer foregoes the usual talking heads. Rather\, he lets the skyscrapers speak for themselves\, supplementing soaring\, transcendent images with his own voice-over narration and an evocative soundtrack. \nCRITIC’S PICK! Tall is a LITTLE MOVIE ABOUT HOW BUILDINGS GOT SO BIG. With its graceful\, thrifty camera work\, Tall is a PROFOUNDLY BEAUTIFUL film. You leave the theater with an awakened intellect and wide-open eyes.” – A.O. Scott\, The New York Times \nTALL is co-presented by Tabor/Bruce Architecture & Design \nSun May 27 – Five Films!\n \nTALL: The American Skyscraper and Louis Sullivan  2pm @ IU Fine Arts\nMarcel Proust’s Time Regained  3pm @ IU Global and International Theater\nThe Two of Us  4pm @ IU Fine Arts\nDouble Lover  5:15 Bear’s Place \nOh Lucy! 7:45 @ Bear’s Place \n 
URL:https://www.theryder.com/film/tall-the-american-skyscraper-and-louis-sullivan/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180525
DTEND;VALUE=DATE:20180528
DTSTAMP:20260406T214509
CREATED:20180321T200523Z
LAST-MODIFIED:20240223T234058Z
UID:6049-1527210000-1527382799@www.theryder.com
SUMMARY:Double Lover
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?      Watch the Trailer \nA young woman falls in love with her psychoanalyst and moves in with him\, but soon discovers that her lover has a secret identity. Double Lover is a deliriously uninhibited thriller directed by French filmmaker Francois Ozon. We’ve screened a number of his films including last summer’s Frantz. Adapted from a novel by Joyce Carol Oates\, Double Lover delights in the erotic twists and turns one might expect from it’s title.   \nFrance / 107 minutes / Double Lover is not rated but if it were it would almost certainly be rated R for frequent steamy sex. \nDouble Lover is a KNOTTY DELIGHT OF A THRILLER. — The New York Times \nIn his previous films\, director Francois Ozon explored the intersection of emotion and sexuality; this provocative film is likely to stimulate more than conversation. The film finds\, through edgy exaggeration\, a deeper\, more penetrating truth. –The Washington Post \n  \nFri May 25 \nDouble Lover 7:30 @ IU Woodburn Hall Theater\nOh Lucy! 8pm @ IU Fine Arts \nSat\, May 26\nDouble Lover 7:30 @ IU Global and International Theater\nOh Lucy! 8pm @ IU Fine Art \nSun May 27 – Five Films! \nTALL: The American Skyscraper and Louis Sullivan  2pm @ IU Fine Arts\nMarcel Proust’s Time Regained  3pm @ IU Global and International Theater\nThe Two of Us  4pm @ IU Fine Arts\nDouble Lover  5:15 Bear’s Place\nOh Lucy! 7:45 @ Bear’s Place \n 
URL:https://www.theryder.com/film/double-lover/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180429T194500
DTEND;TZID=America/Indiana/Indianapolis:20180429T213000
DTSTAMP:20260406T214509
CREATED:20180317T203549Z
LAST-MODIFIED:20240223T234058Z
UID:6087-1525031100-1525037400@www.theryder.com
SUMMARY:Did You Wonder Who Fired The Gun?
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?       Watch the Trailer \n“In 1946\, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary\, which takes us on a journey through the American South to uncover the truth behind a long ago crime and the societal mores that allowed it to happen. Acting as narrator and guide\, Wilkerson spins a strange\, frightening tale\, incorporating scenes from To Kill a Mockingbird\, the music of Janelle Monáe and Phil Ochs\, and the story of Rosa Parks’ investigation into the Recy Taylor case\, as well as his own family history\, for a gripping investigation into our collective past and its echoes into the present day. / 90 min \n“An EXTRAORDINARY first-person documentary.” -The New Yorker \nCRITIC’S PICK “A scorching and rigorous essay… a passionately political film\, aflame with rage…” — A.O. Scott\, The New York Times \n\n“It’s hard to experience Did You Wonder Who Fired the Gun? and not get shivers up your spine. –The Village Voice \n\nDid You Wonder Who Fired the Gun? is a ONE-OF-A-KIND creation. Wilkerson opens up an uncomfortable discussion on race in America and he doesn’t give himself or the audience an inch of intellectual remove from the topic. Few films can be artful and blunt at the same time\, and fewer still are willing to interrogate themselves as thoroughly as their subjects.–NPR \n  \nSun April 29\nThe Two of Us 5:30 @ Bear’s Place\nDid You Wonder Who Fired The Gun? 7:45 @ IU Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/did-you-ever-wonder-who-fired-the-gun/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180428T202000
DTEND;TZID=America/Indiana/Indianapolis:20180428T222000
DTSTAMP:20260406T214509
CREATED:20180320T010059Z
LAST-MODIFIED:20240223T234058Z
UID:6050-1524946800-1524954000@www.theryder.com
SUMMARY:WESTERN
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nWestern follows a group of German construction workers installing a hydroelectric plant in remote rural Bulgaria. The foreign land awakens the men’s sense of adventure\, but tensions mount when\, Meinhard\, the strong\, silent and newcomer to the group\, starts mixing with the local villagers. The two sides speak different languages and share a troubled history. Can they learn to trust each other — or is the stage being set for a showdown? \nWestern is written and directed by Valeska Grisebach and is produced by Maren Ade. They worked together on the Academy Award nominated Toni Erdmann – Ade as director and Grisebach as script consultant – which you may have seen last year at the IU Cinema. Grisebach’s two previous features\, Be My Star (2001) and Longing (2006)\, were never released in the U.S.\, but established her on the festival circuit as a director to watch. She’s especially adept at coaxing raw\, uninhibited performances from nonprofessional actors\, notably Meinhard Neumann\, who perfectly embodies the stoic discomfort of a man who feels alienated\, not just from strangers but from friends and loved ones as well. \nin German and Bulgarian with subtitles /  119 minutes \nWatch the Trailer \nWESTERN IS FUNDED IN PART BY THE IU DEPARTMENT OF GERMANIC STUDIES \nCritic’s Pick! There is no doubting Ms. Grisebach’s filmmaking. Her eye for faces and for nuances of gesture and posture is matched by her ability to capture the beauty and strangeness of the landscape\, and to make sense of its intricate geography. “Western” is as precise as a dropped pin on a GPS map\, which makes its sense of mystery all the more powerful. – A.O. Scott\, The New York Times \nGrisebach has a subtle and empathetic way with her cast of nonprofessional actors\, particularly the still waters of leading man Meinhard Nuemann. With his sinewy frame\, bushy mustache and eyes that seem to hold endless reserves of sorrow\, he’s one of the more compelling figures I’ve seen onscreen recently\, more voluntarily vulnerable than the searchers of Westerns past. – New York  magazine  \n  \n  \nSat April 28\nThe Two of Us 6:30 @ IU Fine Arts\nDid You Wonder Who Fired The Gun? 7:30 @ IU Global and International Theater\nWestern 8:20 @ IU Fine Arts \n 
URL:https://www.theryder.com/film/western/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2018/03/western-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180415T194500
DTEND;TZID=America/Indiana/Indianapolis:20180415T213000
DTSTAMP:20260406T214509
CREATED:20180130T025213Z
LAST-MODIFIED:20240223T234058Z
UID:6002-1523821500-1523827800@www.theryder.com
SUMMARY:Loving Vincent
DESCRIPTION:April 8\, 13\, 14 15    Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nAcademy Award Nominee: Best Animated Feature Film. Loving Vincent is a mystery based on the life and shadowy death of Vincent Van Gogh. \nThis is a true labor of love. Every frame was hand-painted over in oil paint in the style of Van Gogh. The filmmakers\,  Dorota Kobiela and Hugh Welchman\, began with a live-action cast filming against a green screen. After filming\, editors inserted Van Gogh paintings into scene backgrounds\, and finally cut the movie together as usual. However\, once the actual film was complete\, they shot each individual frame onto a blank canvas\, and artists painted over each image. The film-makers chose classically trained painters rather than traditional animators. You can read a bit more about the filmmaking here. The entire process\, from the actual filming to completion of the paintings\, took four years to finish. Hugh Welchman joked\, “We have definitely without a doubt invented the slowest form of filmmaking ever devised in 120 years.” \n95 minutes \n  \nSun April 15\nWestern  5:15 IU Bear’s Place\nLoving Vincent  7:45 @ Bear’s Place – Last Chance! \n  \n 
URL:https://www.theryder.com/film/loving-vincent/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2018/01/loving-vincent.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180408T140000
DTEND;TZID=America/Indiana/Indianapolis:20180408T160000
DTSTAMP:20260406T214509
CREATED:20180227T004758Z
LAST-MODIFIED:20240223T234058Z
UID:6056-1523196000-1523203200@www.theryder.com
SUMMARY:The Young Karl Marx
DESCRIPTION:March 18     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nThis is the new film by Raoul Peck (I Am Not Your Negro). At the age of 26\, Karl Marx embarks with his wife Jenny on the road to exile. In 1844 Paris they meet young Friedrich Engels\, a rebellious rich kid writing about the poor conditions of the working class in England. Engels brings Marx the missing piece to the puzzle that composes his new vision of the world. Together\, between censorship and police raids\, riots and political upheavals\, they will preside over the birth of the labor movement\, which until then had been mostly makeshift and unorganized. This will grow into the most complete theoretical and political transformation of the world since the Renaissance – driven\, against all expectations\, by two brilliant\, insolent and sharp-witted young men. \n“Our screenplay\,” Raoul Peck has written\, “is based primarily and almost exclusively on the correspondence between Karl\, his wife Jenny and Friedrich Engels. The real human beings behind the myth in their own words\, wit\, liveliness\, humor\, humanity and revolt.” \nYou can read Raoul Peck’s complete essay about Young Karl Marx here. \nin German and French with subtitles / 118  min \n  \nSun April 8\n \nYoung Karl Marx 2pm @ IU Global & International Theater\nBombshell: The Hedy Lamarr Story 3pm @ IU Fine Arts\nLoving Vincent 4:30 @ IU Global & International Theater\nBombshell: The Hedy Lamarr Story 5:15 @ Bear’s Place \nLoving Vincent 7:45 @ Bear’s Place \n  \n 
URL:https://www.theryder.com/film/the-young-karl-marx/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2018/02/Untitled-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180330
DTEND;VALUE=DATE:20180408
DTSTAMP:20260406T214509
CREATED:20180306T024636Z
LAST-MODIFIED:20240223T234058Z
UID:6068-1522371600-1523062799@www.theryder.com
SUMMARY:The Great Silence
DESCRIPTION:The Great Silence is a revisionist spaghetti western that was filmed in 1968 but never screened in the States. It received its long-overdue theatrical release on March 30th. Often called “that western in the snow” the film is set in Utah\, near the end of the 19th century\, during a very cold winter. Outlaws have taken shelter in the hills around the town of Snow Hill\, but they must descend into the valley for food\, where bounty hunters lie in wait. \nInspired by the recent deaths of Che Guevara and Malcolm X\, writer/director Sergio Corbucci’s film is notable for its radical politics\, an uncompromising performance by Klaus Kinski\, and a haunting score by Ennio Morriconi. The Great Silence has influenced a number of contemporary filmmakers\, notably Quentin Tarantino. Its suppression over the years has only added to its mystique. \nItaly / 95 minutes / subtitles \nEven 50 years later\, The Great Silence stands majestically as both a blistering comment about its era and a creatively revisionist genre piece…the restoration is so crisp\, the production looks like it was finished yesterday.”- Film Journal International  \nI’m not generally one for nostalgia\, but I do regret the loss of a certain kind of craziness that used to flourish in movies — the kind that is on rich and ripe display in “The Great Silence\,” a 1968 Italian western by Sergio Corbucci that is only now receiving a proper theatrical release in this country.  There is something about the film’s brazen mixing of incompatible elements that defies categorization\, imitation or even sober critical assessment. It’s anarchic and rigorous\, sophisticated and goofy\, heartfelt and cynical. In 2018\, it’s possible — and perhaps inevitable — to view “The Great Silence” as a footnote to the oeuvre of Quentin Tarantino. –A.O. Scott\, The New York Times  \n Still hurts so good half a century later. – The Village Voice \n\n \nFri and Sat April 6 and 7\nThe Great Silence 7:15 @ IU Fine Arts – Last Chance!\nBombshell: The Hedy Lamarr Story  8pm @ IU Global and International Theater \nSun April 8 \nYoung Karl Marx 2pm @ IU Global & International Theater\nBombshell: The Hedy Lamarr Story 3pm @ IU Fine Arts\nLoving Vincent 4:30 @ IU Global & International Theater\nBombshell: The Hedy Lamarr Story 5:15 @ Bear’s Place  – Last Chance!\nLoving Vincent 7:45 @ Bear’s Place \n  \n 
URL:https://www.theryder.com/film/the-great-silence/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180325T173000
DTEND;TZID=America/Indiana/Indianapolis:20180325T191500
DTSTAMP:20260406T214509
CREATED:20180112T014142Z
LAST-MODIFIED:20240223T234058Z
UID:5977-1521999000-1522005300@www.theryder.com
SUMMARY:In Between
DESCRIPTION:March 16\, 17\, 18\, 23\, 24 and 25    Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nArab-Israeli filmmaker Maysaloun Hamoud’s debut film is a sparkling story of three young Palestinian women living in Israel. Lalia\, Salma and Nur share an apartment in the vibrant heart of Tel Aviv. Lalia\, a criminal lawyer with a wicked wit\, loves to burn off her workday stress in the underground club scene. Salma\, slightly more subdued\, is a DJ and bartender. Nur is a younger\, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates.  \nAway from the restraints of family and tradition\, the women find themselves “in between” the restrictions imposed on them by society and the free and unfettered lives they aspire to lead.\n \n103 minutes / in Hebrew and Arabic with subtitles \nIn Between has been hailed as a milestone\, it’s cultural impact discussed on CNN and The New York Times. Here is a link to the New York Times op-ed essay \nIn Between is co-presented by the IU Cinema  \n  \nSun March 25\nIn Between  5:30 @ Bear’s Place – Last Chance!\nLoving Vincent  7:45 @ Bear’s Place – Last Chance! \n  \n 
URL:https://www.theryder.com/film/in-between/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180324T201500
DTEND;TZID=America/Indiana/Indianapolis:20180324T220000
DTSTAMP:20260406T214509
CREATED:20180218T202305Z
LAST-MODIFIED:20240223T234058Z
UID:6034-1521922500-1521928800@www.theryder.com
SUMMARY:Chronicle of Anna Magdalena Bach
DESCRIPTION:Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nUsing letters Anna Magdalena Bach wrote to her husband\, seminal composer Johann Sebastian\, filmmakers Jean-Marie Straub and Danièle Huillet created one of the most precise\, rewarding biopics ever put to screen. The filmmakers’ professed aim was to use the 18th-century composer’s music “not as accompaniment but as esthetic material.” Consequently\, most of the movie’s plot as such is not presented by words and action. It isn’t dramatic but rather musical: the film is filled with the composer’s music\, performed by the great harpsichordist Gustav Leonhardt in the role of the Bach\, and the compositions become a dramatic text and a living chronicle in their own right. Immaculately restored on the occasion of its 50th anniversary\, Chronicle of Anna Magdalena Bach invites viewers to experience a bygone age. Five decades later\, it still seems light years ahead of its time. Germany / 94 min \nThe Chronicle of Anna Magdalena Bach revolutionized the musical biography. -Dave Kehr\, The New York Times \nThe experience is both transcendent and material. -J. Hoberman\, The New York Times  \nThe film—one of the most original and unusual debut features of an era defined by them—is free of psychology\, or almost anything resembling drama or acting in the usual sense. It bypasses every convention in an attempt to enter into a more or less direct relationship with the art—in this case\, the music of J.S. Bach. — The A.V. Club \nThe effect is not having seen a film but having lived a real moment\, in the presence of monumental music. -Michael Atkinson\, The Village Voice  \n  \nWATCH THE TRAILER \n  \nFri and Sat March 23 and 24\nLoving Vincent 6:30 @ IU Fine Arts\nIn Between  7:30 @ IU School of Global and International Studies\nChronicle of Anna Magdalena Bach 8:15 @ IU Fine Arts Upstairs – Last Chance!\n \nSun March 25\nIn Between  5:30 @ Bear’s Place – Last Chance!\nLoving Vincent  7:45 @ Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/chronicle-of-anna-magdalena-bach/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180302T193000
DTEND;TZID=America/Indiana/Indianapolis:20180304T173000
DTSTAMP:20260406T214509
CREATED:20180116T220713Z
LAST-MODIFIED:20200407T164943Z
UID:5991-1520019000-1520184600@www.theryder.com
SUMMARY:Near Myth: The Oskar Knight Story
DESCRIPTION:March 2 – 4     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \nSandwiched somewhere between This Is Spinal Tap and Sunset Boulevard\, this unique biopic is the story of one of the greatest Hollywood directors that you’ve never heard of — Oskar Knight. Lenny Von Dohlen (Twin Peaks) brings this towering legend of American cinema to life. Although he is forgotten by many\, he is remembered in this film by such real-life stars as Margaret O’Brien\, David Suchet\, Joaquim de Almeida\, Kristina Anapau\, Julianna Guill\, Rudolf Martin\, Noel Neill and Jon Provost. Director Scott Fivelson’s film is a witty and affectionate tribute to the days when movies were movies. (95 min) \nListen to filmmaker Scott Fivelson’s interview on WFHB here  \nWant to know more? – visit Scott on facebook here  \nVisit Oskar Knight on facebook here \n  \nFri March 2: Oscar Short Film Festival\nDocumentary Program I 6:45 @ IU Fine Arts Upstairs\nDocumentary Program II  8:30 @ IU Fine Arts Upstairs\nNear Myth: Oskar Knight 7:30 @ IU School of Global and International Studies (encore to the Oscar Fest)\n \nSat March 3: Oscar Short Film Festival\nAnimation  2:15 and 6:45 @ IU Fine Arts Upstairs\nLive Action  4pm and 8:30 @ IU Fine Arts Upstairs\nDocumentary Program I  3pm @ IU School of Global and International Studies – Last Chance!\nDocumentary Program II  4:30 @ IU School of Global and International Studies – Last Chance!\n \nNear Myth: Oskar Knight 7:30 @ IU School of Global and International Studies (encore to the Oscar Fest) \nSun March 4: Oscar Short Film Festival\nAnimation  2:15 @ IU Fine Arts Upstairs – Last Chance!\nLive Action  4pm @ IU Fine Arts Upstairs – Last Chance!\nNear Myth: Oskar Knight  5:30 @ Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/near-myth-the-oskar-knight-story/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180223
DTEND;VALUE=DATE:20180226
DTSTAMP:20260406T214509
CREATED:20171120T042059Z
LAST-MODIFIED:20200407T164943Z
UID:5910-1519347600-1519520399@www.theryder.com
SUMMARY:Jane
DESCRIPTION:Feb 23-25       Semester Passes $30     Where Are Films Shown?     Where Can I Park? \n \nBEST DOCUMENTARY OF THE YEAR! —National Board of Review\nJane Goodall’s observations of chimpanzees in the wild challenged conventional wisdom about what made humans exceptional. Jane is the story of how Jane Goodall became Jane Goodall – using footage shot by future husband Hugo van Lawick of her first experiences in Gombe\, Tanzinia in the 1960’s. Previously thought to be lost forever\, the footage was only recently discovered in a storage unit\, and has been now masterfully intercut with interviews of present day Jane Goodall to provide an in-depth portrait of her life. \nSet to a rich orchestral score from legendary composer Philip Glass\, award-winning director Brett Morgen tells the story of an extraordinary woman whose chimpanzee research challenged the male-dominated scientific consensus of her time and revolutionized our understanding of the natural world. \n  \n90 min  /  WATCH THE TRAILER \nWe are so used to seeing reenactments in documentaries of this sort that to see footage of real chimpanzees is both unnerving and exhilarating. Now in her 80s and still seraphically beautiful\, Jane Goodall recalls with an almost ethereal calm the extraordinariness of her days. –Christian Science Monitor \nBrett Morgen’s latest film is required viewing for Goodall admirers\, animal lovers\, and lost cinema fans. — Indiewire\n \n\nJane is a triumph of filmmaking\, and essential viewing for humans. –Austin Chronicle \n\nJane will be screened on Friday and Saturday\, Feb 23 and 24 at 7:30 at the IU Global and International Studies Theater and on Sunday\, Feb 25 at 6pm at the Buskirk-Chumley Theater. Tickets for the Friday and Saturday screenings are $6. Tickets for Sunday at the BCT are $8 in advance; $9.50 day of show. Click here to purchase a ticket to Jane at the BCT.  The Sunday screening is part of a day-long film extravaganza at the BCT – we are also screening the Animation and Live-Action Oscar Shorts and the feature film\, Loving Vincent. You can purchase an All Day Pass here.\n  \n  \n  \n 
URL:https://www.theryder.com/film/jane/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180218T180000
DTEND;TZID=America/Indiana/Indianapolis:20180218T194500
DTSTAMP:20260406T214509
CREATED:20171223T201545Z
LAST-MODIFIED:20200407T164943Z
UID:5897-1518976800-1518983100@www.theryder.com
SUMMARY:QUEST
DESCRIPTION:Sun\, Feb 18 at 6pm – IU Fine Arts Theater\nSingle Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park? \n  \nEvery Friday\, Christopher Rainey hosts a “Freestyle” night in the recording studio in the basement of his North Philadelphia home. It’s not the most sophisticated studio – it’s small\, and dark\, and the ceiling leaks. But “Freestyle Fridays” are a tradition in the neighborhood\, the night of the week when friends and neighbors\, hopeful hip-hop artists — or anyone who can put some rhymes together — crowd around the microphone to tell their stories while children sit outside on the sidewalk and peer into the basement windows. \nSimultaneously sweeping and intimate\, Quest uses one family’s experiences to offer trenchant\, wide-ranging observations about modern American life.  For nearly ten years\, filmmaker Jonathan Olshefski befriended and filmed the Rainey family and the passage of time is something wonderful to behold.  We watch – indeed\, live with – Christopher\, Christine’a\, PJ and William as they attempt to define their lives. In capturing this family and the vibrant neighborhood in which they live\, Olshefski crafts a perfect response to so many policy issues that face our nation today. \nThe Rainey clan will have audiences clutching their hearts in a visceral display of admiration. Ultimately\, Quest reflects the profound beauty of one family whose journey is a testament to love and healing and whose resilience provides hope for a nation torn apart.   (USA / 107 min) \n  \nI’ve rarely seen a movie about citizenship as quietly eloquent as Quest. – A.O. Scott\, The New York Times\n\n  \n 
URL:https://www.theryder.com/film/quest/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180209
DTEND;VALUE=DATE:20180305
DTSTAMP:20260406T214509
CREATED:20180203T215729Z
LAST-MODIFIED:20200407T164943Z
UID:6016-1518138000-1520125199@www.theryder.com
SUMMARY:Oscar Shorts: Best Live-Action
DESCRIPTION:Like short stories\, short films are sometimes overlooked. But they often display all of the scope\, power\, insight and resonance of feature length films.  If these films were rated\, we’re guessing that four of them would fall somewhere between PG and PG-13. The 5th\, Watu Woke\, would probably be rated R for violence.  Having said that\, all five of them are intended for adult audiences. 97 minutes\n \nDeKalb Elementary  A young man\, Steven\, enters an elementary school with a semi-automatic rifle and orders the school receptionist\, Cassandra\, to have the school evacuated. But he keeps Cassandra hostage and instructs her to call 911. With Cassandra as his go-between\, Steven tries to navigate the troubled waters he has entered. Inspired by a real-life 911 call.  20 min \nThe Eleven O’Clock  A psychiatrist earnestly tries to help his delusional patient in this deliciously provocative comedy. His efforts are complicated by the fact that the patient believes himself to be the doctor. With each trying to out-analyze the other\, their session spirals out of control. 20 min \nMy Nephew Emmett  In 1955\, two white men invade the home of Mose Wright\, an African-American preacher in Mississippi\, to abduct his 14-year-old nephew\, Emmett Till\, who is visiting from Chicago. Emmett has been accused of whistling at a white woman\, and Mose knows that his fate will be sealed if the men succeed in taking him.  20 min \nThe Silent Child  Libby\, a profoundly deaf four-year-old girl\, who lives a silent life until a social worker\, played by Rachel\, teaches her how to communicate through sign language. The film features an amazing performance by profoundly deaf\, six-year-old\, first-time actor Maisie Sly as Libby. 13 min \nWatu Woke/All Of Us  Jua\, a Christian living in Kenya\, boards a chartered bus to visit a relative and is uncomfortable being surrounded by Muslim passengers. The bus is stopped by the terrorist group Al-Shabaab\, whose members demand that the Muslims identify the Christian passengers.  22 min
URL:https://www.theryder.com/film/oscar-shorts-best-live-action/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180209
DTEND;VALUE=DATE:20180305
DTSTAMP:20260406T214509
CREATED:20180203T214702Z
LAST-MODIFIED:20200407T164944Z
UID:6019-1518138000-1520125199@www.theryder.com
SUMMARY:Oscar Shorts: Best Animation
DESCRIPTION:One of the most entertaining categories at the Academy Awards — and one of the least heralded — is for the Best Animated Short Subject. We are screening the five nominees in that category along with three films short-listed for a nomination. So there are eight films in all totaling 83 minutes\n \n  \nDear Basketball  On the eve of his retirement from basketball\, NBA legend Kobe Bryant describes his love for the game\, which began when he was a young child. From his youthful dreams of glory to his 20-year career\, Bryant describes how he and basketball have given each other all they have. 5 min\nNegative Space Even though Sam’s father is hardly ever home because he is often away on business trips\, he is able to connect with his son by teaching him how to pack a suitcase. 5 min\nLou  Lou\, the guardian of the lost and found box at an elementary school\, tries to teach young bully J.J. that giving to the other kids will make him feel better than stealing from them.  7 min\nRevolting Rhymes The Wolf from the fairy tale “Little Red Riding Hood” reveals the true and twisted story of his adventures and those of other characters in his world\, including Snow White\, Cinderella and Jack\, the climber of beanstalks. The film is based on the much-loved rhymes written by Roald Dahl and illustrated by Sir Quentin Blake. 29 min \nGarden Party A luxurious villa and its grounds have become home to amorous\, hungry and accident-prone frogs and toads. They enjoy the bounties on offer\, including caviar and macaroons\, until they encounter the villa’s owner. This film may not be suitable for young viewers. Parental discretion is advised.  Children 8 and older should be fine.  7 min \nSHORTLISTED FILMS:\nLost Property Office Ed is the sole custodian of a lost property office. In many ways he\, himself is like the lost items gathering dust. But although he is content to remain this way a letter on his desk states otherwise. How he chooses to move on from his post is somewhat unorthodox. 9 min \nWeeds  A dandelion undertakes a difficult journey from dry\, barren ground to greener\, grassier land. After watching his neighbors (also weeds!) wilt and die\, the dandelion faces a tough decision: act now\, or suffer and die.  The filmmakers conceived of Weeds in the summer of 2016 as a response to the anger directed towards Syrian refugees and Mexican immigrants. 6 min \nAchoo  Harry has a cold\, but he becomes bored with staying in bed\, so he decides to go and play in Dino-World\, where he manages to make all the other dinosaurs sick. Harry should have gotten his flu shot. 11 min \n. \n\n\n\n 
URL:https://www.theryder.com/film/oscar-shorts-best-animation/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180209
DTEND;VALUE=DATE:20180305
DTSTAMP:20260406T214509
CREATED:20180130T205255Z
LAST-MODIFIED:20200407T164944Z
UID:6005-1518138000-1520125199@www.theryder.com
SUMMARY:Oscar Short Film Festival 2018
DESCRIPTION:March 2-March 4     Single Tickets $8     Oscar Festival Passes $12     Where Are Films Shown?     Where Can I Park?  \nOne final weekend to see the  films that critics are raving about and predict the Oscar-winners before the Academy Awards on March 4th. We are showing the 15 Oscar nominees for Best Short Film\, showcasing the year’s most anticipated short films across Live Action\, Animation\, and Documentary categories. Many Hollywood movies are impersonal — they have unimaginable budgets and nothing creative at stake\, This year’s assortment of short Oscar contenders is a celebration of intimate\, personal storytelling. Each filmmaker leaves his or her fingerprints on the material\, making it a rich collection of stories\, all of which have something profound to say\, whether big and bold or small and modest. \nMeet the nominees! Read short\, snappy descriptions of the Animation films\, the Live-Action films and the Documentaries \nEach individual program is $8 but for $12 you can buy an Oscar Pass admitting you to all three (on different nights\, on different weekends).  Admission is free for children 6 and under.\n \nAt the screenings you can vote for your favorite film (or the film that you think will win the Oscar) – pick the eventual winner and  you will win a complimentary ticket to another Ryder film and be entered into a contest for Dinner for Two at one of our fine local restaurants. \n  \nFri March 2\nDocumentary Program A 7pm @ IU Fine Arts Upstairs\nDocumentary Program B 8:35 @ IU Fine Arts Upstairs\nOSKAR KNIGHT 7:30 @ IU School of Global and International Studies (not part of the Oscar Fest) \nSat March 3: \nAnimation 2:15 and 6:45 @ IU Fine Arts Upstairs\nLive Action 4pm and 8:30 @ IU Fine Arts Upstairs\nDocumentary Program A 3pm @ IU School of Global and International Studies – Last Chance!\nDocumentary Program B 4:30 @ IU School of Global and International Studies – Last Chance!\nOSKAR KNIGHT 7:30 @ IU School of Global and International Studies (not part of the Oscar Fest) \nSun March 4: \n Animation 2:15 @ IU Fine Arts Upstairs – Last Chance!\nLive Action 4pm @ IU Fine Arts Upstairs – Last Chance!\nOskar Knight 5:30 @ Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/6005/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180209
DTEND;VALUE=DATE:20180304
DTSTAMP:20260406T214509
CREATED:20180203T025108Z
LAST-MODIFIED:20200407T164944Z
UID:6014-1518138000-1520038799@www.theryder.com
SUMMARY:Oscar Shorts: Best Documentary
DESCRIPTION:Five of the bravest international filmmakers working today tell thoughtful\, compelling stories in this year’s documentary short film program. These films will be shown consecutively in two programs\, with a brief intermission. You can view them in one sitting or separate nights.\n \nProgram A 80 min\nHeroine(e) Three women — a fire chief\, a judge and a street missionary — battle West Virginia’s devastating opioid epidemic. 39 min \nKnife Skills  What does it take to build a world-class French restaurant? What if the staff is almost entirely men and women just out of prison? What if most have never cooked or served before?  40 min \nProgram B 102 min\nTraffic Stop  In June 2015\, a 26-year-old African-American elementary school teacher named Breaion King was pulled over by a white police officer for a routine traffic stop. The incident escalated into a violent arrest\, followed by a conversation about race in America between King and another white officer while he drove her to the station. 30 min \nHeaven is a Traffic Jam on the 405 Artist Mindy Alper has spent almost all of her 56 years combating depression and anxiety. Art has always been her most effective outlet. Through interviews\, reenactments\, and the creation of an eight foot papier-mache’ bust of her beloved psychiatrist\, we learn how she has emerged from darkness and isolation to a life that includes love\, trust and support. 40 min \nEdith + Eddie  In 2014\, 96-year-old Edith Hill and 95-year-old Eddie Harrison are married\, unconcerned that one is African American and the other is white. Their December romance is disrupted by a family feud that threatens to tear the couple apart. If you like your love stories with a side of social justice (who doesn’t?) Edith + Eddie is the documentary for you. 29 min
URL:https://www.theryder.com/film/best-documentary-short-film/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180204T191500
DTEND;TZID=America/Indiana/Indianapolis:20180204T220000
DTSTAMP:20260406T214509
CREATED:20180104T192120Z
LAST-MODIFIED:20200407T164944Z
UID:5962-1517771700-1517781600@www.theryder.com
SUMMARY:The Square
DESCRIPTION:Feb 4     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \n2018 ACADEMY AWARD NOMINEE: BEST FOREIGN FILM\nChristian is the respected curator of a contemporary art museum\, a devoted father of two who drives an electric car and supports good causes. His next show is The Square\, an installation in the museum’s courtyard: a small square\, set amid the cobblestones\, and intended as a sanctuary where all rights are to be respected. But sometimes it’s difficult to live up to your own ideals. \nThe Square is directed by Swedish filmmaker Ruben Östlund. Some of you saw his 2014 film\, Force Majeure\, about an avalanche in the Alps.\n \n142 min / Winner: Palme D’or Cannes Film Festival \nThe Square is A COMIC TOUR-DE-FORCE. It’s a refined sort of discomfort\, a highbrow cringe comedy that uses the tools of both art-house and trendy marketing to satirize. – Consequence of Sound \nThis is A MOVIE WITH A LOT ON ITS MIND\, from art to altruism\, and it could function as a Rorschach test for its audience\, reflecting viewers’ anxieties and insecurities right back at them. It’s also just really\, really funny. – The A.V. Club \n\n \n\n  \nSunday\, Feb 4\nBPM (Beats Per Minute) 4:30 @ Bear’s Place – Last Chance!\nThe Square  7:15 @ Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/the-square/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180204T163000
DTEND;TZID=America/Indiana/Indianapolis:20180204T185500
DTSTAMP:20260406T214509
CREATED:20171107T184132Z
LAST-MODIFIED:20200407T164944Z
UID:5822-1517761800-1517770500@www.theryder.com
SUMMARY:BPM (Beats Per Minute)
DESCRIPTION:Feb 4  Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?   \nIn Paris in the early 1990s\, a group of activists goes to battle for those stricken with HIV/AIDS\, taking on sluggish government agencies and major pharmaceutical companies in bold\, invasive actions. The organization is ACT UP\, and its members\, many of them gay and HIV-positive\, embrace their mission with a literal life-or-death urgency. Amid rallies\, protests\, fierce debates and ecstatic dance parties\, Nathan\, a newcomer to the group\, has his world shaken up by Sean\, a radical militant. \nFrance / subtitles / 140 minute WATCH THE TRAILER \nGrand Prize Winner: Cannes Film Festival\nWINNER BEST FOREIGN LANGUAGE FILM: NEW YORK FILM CRITICS CIRCLE   \nThe beauty of the bracing\, passionate French drama ‘BPM (Beats Per Minute)’ lies in its willingness to embrace life in all its messiness\, its refusal to pretend that the personal isn’t also political and vice versa. -LA Times\nBPM is emotionally transformative. Campillo has taken his own experience as an ACT UP organizer and turned it into the best kind of cinematic memoir\, a cathartic invocation of a lost moment. -Slate\n\n  \n  \nSunday\, Feb 4\nBPM (Beats Per Minute) 4:30 @ Bear’s Place – Last Chance!\nThe Square  7:15 @ Bear’s Place – Last Chance! \n 
URL:https://www.theryder.com/film/bpm-beats-per-minute/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180128T143000
DTEND;TZID=America/Indiana/Indianapolis:20180128T190000
DTSTAMP:20260406T214509
CREATED:20180106T212649Z
LAST-MODIFIED:20200407T164944Z
UID:5961-1517149800-1517166000@www.theryder.com
SUMMARY:Wounded Galaxies Festival: THE GREAT SILENCE and The Monkees in HEAD
DESCRIPTION:Wounded Galaxies is hosting a festival in early February in which scholars\, artists and activists will explore and celebrate the cultural and political legacy of 1968 on it’s 50th anniversary. There are also selected events\, on and off campus\, in January and this is one of them: two films at the Buskirk-Chumley Theater that reflect the the political/cultural climate of 1968. \nAt the height of their fame\, the Monkees teamed up with Jack Nicholson and Bob Rafelson to film Head. (Nicholson and Rafelson would soon make Easy Rider together.) The film is a post-modern\, musical black comedy that mocks the Vietnam War\, consumer culture\, the music business and the Monkees themselves. The cast includes Frank Zappa\, Dennis Hopper and Annette Funicello. A constantly looping\, self-referential spoof that was ahead of its time\, Head dodged commercial success on its release but has since been reclaimed as one of the great cult objects of its era. Thomas Pynchon is reportedly a big fan. One show only: 2:30 at the BCT \n  \nThe Great Silence is a revisionist spaghetti western that was filmed in 1968 but never screened in the States. It will get its long-overdue theatrical release on March 30th in New York City but you can think of this very special screening as the US premiere Inspired by the recent deaths of Che Guevara and Malcolm X\, writer/director Sergio Corbucci’s film is notable for its radical politics\, dark tone\, and a haunting score by Ennio Moriconi. Klaus Kinski stars. The Great Silence has influenced a number of contemporary filmmakers\, notably Quentin Tarantino. Its suppression over the years has only added to its mystique—you won’t want to miss this. One show only: 5pm at the BCT. \n  \nReserve Seats Today: Tickets can be purchased at the BCT Box Office or online here \nPlease note: Ryder movie passes are not valid at the Buskirk-Chumley Theater \nClick here for a look at some of the other exciting and very cool events hosted by Wounded Galaxies in January and February \n 
URL:https://www.theryder.com/film/wounded-galaxies-festival-the-great-silence-and-the-monkees-in-head/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180121T194500
DTEND;TZID=America/Indiana/Indianapolis:20180121T211500
DTSTAMP:20260406T214509
CREATED:20171120T045725Z
LAST-MODIFIED:20200407T164944Z
UID:5912-1516563900-1516569300@www.theryder.com
SUMMARY:The Fairy
DESCRIPTION:Jan 5-21     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \nDom works the night shift in a small hotel near the industrial seaport of Le Havre. One night\, a woman named Fiona arrives\, with no luggage and no shoes. She tells Dom that she is a fairy\, and grants him three wishes. Before she is able to grant the third wish however\, she mysteriously disappears. By this point\, Dom has fallen in love with Fiona\, and sets out on a quest to find her\, leading the two on a series of comic misadventures. Husband and wife filmmakers Dominique Abel and Fiona Gordon delighted Ryder audiences in October with their film\, Lost in Paris. Seeing Abel and Gordon is like finally seeing the real version of something you’ve previously only seen imitated. They are as in control of the comic tone as they are of their movements – and they move beautifully. \n93 min / in French with subtitles / WATCH THE TRAILER \nDominique Abel and Fiona Gordon have devised their own original style of comic performance and have taken it to a rare level of refinement. They have their antecedents in American silent film and Jacques Tati’s comedy\, but they’ve come up with something that is very much their own thing. Seeing Abel and Gordon is like finally seeing the real version of something you’ve previously only seen imitated. They are as in control of the comic tone as they are of their movements – and they move beautifully. -San Francisco Chronicle \nBeginning Jan 1st\, single admission tickets will increase to $6. We’ve held off as long as we could — it’s been something like 7-8 years (and possibly more than 10 years) since we last raised our ticket price. Semester passes will stay at $30. Last semester we showed 18 films. Think about it. 18 movies\, $30…well\, we’ll let you do the math. This semester we are also offering a five-film ticket for $20\, which is also a pretty good deal. \n  \nFri Jan 19\nLost in Paris  6:45 @ IU Fine Arts Upstairs\nDjango   7:30 @ IU School of Global and International Studies\nThe Fairy  8:30 @ IU Fine Arts Upstairs\n \nSat\, Jan 20\nLost in Paris  6:45 @ IU Fine Arts Upstairs\nJane  7:30 @ IU School of Global and International Studies – Last Chance!\nDjango  8:30 @ IU Fine Arts Upstairs \nSunday\, Jan 21\nLost in Paris  5:15 @ Bear’s Place – Last Chance!\nThe Fairy  7:45 @ Bear’s Place – Last Chance! \n  \n  \n  \n 
URL:https://www.theryder.com/film/the-fairy/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180121T171500
DTEND;TZID=America/Indiana/Indianapolis:20180121T190000
DTSTAMP:20260406T214509
CREATED:20170826T164311Z
LAST-MODIFIED:20200407T164944Z
UID:5711-1516554900-1516561200@www.theryder.com
SUMMARY:Lost in Paris
DESCRIPTION:Jan 19-21     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?   \nLost in Paris is the new comic collaboration by the married filmmaking duo\, Dominique Abel and Fiona Gordon. (We showed their 2012 film\, The Fairy.) The filmmakers also star in this story of a a small-town Canadian librarian (Fiona) searching for her elderly Aunt Martha in the French capitol. She is aided in her search by a vaguely disreputable Parisian vagabond (Dominique). Aunt Martha is delightfully portrayed by the legendary Emmanuelle Riva (Hiroshima\, Mon Amour). “Their style — equal parts Jacques Tati\, Jerry Lewis\, Wes Anderson and “Wallace & Gromit” — isn’t easy to pull off. –The New York Times\n \nFrance  /  83 minutes / subtitles  WATCH THE TRAILER \nRife with pratfalls\, near-misses\, crazy coincidences and mistaken identities\, “Lost in Paris” is a whirligig contraption that never turns frenetic or throws too much at you. It’s like a Jean-Pierre Jeunet farce on Xanax\, with a soothing dose of Wes Anderson whimsy for good measure. It’s also a fond if inadvertent farewell to Emmanuelle Riva\, who died earlier this year (several months after the film premiered at festivals)\, and whose storied performances in “Hiroshima\, Mon Amour\,” “Léon Morin\, Priest” and “Amour” gave moviegoers little indication of her screwball potential. At one point\, the picture stops gently in its tracks so that Martha can reunite with an old friend (Pierre Richard\, another French cinema legend)\, and the camera zooms in on their feet as they go through a delicate soft-shoe routine. It’s the loveliest of throwaways\, but also an emblematic moment in a movie that moves to its own loopy\, life-affirming beat. –LA Times \n  \nFri Jan 19\nLost in Paris  6:45 @ IU Fine Arts Upstairs\nDjango   7:30 @ IU School of Global and International Studies\nThe Fairy  8:30 @ IU Fine Arts Upstairs\n \nSat\, Jan 20\nLost in Paris  6:45 @ IU Fine Arts Upstairs\nJane  7:30 @ IU School of Global and International Studies – Last Chance!\nDjango  8:30 @ IU Fine Arts Upstairs \nSunday\, Jan 21\nLost in Paris  5:15 @ Bear’s Place – Last Chance!\nThe Fairy  7:45 @ Bear’s Place – Last Chance! \n  \n 
URL:https://www.theryder.com/film/lost-in-paris/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180112
DTEND;VALUE=DATE:20180128
DTSTAMP:20260406T214509
CREATED:20171206T202909Z
LAST-MODIFIED:20200407T164944Z
UID:5932-1515718800-1517014799@www.theryder.com
SUMMARY:DJANGO
DESCRIPTION:Jan 13-27     Single Tickets $6     Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \nFrance\,1943 during the German occupation. Every night\, guitar virtuoso Django Reinhardt delights Parisian audiences with his witty\, life-affirming ‘gypsy swing’ music. While many other Romany people find themselves the target of racist persecution\, Django believes himself to be safe – until agents of the Nazi propaganda machine demand that he go on tour to Germany in order to counteract the influence of ‘negro music’ from the USA. Django refuses. \nFilmmaker Etienne Comar\, wrote Of Gods and Men and produced Abderrahmane Sissako’s Timbuktu\, both of which appeared on our calendar. \nFrance\, Germany / subtitles / 117 min \n  \n  \nFri and Sat\, Jan 26 and 27\nDjango 6:45 @ IU Fine Arts Upstairs\nThe Square  7:30 @ IU School of Global and International Studies\n \nSunday\, Jan 28\nThe Square 7pm @ Bear’s Place \nSunday\, Jan 28 at the Buskirk Chumley Theater\nThe Monkees in HEAD 2:30\nThe Great Silence 5pm \n \n 
URL:https://www.theryder.com/film/django/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20180107T193000
DTEND;TZID=America/Indiana/Indianapolis:20180107T211500
DTSTAMP:20260406T214509
CREATED:20171206T013549Z
LAST-MODIFIED:20200407T164944Z
UID:5918-1515353400-1515359700@www.theryder.com
SUMMARY:Marjorie Prime
DESCRIPTION:Jan 5 – Jan 7     Single Admission Tickets $6     Semester Passes $30      Where Are Films Shown?     Where Can I Park?   \nMarjorie Prime stars the great character actress Lois Smith. (You might not recognize her name\, but you’ve seen her in dozens of movies going back to East of Eden – how many actors working today can say they appeared opposite James Dean?) \nSet in the near future\, Marjorie Prime is the story of an aging violinist whose memory is fading. But she has a handsome new companion (Jon Hamm of Mad Men) who looks almost exactly like her deceased husband Walter\, with one small difference — he is a hologram. He is a gift to Marjorie from her daughter Tess (Geena Davis)\, and son-in-law Jon (Tim Robbins)\, who recognize Marjorie’s need for companionship\, however abstract. And he’s been programmed to aid her memory by telling the story of her life back to her. \nWhat would we remember\, and what would we forget\, if given the chance? \n98  minutes \n  \nThere’s more going on in this movie’s 90-plus minutes than in many blockbusters nearly twice its length. –The New York Times \nTRANSCENDENT. Exquisite\, beautiful\, intense and shivering with empathy–a ghost sonata. –New York Magazine  \nBeginning Jan 1st\, single admission tickets will increase to $6. We’ve held off as long as we could — it’s been something like 7-8 years (and possibly more than 10 years) since we last raised our ticket price. \nSemester passes will stay at $30. Last semester we showed 18 films. Think about it. 18 movies\, $30…well\, we’ll let you do the math. This semester we are also offering a five-film ticket for $20\, which is also a pretty good deal. \nPARKING ON JAN 5 AND 6 – IU is still on Christmas Break and it’s cold – feel free to park right in front of Fine Arts \nFri and Sat\,  Jan 5 and 6\nThe Fairy 7pm @ IU Fine Arts Upstairs\nJane  7:30 @ IU Fine Arts Downstairs\nMarjorie Prime 8pm @ IU School of Global and International Studies\n \nSunday\, Jan 7\nThe Fairy 5:15 @ Bear’s Place\n Marjorie Prime 7:30 @ Bear’s Place  – Last Chance!
URL:https://www.theryder.com/film/marjorie-prime/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20171216T193000
DTEND;TZID=America/Indiana/Indianapolis:20171217T193000
DTSTAMP:20260406T214509
CREATED:20170907T183709Z
LAST-MODIFIED:20200407T164944Z
UID:5775-1513452600-1513539000@www.theryder.com
SUMMARY:The Women's Balcony
DESCRIPTION:  \nDec 16 and 17     Single Tickets $5     Semester Passes $30     Where Are Films Shown?     Where Can I Park?   \nWhen the women’s balcony in an Orthodox synagogue collapses\, leaving the rabbi’s wife in a coma and the and the rabbi in shock\, the congregation falls into crisis.  \nEnter the young and charismatic Rabbi David\, a can-do individual who teaches at a local seminary and takes on the congregation’s well-being as a personal project. Rabbi David is so eager to help he even offers to cut through the annoying red tape and supervise the rebuilding of the collapsed synagogue. “Thank the Creator\,” he modestly tells the grateful congregants. “I am only the messenger.” \nDiscerning eyes will notice\, however\, that Rabbi David’s dress marks him as ultra-Orthodox\, while the congregation\, whose female members do not cover their hair\, is what might be called modern Orthodox: definitely observant but without the accompanying zealotry. The Women’s Balcony is a rousing\, culture-clash comedy. With rich characters and a thoughtful approach to timely themes\, the film tackles complicated subjects with intelligence\, compassion\, and wit.\n \nIsrael / 96 minutes / subtitles / WATCH THE TRAILER \nsponsored in part by the Jewish Theater of Bloomington \n  \nSat\, Dec 16\nThe Woman’s Balcony 7:30 @ IU Fine Arts Downstairs\nJane 8pm @ IU Fine Arts Upstairs\n \nSunday\, Dec 17\nJane 5:15 @ Bear’s Place\n The Women’s Balcony 7:30 @ Bear’s Place\n \n  \n  \n 
URL:https://www.theryder.com/film/the-womens-balcony/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20171210
DTEND;VALUE=DATE:20171212
DTSTAMP:20260406T214509
CREATED:20171006T173853Z
LAST-MODIFIED:20200407T164944Z
UID:5787-1512867600-1512953999@www.theryder.com
SUMMARY:California Typewriter
DESCRIPTION:Nov 17 – Dec 10  Single Tickets $5     Semester Passes $30     Where Are Films Shown?     Where Can I Park?  \n \nQ W E R T Y \nCalifornia Typewriter captures a bittersweet moment in our shared cultural history when the typewriter faces extinction.  \n\n\n\nThe film features interviews with artists\, writers\, and collectors (including Tom Hanks\, David McCullough and Sam Shepard) who remain steadfastly loyal to the typewriter as a tool and a muse. It also movingly documents the struggles of California Typewriter\, one of the last standing repair shops in America dedicated to keeping the aging machines clicking. In the process\, filmmaker Doug Nichol  delivers a thought-provoking meditation on the changing dynamic between humans and machines\, and encourages us to consider our own relationship with technology\, old and new\, as the digital age’s emphasis on speed and convenience redefines who’s serving whom\, human or machine? \n\n\n\nCalifornia Typewriter is a love letter to the iconic writing instrument and an ode to the bygone days of analog glory\, \nUSA / 103 MINUTES / PRESENTED IN PART BY THE NEW YORK TIMES / WATCH THE TRAILER \nPeople who love typewriters–you know who you are–shouldn’t tap the space bar once\, let alone twice\, before rushing to see Doug Nichol’s agile\, deeply affectionate documentary California Typewriter. But anyone who loves machines\, poetry or\, better yet\, the poetry of machines should see it too. –Time magazine \nA rich\, thoughtful\, meticulously crafted tapestry about the evolution of the beloved writing machine for purists\, history buffs\, collectors and others fighting to preserve or re-embrace analog life. Oscar voters\, keep this one in your sights. –LA Times \nThis quirky\, obsessive documentary is about so much more than broken keys and busted type wheels. It’s really about how we create art. –The NY Times\n \n  \nFri and Sat\, Dec 8 and 9\nCalifornia Typewriter 7pm @ IU Fine Arts Upstairs\nBPM (Beats Per Minute)  7:30 @ IU Fine Arts Downstairs\nSpettacolo 8pm @ IU School of Global and International Studies \nSun\, Dec 10\nCalifornia Typewriter 5:15 @ Bear’s Place – LAST CHANCE!\nBPM (Beats Per Minute) 7:45 @ Bear’s Place \n  \n 
URL:https://www.theryder.com/film/california-typewriter/
CATEGORIES:Film Series
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