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DTSTART;TZID=America/Indiana/Indianapolis:20230923T201500
DTEND;TZID=America/Indiana/Indianapolis:20230923T230000
DTSTAMP:20260409T201931
CREATED:20230905T215044Z
LAST-MODIFIED:20240223T234020Z
UID:13976-1695500100-1695510000@www.theryder.com
SUMMARY:Black Panther: Wakanda Forever
DESCRIPTION:Saturday\, Sept 23rd in Bryan Park at 8:15 – Free Screening \nBlack Panther: Wakanda Forever (2022) received five Academy Award nominations\, including Best Supporting Actress for Angela Bassett. \nQueen Ramonda\, Shuri\, M’Baku\, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter\, the heroes must band together with the help of War Dog Nakia and Everett Ross and forge a new path for the kingdom of Wakanda. \nIn 2013\, filmmaker Ryan Coogler was included on Time’s list of the 30 people under 30 who are changing the world. He’s over 30 now; we’re not sure how successful he’s been. (161 min) \n 
URL:https://www.theryder.com/film/black-panther-wakanda-forever/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230922
DTEND;VALUE=DATE:20231003
DTSTAMP:20260409T201931
CREATED:20230822T203514Z
LAST-MODIFIED:20240223T234020Z
UID:13899-1695344400-1696208399@www.theryder.com
SUMMARY:AFIRE
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Sept 22 at 7pm ♦ Sat\, Sept 23 at 4pm and 7pm ♦ Sun\, Sept 24 at 4pm and 7pm\n \nFri\, Sept 29 at 7pm ♦ Sat\, Sept 30 at 4pm and 7pm ♦ Sun\, Oct 1 at 4pm and 7pm \nIU Fine Arts Theater ♦ Purchase Tickets \nA sad-sack writer with a severe case of writer’s block travels to a quiet summer home by the Baltic Sea\, hoping to make some progress on his stalled novel (working title: “Club Sandwich”). Upon arrival\, he discovers that the cottage has been double-booked. The unexpected house guests\, including the enchanting Nadja\, prove to be a distraction. As professional deadlines loom\, emotional and romantic entanglements ensue. Meanwhile\, distant fires on the horizon begin to threaten the home. Directed by Christian Petzold (Transit\, Undine)\, Afire won the Silver Bear Grand Jury Prize at this year’s Berlin International Film Festival.  \nGermany  ♦  103 minutes  ♦  presented with the support of the IU Department of Germanic Studies \nThe uncompromising work of a master. – The Playlist \nAfire unfurls with all the page-turning seduction of a gripping novella. – The Film Stage \nSeriousness does eventually descend on Afire like the check at the end of a meal\, but until then the film\, the latest feature from German filmmaker Christian Petzold\, is a BEGUILINGLY FUNNY affair about getting in your own way. – Vulture \nOne of the most reliably interesting and surprising filmmakers working today\, Christian Petzold makes sharp\, visually intelligent\, psychologically sophisticated movies. Spiky and at times mordantly funny\, AFIRE IS A TONIC FOR MOVIEGOERS tired of nice\, squishable\, likable\, relatable dull and dull characters. CRITIC’S PICK! — New York Times \n 
URL:https://www.theryder.com/film/afire/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230915T203000
DTEND;TZID=America/Indiana/Indianapolis:20230922T221500
DTSTAMP:20260409T201931
CREATED:20230831T203328Z
LAST-MODIFIED:20240223T234020Z
UID:13958-1694809800-1695420900@www.theryder.com
SUMMARY:VIVO
DESCRIPTION:The animated musical adventure\, Vivo—featuring original songs by Lin-Manuel Miranda—centers on his character Vivo\, a one-of-kind kinkajou (or rainforest “honey bear”) who spends his days playing music with his beloved owner Andrés (Juan de Marcos). \nWhile they may not speak the same language\, Vivo and Andrés prove to be the perfect duo\, given their shared love of music. As they navigate through bustling streets\, lush rain forests\, and even a thrilling dance competition\, Vivo and Gabi’s bond grows stronger\, delivering a touching message about friendship\, and self-discovery/ \n 
URL:https://www.theryder.com/film/vivo/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230915
DTEND;VALUE=DATE:20230926
DTSTAMP:20260409T201931
CREATED:20230821T212947Z
LAST-MODIFIED:20240223T234021Z
UID:13884-1694739600-1695603599@www.theryder.com
SUMMARY:20 DAYS IN MARIUPOL
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \n\nFri\, Sept 15 at 7:30 ♦ Sat\, Sept 16 at 4:30 and 7:30 ♦ Sun\, Sept 17 at 4:30 and 7:30\n \nFri\, Sept 22 at 7:30 ♦ Sat\, Sept 23 at 4:30 and 7:30 ♦ Sun\, Sept 24 at 4:30 and 7:30\n \nIU Radio & Television Theater ♦ Purchase Tickets \nFebruary 2022: As Russian troops advance on the Ukrainian city of Mariupol\, a small crew of Associated Press reporters are trapped amongst the besieged civilian population. 20 DAYS IN MARIUPOL — winner of the 2023 Sundance Audience Award for World Cinema Documentary — is the unflinching visual chronicle of this harrowing ordeal. Ukrainian war correspondent Mstyslav Chernov (he directs\, shoots\, and narrates) and colleagues are the only international correspondents left in the city\, witnesses to the first sighting of a “Z” on a Russian tank (a declaration of war)\, random shelling\, the bombing of a maternity hospital\, the digging of mass graves\, and Russia’s eventual encirclement of the city. Their images of war crimes would soon go viral\, potently exposing Russia’s monstrous lies that deny their targeting of Ukrainian civilians\, and earning the AP team two 2023 Pulitzer Prizes: for Public Service Journalism and Breaking News Photography. (95 min) \npresented with the support of the IU DEPARTMENT OF SLAVIC & EAST EUROPEAN LANGUAGES and the IU RUSSIAN & EAST EUROPEAN INSTITUTE \nA miraculous feat! – Harper’s Bazaar  \nPulsating… enthralling…an unflinching look at the true price of Russia’s war on Ukraine. – indieWIRE \nAn incredible\, and haunting viewing experience…To call 20 Days in Mariupol one of the most important movies of Sundance is to undersell it. – Nick Allen\, Roger Ebert \nWINNER – Audience Award\, World Cinema Documentary – Sundance Film Festival 2023 \nWINNER – Cinema for Peace Dove for The Most Valuable Documentary of the Year \nCRITIC’S PICK! – The New York Times \n Chernov’s account is but a snippet of the war and should galvanize people into action. – Collider
URL:https://www.theryder.com/film/20-days-in-mariupol/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230909T203000
DTEND;TZID=America/Indiana/Indianapolis:20230909T203000
DTSTAMP:20260409T201931
CREATED:20230831T190519Z
LAST-MODIFIED:20240223T234021Z
UID:13949-1694291400-1694291400@www.theryder.com
SUMMARY:Alfred Hitchcock's STRANGERS ON A TRAIN
DESCRIPTION:Saturday\, Sept 9 at Dusk in Bryan Park: Free Screening\n\n“Isn’t it a fascinating design? One could study it forever\,” Hitchcock remarked to Francois Truffaut of the elaborately structured Strangers on a Train\, whose series of doubling motifs transform the film’s twinned protagonists into doppelgängers caught in a dance of death. \nStrangers opens on an NYC-bound train\, where a tennis star\, Guy (Farley Granger)\, who wants out of his unhappy marriage\, strikes up a conversation with a charming psychopath named Bruno (Robert Walker). Bruno has family issues of his own and offers his new friend the opportunity to solve both of their problems: they can swap murders. Bruno will murder Guy’s wife if Guy will return the favor and eliminate Bruno’s interfering father. Strangers features some of Hitchcock’s most memorable set pieces — including a fiendishly elegant tennis match and a climactic “chase scene” on a runaway carousel. Those of you watching the US Open might think that tennis players today are under a lot of pressure\, but they have it easy. Only after watching Strangers on a Train\, will you understand what real pressure is. \n1951 | 106 min
URL:https://www.theryder.com/film/alfred-hitchcocks-strangers-on-a-train/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230908
DTEND;VALUE=DATE:20230919
DTSTAMP:20260409T201931
CREATED:20230821T213451Z
LAST-MODIFIED:20240223T234021Z
UID:13894-1694134800-1694998799@www.theryder.com
SUMMARY:BLUE JEAN
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Sept 8 at 7pm ♦ Sat\, Sept 9 at 4pm and 7pm ♦ Sun\, Sept 10 at 4pm and 7pm\n \nFri\, Sept 15 at 7pm ♦ Sat\, Sept 16 at 4pm and 7pm ♦ Sun\, Sept 17 at 4pm and 7pm \nIU Fine Arts Theater ♦ Purchase Tickets \nEngland\, 1988: Prime Minister Margaret Thatcher states “Children who need to be taught to respect traditional moral values are being taught that they have an inalienable right to be gay.” \n\nBlue Jean is a fictional film set against this real-life backdrop. Jean is living a double life\, but not because she wants to. By day\, she teaches PE to teenagers at the local public school—at night\, she hits up the local lesbian bar with her partner and their crew of friends. It’s unjust\, but Jean’s primary concern is to keep her job. When a new student starts turning up in Jean’s after-hours social circle\, her scrupulously separated identities are threatened. Rosy McEwan gives an astonishingly sensitive lead performance as a fundamentally decent person who\, cornered by societal pressures\, is all too capable of betraying others in the interest of saving her own skin. Georgia Oakley’s impressive debut feature was nominated for 13 British Film Independent Awards\, second only to Aftersun.(97 min) \nIt is rare in British cinema to see the “L” in “LGBTQ+” up there in such bold type\, which makes Blue Jean not only a biting look at this historical moment but a riveting act of redress.  BLUE JEAN IS A SLAM-DUNK MASTERPIECE!                      – The Daily Telegraph \nCritic’s Pick! – The New York Times
URL:https://www.theryder.com/film/blue-jean/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20230903
DTSTAMP:20260409T201931
CREATED:20230810T213738Z
LAST-MODIFIED:20240223T234021Z
UID:13832-1693530000-1693616399@www.theryder.com
SUMMARY:MARCEL THE SHELL WITH SHOES ON
DESCRIPTION:FRI\, SEPT 1 AT DUSK • FREE SCREENING IN SWITCHYARD PARK\n \nMarcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie in this blend of live-action and stop motion animation. Once part of a sprawling community of shells\, Marcel and Connie now live alone as the sole survivors of a mysterious tragedy.\n \nJenny Slate and Dean Fleischer Camp’s quirky short films about Marcel have an enthusuastic online following. Marcel is voiced by Slate and Connie by Isabella Rossellini\, who’s come a long way since Blue Velvet. (89 min)  \nMarcel the Shell With Shoes On is one of the most\, inventive\, and downright lovely films of the year. It’s a film with massive ambitions and an even larger heart. – Collider \nThe film’s heap of personality tics places it adjacent to Wes Anderson and softer Spike Jonze in a way that would seem smarmily optimistic were it not for the tinges of darkness that Slate\, Camp\, and co-writer Nick Paley weave into the story. Maybe quirky earnestness is back—so long as it’s done with as much care and insight as this rather marvelous curio. – Vanity Fair \nAN UNASSUMING GEM! UNIQUE AND UNFORGETTABLE! -ABC News \nOne of those movies that sneaks up and surprises you with how good it is. There is great depth to this uncomplicated story. – Film Threat \n 
URL:https://www.theryder.com/film/marcel-the-shell-with-shoes-on-2/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20230912
DTSTAMP:20260409T201931
CREATED:20230807T205804Z
LAST-MODIFIED:20240223T234021Z
UID:13839-1693530000-1694393999@www.theryder.com
SUMMARY:BIOSPHERE
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Sept 1 at 7:30 ♦ Sat\, Sept 2 at 4:30 and 7:30 ♦ Sun\, Sept 3 at 4:30 and 7:30\n \nFri\, Sept 8 at 7:30 ♦ Sat\, Sept 9 at 4:30 and 7:30 ♦ Sun\, Sept 10 at 4:30 and 7:30\n \nIU Radio & Television Theater ♦ Purchase Tickets \nBilly and Ray are lifelong best friends — and the last two men on earth. Their survival is largely due to Ray\, a brilliant scientist who designed a domed structure with all the systems necessary to sustain life on a planet that could no longer support it. \nTheir custom biosphere is outfitted with basic necessities and creature comforts that make it possible to retain a sense of what life used to be like. A hydroponic garden provides fresh vegetables and a carefully managed fishpond supplies essential protein. \nRecently\, however\, fish have begun dying at an alarming rate. With a mere three fish remaining\, Billy and Ray face an ominous future. But life may yet find a way. \nSterling K. Brown and Mark Duplass star.  Written and produced by the Duplass Brothers\, perhaps best known for their HBO series Togetherness and Room 104  (106 minutes) \nAll you need to do is open your mind to its wonders and you may too discover something about yourself. – Collider \nUnlike any movie in recent memory. A one-location two-hander in which excellent performances are matched by hand-in-glove chemistry\, directed with an assured sense of comic timing and storytelling economy. — Hollywood Reporter \n I can say without hyperbole that there are conversations in this movie that I have never heard before (and refuse to spoil). CRITIC’S PICK! – The New York Times  \nTons of fun. — Indiewire \n  \n 
URL:https://www.theryder.com/film/biosphere/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230825
DTEND;VALUE=DATE:20230905
DTSTAMP:20260409T201931
CREATED:20230810T215439Z
LAST-MODIFIED:20240223T234021Z
UID:13865-1692925200-1693789199@www.theryder.com
SUMMARY:OLDBOY
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Aug 25 at 7pm ♦ Sat\, Aug 26 at 4pm and 7pm ♦ Sun\, Aug 27 at 4pm and 7pm\n \nFri\, Sept 1 at 7pm ♦ Sat\, Sept 2 at 4pm and 7pm ♦ Sun\, Sept 3 at 4pm and 7pm \nIU Fine Arts Theater ♦ Purchase Tickets \n\nCelebrating the 20th anniversary of South Korean filmmaker Park Chan-Wook’s cinematic masterpiece\, Oldboy has been restored and remastered in stunning 4K. After being mysteriously kidnapped and imprisoned with no human contact for fifteen years\, Oh Dae-Su (Choi Min-sik) is suddenly released without any explanation. In a twisted game of cat and mouse\, he has only five days to retrace his past and track down his captors. \nQuentin Tarantino counts Park Chan-Wook as one of his favorite filmmakers\, and Spike Lee so admired Oldboy that he remade it in 2013 (albeit\, not very successfully). Park Chan-Wook has gone on to direct a number of acclaimed films\, including The Handmaiden and Decision to Leave. For many\, Oldboy remains his best film. A cult classic\, it has served as inspiration for auteurs for nearly two decades. (132 min) \nPlease note: For those of you who attend regularly\, Oldboy has a higher degree of violence than the average Ryder film. \nOldboy is a powerful film\, not because of what it depicts\, but because of the depths of the human heart which it strips bare. – Roger Ebert \n 
URL:https://www.theryder.com/film/oldboy/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230818
DTEND;VALUE=DATE:20230829
DTSTAMP:20260409T201931
CREATED:20230807T214348Z
LAST-MODIFIED:20240223T234021Z
UID:13842-1692320400-1693184399@www.theryder.com
SUMMARY:LADY KILLER
DESCRIPTION:  \nWhere are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Aug 18 at 7:30 ♦ Sat\, Aug 19 at 4:30 and 7:30 ♦ Sun\, Aug 20 at 4:30 and 7:30\n \nFri\, Aug 25 at 7:30 ♦ Sat\, Aug 26 at 4:30 and 7:30 ♦ Sun\, Aug 27 at 4:30 and 7:30\n \nIU Radio & Television Theater ♦ Purchase Tickets \nA newly restored film from the late 1930s by unsung French filmmaker Jean Grémillon\, Lady Killer is first collaboration between Grémillon and legendary actor Jean Gabin. Adaptated from a novel by André Boucler\, it features the young Gabin as a foreign-legion Casanova – the “lady killer” of the title – who meets his match in the mysterious seductress Madeleine (Mireille Balin). \n\n4K restoration / 1937 / 94 min / in French w/ English subtitles\n  \nTo come across the films of classic French filmmaker Jean Grémillon is like discovering another country\, at once familiar and unaccountably new. — Los Angeles Times \n“Gremillon belongs in the hierarchy of classic French cinema alongside René Clair\, Jean Renoir\, and Marcel Carné. — The Village Voice\n \n  \n Not every rarity is a revelation\, but Lady Killer strikes me as the real deal. – The New Yorker\n  \nFour Stars. Lady Killer is ONE OF THE SCREEN’S LEAST SEEN MASTERPIECES. Gabin\, with his soft voice and sensual hesitations\, never had a more suitable role\, and Balin brings a palpable erotic charge to her femme fatale part. — Slant \n  \n\nCRITIC’S PICK! Compared to other heavy hitters from the golden age of French cinema — think Jean Renoir (“The Rules of the Game”) or Marcel Carné (“Children of Paradise”) — history hasn’t been kind to Jean Grémillon. This is especially the case in the United States\, where the director’s work continues to be discussed among cinephiles like a special secret. It’s a shame. HIS FILMS ARE AMONG THE MOST INNOVATIVE AND EXPRESSIVE from a period stretching roughly from the early 1930s through the ’50s — and in many ways they look ahead to the rule breaking of the French New Wave. – The New York Times
URL:https://www.theryder.com/film/lady-killer/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230812
DTEND;VALUE=DATE:20230822
DTSTAMP:20260409T201931
CREATED:20230621T214415Z
LAST-MODIFIED:20240223T234021Z
UID:13754-1691802000-1692579599@www.theryder.com
SUMMARY:SCARLET
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \n  \nSat\, Aug 12 at 4pm and 7pm\n \nFri\, Aug 18 at 7pm ♦ Sat\, Aug 19 at 4pm and 7pm ♦ Sun\, Aug 20 at 4pm and 7pm\n \nIU Fine Arts Theater ♦ Purchase Tickets \nA soldier returns to a small village in northern France\, having survived the First World War\, only to learn that his wife has died and his infant daughter Juliette is being cared for by a tough and benevolent neighbor. The film unfolds over twenty years of Juliette’s life as the tender bond between father and daughter strengthens with each obstacle\, and as the young woman’s aspirations transcend the offerings of their pastoral village. a free-spirited young woman reckoning with a local witch’s prophecy for her future and falling for the modern man (Louis Garrel) who literally drops from the sky. In his first film made in France\, Pietro Marcello proves again that he is as comfortable in the realm of folklore as he is in creative nonfiction\, delicately interweaving realist drama\, ethereal romance\, and musical flights of fancy. \n\n\n\nScarlet is based on a beloved 1923 novel by Russian writer Alexander Grin and the first French-language film by Italian filmmaker Pietro Marcello  (Martin Eden). \nIn French with English subtitles ♦  103 minutes\n\nPietro Marcello\, the celebrated director of the 2019 hit Martin Eden\, is back with a a surprisingly different kind of cinematic experience. a memorable portrait of a father-daughter relationship that washes over the audience like a dream. – Film Threat\n \nScarlet is a fascinating\, slippery movie filled with lyrical beauty\, acts of barbarism\, moments of magic and unexpected hope.”  – Manohla Dargis\, The New York Times\n\n“Its pleasures are as diverse and unexpected as a stroll through uncharted lands… another transfixing blend\, this time of historical space and folk-tale wonder.”  – The Los Angeles Times
URL:https://www.theryder.com/film/scarlet/
CATEGORIES:Film Series
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230804
DTEND;VALUE=DATE:20230814
DTSTAMP:20260409T201931
CREATED:20230715T221434Z
LAST-MODIFIED:20240223T234021Z
UID:13776-1691110800-1691888399@www.theryder.com
SUMMARY:SHOWING UP
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nFri\, Aug 4 at 7:30 ♦ Sat\, Aug 5 at 4:30 and 7:30 ♦ Sun\, Aug 6 at 4:30 and 7:30\n \nFri\, Aug 11 at 7:30 ♦ Sat\, Aug 12 (Last Chance!) at 4:30 and 7:30\n \nIU Radio & Television Theater ♦ Purchase Tickets \n  \nA sculptor preparing to open her new gallery show must balance her creative life with the daily dramas of family and friends\, in Kelly Reichardt’s vibrant and captivatingly funny portrait of art & craft in Portland\, Oregon.. Continuing one of the richest collaborations in modern American cinema\, director Kelly Reichardt reunites with star Michelle Williams. (This is their fourth film together.) \nLizzy struggles to put the finishing touches on her latest pieces for a gallery show\, all the while juggling admin work at the local art school; dealing with the neglect of her well-meaning landlord (a funny and nuanced Hong Chau)\, who also happens to be a rising-star conceptual artist; and tending to the emotional well being of her increasingly fragmented family. Christopher Blauvelt’s patient camerawork\, Reichardt’s precise cutting\, and Williams’s physically transformative performance coalesce to create something remarkable in Showing Up\, a delicately humorous drama of the experience of being a creative person that avoids all clichés that plague films about artists. \nKelly Reichardt’s films include Wendy and Lucy (2008)\, Meek’s Cutoff (2010)\, and Certain Women (2016) \n It’s a quiet\, candid\, sharply conceived and imaginatively realized MASTERWORK\, her first film of such bold and decisive originality; it’s Reichardt’s first great movie – The New Yorker \nIn a world of so much noise\, Reichardt’s Showing Up proves to be present and powerful in its accumulation of small moments that come together into SOMETHING SPECTACULAR. – Collider \n\nKelly Reichardt has long excelled at building simple story lines toward profound revelations. Showing Up is a TERRIFIC example of how she documents low-stakes vagaries. What initially seems to be a slice-of-life drama eventually reveals itself as a paean to the difficulties\, and rewards\, of making art. – The Atlantic \nThis is the fourth movie that Kelly Reichardt and Michelle Williams have done together and it’s a joy to witness how perfectly aligned their work has become. Together\, Reichardt and Williams — with little dialogue and boundless generosity — lucidly articulate everything that Lizzy will never say and need not say\, opening a window on the world and turning this wondrous\, determined\, gloriously grumpy woman into a sublime work of art. CRITIC’S PICK! – The New York Times
URL:https://www.theryder.com/film/showing-up/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230729
DTEND;VALUE=DATE:20230801
DTSTAMP:20260409T201931
CREATED:20230524T215323Z
LAST-MODIFIED:20240223T234021Z
UID:13619-1690592400-1690765199@www.theryder.com
SUMMARY:THE THIEF COLLECTOR
DESCRIPTION: Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n\nSat and Sun\, July 29 and 30 at 2:30 at the IU Radio & Television Theater  Purchase Tickets\n \nco feature: THE DUKE.  \nBuy a ticket to The Thief Collector and get a free ticket to The Duke \n\n\nIn 1985\, Willem de Kooning’s “Woman-Ochre\,” one of the most valuable paintings of the 20th century\, was sliced from its frame and stolen from an Arizona museum. Thirty-two years later\, the $160 million painting was found hanging behind a bedroom door in the home of retired school teachers Jerry and Rita Alter in rural New Mexico. The Thief Collector takes a deep look at how and why this mild-mannered couple pulled off one of the greatest art heists of a generation. Was this their only art theft? And why was this couple so protective of their septic tank? \n\nDirected by Allison Otto. (94 min)\n\n\n  \nYou could say\, going back to Hitchcock or the silent-film era\, that the thriller is the quintessential form of cinema. You could also say that the quintessential moment of a thriller is one that makes you go “Oh. My. God.” When that happens (kind of a rare occurrence these days)\, it’s a privileged and intoxicating feeling\, one that lifts you right out of yourself. Recently\, though\, I’ve been experiencing that sensation in what may sound like a highly unlikely place: documentaries about the art world. \n\nBut what’s every bit as jaw-dropping is the rabbit hole of reality and illusion you then find yourself tumbling down. By the time The Thief Collector makes you say “Oh. My. God.\,” it’s a movie that has used art to touch something essential about how strangers — or maybe I should just say the downright strange — walk among us. – Variety
URL:https://www.theryder.com/film/the-thief-collector/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230721
DTEND;VALUE=DATE:20230801
DTSTAMP:20260409T201931
CREATED:20230706T215842Z
LAST-MODIFIED:20240223T234021Z
UID:13772-1689901200-1690765199@www.theryder.com
SUMMARY:THE DUKE
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n\n  \nFri\, July 21 at 7:30 ♦ Sat\, July 22 at 4:30 and 7:30 ♦ Sun\, July 23 at 4:30 and 7:30\n \nFri\, July 28 at 7:30 ♦ Sat\, July 29 at 4:30 and 7:30 ♦ Sun\, July 30 at 4:30 and 7:30 \nIU Radio & Television Theater ♦ Purchase Tickets \nCo-feature: The Thief Collector\n \nBuy a ticket to The Duke and get a free ticket to The Thief Collector \nThe Duke is set in England in 1961 and is the true story of Kempton Bunton\, a 60-year old taxi driver\, who stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. (This was long before the advent of Netflix and Hulu. If Kempton were planning his heist today\, he’d have to steal a dozen Goyas to cover the cost of streaming platforms.)  \nWhat happened next became the stuff of legend. Only 50 years later did the full story emerge – a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage. Jim Broadbent and Helen Mirren star. The Duke is directed by Roger Mitchell\, who died last year\, and has been compared to the classic British Ealing comedies of the 1950s. \nAll rise for The Duke\, a scrappy underdog yarn that makes a powerful case for the rackety English amateur\, the common man who survives by his wits with the odds stacked against him. What a lovely\, rousing\, finally moving film this is. – The Guardian \n\n The Duke is that rarest of things: a comedy that knows that a twinkle in the eye and a fire in the belly needn’t be mutually exclusive. – The Telegraph \n\n\n You could dine on nothing but lard for twenty years and still not develop the hardness of heart necessary to avoid being won over by Roger Michell‘s ridiculously charming British comedy. – The Playlist
URL:https://www.theryder.com/film/the-duke/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230714
DTEND;VALUE=DATE:20230725
DTSTAMP:20260409T201931
CREATED:20230703T205241Z
LAST-MODIFIED:20240223T234021Z
UID:13763-1689296400-1690160399@www.theryder.com
SUMMARY:REVOIR PARIS
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n  \nFri\, July 14 at 7pm ♦ Sat\, July 15 at 4pm and 7pm ♦ Sun\, July 16 at 4pm and 7pm\n \nFri\, July 21 at 7pm ♦ Sat\, July 22 at 4pm and 7pm ♦ Sun\, July 23 at 4pm and 7pm\n \nIU Fine Arts Theater ♦ Purchase Tickets \n  \n\n\n\n\n\n\n\n\n\n\n\nAfter an idyllic date night full of red wine and a late-night motorcycle ride\, Mia stops at a Parisian bistro to take shelter from a downpour. Her reprieve is shattered when a gunman opens fire. Three months later\, with a hazy memory\, Mia finds herself returning to the bistro where the shooting happened. In the process\, she forms bonds with fellow survivors\, including wry banker Thomas and orphaned teenager Félicia. When she remembers that a stranger helped her make it through the attack\, Mia resolves to find him and begins to realize that all is not what it seems.\nVirginie Efira (Other People’s Children) stars. Filmmaker Alice Winocour is not well known in the States. Two of her films (Augustine and Maryland\, have screened at Cannes. She co-wrote the screenplay to Mustang (2015)\, which was the French entry for Best Foreign Language Film at the 2016 Academy Awards. \n104 min • France • 1.85:1 • Not Rated • In French with English subtitles \nA taut existential mystery. – Manohla Dargis\, New York Times \nA masterful performance by Virginie Efira. An investigation of memory that plays like a quiet thriller of the mind. – Jude Dry\, IndieWire Critic’s Pick
URL:https://www.theryder.com/film/revoir-paris/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230707
DTEND;VALUE=DATE:20230718
DTSTAMP:20260409T201931
CREATED:20230626T222316Z
LAST-MODIFIED:20240223T234021Z
UID:13740-1688691600-1689555599@www.theryder.com
SUMMARY:MASTER GARDENER
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n  \nFri\, July 7 at 7:30 ♦ Sat\, July 8 at 4:30 and 7:30 ♦ Sun\, July 9 at 4:30 and 7:30\n \nFri\, July 14 at 7:30 ♦ Sat\, July 15 at 4:30 and 7:30 ♦ Sun\, July 16 at 4:30 and 7:30 \nIU Radio & Television Theater ♦ Purchase Tickets \n  \nNarvel Roth (Joel Edgerton) is the meticulous horticulturist of Gracewood Gardens. He is as much devoted to tending the grounds of this beautiful and historic estate\, to pandering to his employer\, the wealthy dowager Mrs. Haverhill (Sigourney Weaver). When Mrs. Haverhill demands that he take on her wayward and troubled great-niece Maya (Quintessa Swindell) as a new apprentice\, chaos enters Narvel’s spartan existence\, unlocking dark secrets from a buried violent past that threaten them all.  \nMaster Gardener is the new film by legendary writer-director Paul Schrader \n112 minutes \nPart of the kick of Master Gardener is that the writer-director Paul Schrader manages to pull off this improbable movie. It shouldn’t work and\, even after seeing it twice\, I don’t think that it entirely does\, which only makes it more FASCINATING and strengthens its power. THERE’S MUCH TO ADMIRE about the movie’s tense dreaminess\, its pulpy undertow and severe elegance\, as well as the astonishing\, awkward sincerity with which Schrader hurtles headlong at questions of love\, hate\, race and redemption in an unforgiving world. CRITIC’S PICK! – Manohla Dargis\, The New York Times \nAll the performances here are remarkable. Quintessa Swindell perfectly underplays her character’s anger and vulnerability. Joel Edgerton is similarly contained; like Al Pacino\, he’s a great eye actor\, and sometimes when he looks down\, there’s a blackness in his gaze that suits the character. And this picture presents a Sigourney Weaver performance of the kind you’ve never seen before. She’s magisterial.                                                                        PAUL SCHRADER IS A GREAT ARTIST. He’s earned his prerogatives\, and this work here is up to the high standard he’s set for himself over the past decade and more.- Glenn Kenny\, RogerEbert.com
URL:https://www.theryder.com/film/master-gardener/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230707
DTEND;VALUE=DATE:20230711
DTSTAMP:20260409T201931
CREATED:20230528T213424Z
LAST-MODIFIED:20240223T234021Z
UID:13703-1688691600-1688950799@www.theryder.com
SUMMARY:BLACKBERRY
DESCRIPTION:Where are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n  \nFri\, July 7 at 7pm ♦ Sat\, July 8 at 4pm and 7pm ♦ Sun\, July 9 at 4pm and 7pm \nIU Fine Arts Theater ♦ Purchase Tickets \nEvery era has its visionaries. The “true story” of the meteoric rise and fall of the world’s first smartphone\, BlackBerry is a whirlwind ride through a wacky and ruthlessly competitive Silicon Valley. Coupled with his own brand of off-kilter humor\, filmmaker Matt Johnson amazes us with this story of a ragtag band of geeks and misfits who\, in between movie nights\, invented the tool that briefly revolutionized the mobile device universe and\, for better or worse\, single-handedly rendered the world all-thumbs.  (119 minutes) \n It is a loving — and HIGHLY ENTERTAINING — ode to the outcasts who dream of nothing more than a life filled with fixing whirring gadgets and afternoons spent in “Star Trek” matinees – The Playlist\n  \nA THRILLING and MOVING story about friendship\, pride\, and the brutality of the free market. – Collider \n  \n BlackBerry is FUNNY\, fast and nerve-rattling. And it is always – always – intensely entertaining – The Globe and  Mail\n\nWith a good deal of zippy snark à la The Social Network and a sense of deadpan comedy straight from the Succession playbook\, BlackBerry is the kind of MID-BUDGET MARVEL  that doesn’t seem to come around often anymore. – IndieWire \n  \nA new business film for the ages. BlackBerry iss an INCREDIBLY INTERESTING film that dares to ask: how much would [you] sacrifice in order to succeed. – The Indiana Daily Student \n  \nA wonky workplace comedy reveling in a vibe that’s an ideal match for its subject….Research in Motion’s ebulliently geeky staff look and act like middle schoolers and converse in a hybrid of tech-speak and movie quotes…The  excitement of disruption and the thrill of creation become tangible. CRITIC’S PICK! – The New York Times
URL:https://www.theryder.com/film/blackberry/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230630
DTEND;VALUE=DATE:20230704
DTSTAMP:20260409T201931
CREATED:20230605T222728Z
LAST-MODIFIED:20240223T234021Z
UID:13623-1688086800-1688345999@www.theryder.com
SUMMARY:THE EIGHT MOUNTAINS
DESCRIPTION:  \nWhere are we Located?    Free Parking   What else is Showing this Month?     Contact Us    Subscribe to our Newsletter\n\nFri\, June 30 at 7pm ♦ Sat\, July 1 at 4pm and 7pm ♦ Sun\, July 2 at 4pm and 7pm \nIU Radio & Television Theater ♦ Purchase Tickets \n  \nPietro\, a city boy\, and Bruno\, raised in the Alps\, meet as 11-year-olds one summer in Grana—a forgotten mountain village in northwestern Italy. Their friendship grows through subsequent summer visits\, introducing them to love and loss\, reminding them of their origins\, letting their destinies unfold. \nAdapting Paolo Cognetti’s prize-winning 2016 novel\, directors Felix van Groeningen and Charlotte Vandermeersch craft an exquisite\, rapturous epic of camaraderie and the physical spaces that define a relationship. Van Groeningen’s longtime cinematographer\, Ruben Impens\, imparts breathtaking\, meticulously composed visuals to this deeply affecting epic of harmony and friction with the natural world. Winner of the Jury Prize at the 2022 Cannes Film Festival. \nItaly  subtitled  147 minute \n\n What sets The Eight Mountains apart is the degree to which it strips away so much pretense and artifice\, leaving nothing but a strong central question: What makes and prevents people from meaningfully connecting? – The Wrap \n\nThis film has mystery and passion\, it climbs mountainous heights and rewards you with the opposite of vertigo: a sort of exaltation. – The Guardian \nMemorable … Intoxicating … You are plunged into the region’s splendors and mysteries\, its enigmatically abandoned corners and dramatic\, seemingly limitless vistas. CRITIC’S PICK! – The New York Times
URL:https://www.theryder.com/film/the-eight-mountains/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230603
DTEND;VALUE=DATE:20230611
DTSTAMP:20260409T201931
CREATED:20230520T012732Z
LAST-MODIFIED:20240223T234021Z
UID:13617-1685754000-1686358799@www.theryder.com
SUMMARY:TWILIGHT
DESCRIPTION:Locations      Free Parking      What else is Showing this Month?     Contact Us    Subscribe to our Newsletter \nSat\, June 3 at 4:30 and 7:30 ♦ Sun\, June 4 at 4:30 and 7:30\n \nFri\, June 9 at 7pm ♦ Sat\, June 10 at 4pm and 7pm ♦ Sun\, June 11 at 4pm and 7pm\n \nIU Radio & Television Theater ♦ Purchase Tickets \nThis long unseen masterpiece from György Fehér\, loosely based on Friedrich Dürrenmatt’s 1958 crime novella The Pledge\, follows a seasoned homicide detective whose obsession with catching a child murderer compels him to use a young girl as bait. Hungary  115 minutes  w/subtitles \nIt’s a style so minimalist\, it approaches maximalism — and this combination of pulp and precision creates an arresting and unique work of film noir. – The New York Times
URL:https://www.theryder.com/film/twilight/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230527
DTEND;VALUE=DATE:20230605
DTSTAMP:20260409T201931
CREATED:20230516T005500Z
LAST-MODIFIED:20240223T234021Z
UID:13615-1685149200-1685840399@www.theryder.com
SUMMARY:RETURN TO SEOUL
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nSat\, May 27 at 4pm and 7pm ♦ Sun\, May 28 at 4pm and 7pm\n \nSat\, June 3 at 4pm and 7pm ♦ Sun\, June 4 at 4pm and 7pm\n \nIU Fine Arts Theater ♦ Purchase Tickets \nA New York Times and Indiewire Critics’ Pick and Cambodia’s official submission to the Academy Awards’ Best International Feature Film category\, Return to Seoul is Certified Fresh\, boasting a near-perfect 98% Fresh rating on Rotten Tomatoes. \nOn an impulse to reconnect with her origins\, a free-spirited Frenchwoman visits South Korea\, the country of her birth. Frédérique (Freddie) doesn’t speak the language and doesn’t know the names of her biological parents\, but that doesn’t stop her from looking for them. \nFilmmaker Davy Chou himself is the French-born grandson of a Cambodian film producer who vanished in 1969 as the Khmer Rouge began to seize control. \n115 minutes ♦ in English\, French and Korean w/subitles \nReturn to Seoul is a startling and uneasy wonder\, a film that feels like a beautiful sketch of a tornado headed directly toward your house. The camera chases after this human whirlwind\, and we’re thrilled to be swept up in her storm. Critic’s Pick! – NY Times \nA STAGGERING MASTERWORK! – LA Times \nA sprawling epic of personal discovery. It’s ONE OF THE BEST FILMS OF THE YEAR! – The Playlist \nIt’s a GORGEOUS film and a joy to be swept away in it. – Vox \n \n 
URL:https://www.theryder.com/film/return-to-seoul/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230523
DTSTAMP:20260409T201931
CREATED:20230413T213744Z
LAST-MODIFIED:20240223T234021Z
UID:13561-1684458000-1684717199@www.theryder.com
SUMMARY:THE QUIET GIRL
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nHELD OVER! Fri\, May 19 at 6:45 ♦ Sat\, May 20 at 3:45 and 6:45 ♦ Sun\, May 21 at 3:45 and 6:45\n \nIU Fine Arts Theater ♦  Purchase Tickets \nA soft-spoken girl named Cáit is sent by her parents to live with a pair of distant relatives. Cáit spends the summer on an idyllic Irish farm\, and along the way\, changes her life. The Quiet Girl is the first Irish-language film to be nominated for an Academy Award. (in Gaeiic with subtitles; 87 min) \nThe Quiet Girl is\, quite simply\, a genuine work of art by a genuinely empathetic artist\, and one of the single most moving and heartfelt movies from any country in the last decade. -Rolling Stone \nColm Bairéad’s multi-award-winning Irish-language drama\, might be small in scale\, it’s one of the most exquisitely realized films of the year. -The Guardian \nThere may not be a movie more expressive of the Holiday season’s benevolent ethos than this hushed work about kith and kindness. CRITIC’S PICK! – The New York Times. \nAs SUPERB as any feature debut in recent memory. – The Daily Beast\n  \nTo be wanted. To not be wanted. That simple tension is the heart of The Quiet Girl\, an EXTRAORDINARY\, tiny\, intimate\, and deeply touching story of a childhood suddenly filled with that most fragile of gifts: hope. – The Austin Chronicle \nOne of the most authentic\, naturalistic\, and beautiful Irish films ever made. Sorry Inisherin\, but this is as close to perfect as Irish film gets. – Collider \n 
URL:https://www.theryder.com/film/the-quiet-girl/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230519
DTEND;VALUE=DATE:20230530
DTSTAMP:20260409T201931
CREATED:20230510T201241Z
LAST-MODIFIED:20240223T234021Z
UID:13631-1684458000-1685321999@www.theryder.com
SUMMARY:OTHER PEOPLE'S CHILDREN
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nFriday\, May 19 at 7:30 ♦  Saturday\, May 20 at 4:30 and 7:30 ♦  Sunday\, May 21 at 4:30 and 7:30\n \nFriday\, May 26 at 7:30 ♦  Saturday\, May 27 at 4:30 and 7:30 ♦ Sunday\, May 28 at 4:30 and 7:30 ♦ IU Radio & Television Theater ♦ Purchase Tickets\n \nAcclaimed writer-director Rebecca Zlotowski draws from her own life to depict the emotional trajectory of Rachel (Virginie Efira)\, a schoolteacher in Paris whose desire for a biological child seems increasingly unlikely to be fulfilled (as she’s informed by her gynecologist in a delightful cameo from Frederick Wiseman). When Rachel enters into a relationship with car designer Ali (Roschdy Zem)\, he’s slow to let her know that he’s a single father\, but once she finds out she quickly grows to love his precocious daughter\, Leila. \nFrance  104 min \nCritics Pick! Romantic\, sexy and very French.” – Manohla Dargis\, The New York Times
URL:https://www.theryder.com/film/other-peoples-children/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230512
DTEND;VALUE=DATE:20230516
DTSTAMP:20260409T201931
CREATED:20230502T193612Z
LAST-MODIFIED:20240223T234021Z
UID:13593-1683853200-1684112399@www.theryder.com
SUMMARY:PINBALL
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nFri\, May 12 at 7pm ♦  Sat\, May 13 at 4pm and 7pm ♦ Sun\, May 14 at 3:30 and 7:15\n \nIU Fine Arts Theater ♦ Purchase Tickets \nYou don’t have to be a pinball wizard to fall in love with this movie. Based on real life events\, Pinball is the story of Roger Sharpe\, a down-on-his-luck writer in 1970s New York City who has only one source of joy in life: pinball. When he learns during a police raid that his passion is considered illegal gambling\, Roger sets out on a history-making mission: to overturn the ban by using his own abilities to prove pinball is a game of skill rather than purely one of chance. Mike Fasist (West Side Story) stars in this bouyant debut feature from filmmaking brothers Austin and Meredith Bragg captures the spirit of a beloved American pastime with snappy humor and idiosyncratic characters. (94 minutes) \nIt feels apt that Pinball is coming out in the week following the woeful Oscars—it’s better than all ten of the Best Picture nominees\, and 2023 will be a fine year in movies if there are five better lead performances than Mike Faist’s\, or five better original screenplays. In its modest way\, it’s a nearly great film. – Richard Brody\, The New Yorker
URL:https://www.theryder.com/film/pinball/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230429
DTEND;VALUE=DATE:20230502
DTSTAMP:20260409T201931
CREATED:20230413T211657Z
LAST-MODIFIED:20240223T234021Z
UID:13557-1682730000-1682902799@www.theryder.com
SUMMARY:PLEASE BABY PLEASE
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nSat\, April 29 at 4:30 and 7:30 • Sun\, April 30 at 2:45 \nIU Radio & Television Theater • Purchase Tickets \nSuze and Arthur are an Eisenhower-era couple leading traditional lives on New York’s Lower East Side consisting of housework\, domesticity\, and compliant\, unassuming gender roles–that is\, until they encounter a gang of leather-clad greasers known as The Young Gents. \nA very funny\, campy celebration of erotic liberation written and directed by Amanda Kramer (95 min •  co-sponsored by Cidada Cinema)
URL:https://www.theryder.com/film/please-baby-please/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230429
DTEND;VALUE=DATE:20230502
DTSTAMP:20260409T201931
CREATED:20230412T211241Z
LAST-MODIFIED:20240223T234022Z
UID:13537-1682730000-1682902799@www.theryder.com
SUMMARY:DANCING THE TWIST IN BAMAKO
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nSat\, Apr 29 at 4pm and 7pm • Sun\, Apr 30 at 2pm\n \nIU Fine Arts Theater • Purchase Tickets \n  \n\n\nThe 1960s were a time of change everywhere\, and that includes Bamako\, the capital city of Mali\, a nation only recently independent from French colonial rule.  Samba\, a young\, idealistic socialist\, works toward creating a more just nation by day and dances with girlfriend Lara to Otis Redding\, and the Supremes by night. Filmmaker Robert Guediguian was inspired by the vibrant images\, patterns\, and compositions of famed Malian photographer\, Malick Sidibé. Lara’s orange silk dress and Samba’s dazzling white suit\, shot against the striped backdrop of their dance club and the black and white checked dance floor they cut up — all suggest that change is coming rapidly\, and that life is for living. \nFrance/Senegal •  in French and Bambara w/subtitles \n\n\nNimbly captures both the kind of youthful ecstasy Wordsworth recalled and the disillusionment that so often follows… Beautiful… Elegant\, kinetic\, color-filled frames…conjure a lost but nonetheless vivid moment of bliss.\n– A.O. Scott\, The New York Times \n 
URL:https://www.theryder.com/film/dancing-the-twist-in-bamako/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230415
DTEND;VALUE=DATE:20230424
DTSTAMP:20260409T201931
CREATED:20230412T203051Z
LAST-MODIFIED:20240223T234022Z
UID:13495-1681520400-1682211599@www.theryder.com
SUMMARY:THE BLUE CAFTAN
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nSat April 15 at 4:30 and 7:30 • Sun\, April 16 at 2:15 \nFri\, April 21 at 7:30 • Sat\, Apr 22 at 4:30 and 7:30 \nIU Radio & Television Theater • Purchase Tickets \nHalim\, a master tailor spends his days in the back of his shop making beautiful\, hand-embroidered caftans. while his wife\, Mina\, deals with the customers and the store’s day-to-day business. Their quiet life of routine is thrown off-kilter when Halim reluctantly takes on the earnest if inexperienced Youssef as an apprentice.\nMorocco  in Arabic with subtitles  122 minutes) \nShortlisted for the 2023 Academy Award® for International Feature Film. \nYou might notice that we have a reduced schedule this month.\nThis is because we are experiencing a staffing shortage.\nTwo of our projectionists have received offers that they cannot refuseand are leaving us. They’re making a big mistake.Nevertheless\, we wish them well in their new careers.\nIf you know someone who might want to experience the excitement and glamor of Hollywood by becoming a Ryder projectionist\,\nask them to send an email to editor@theryder.com. \n  \n 
URL:https://www.theryder.com/film/the-blue-caftan/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20230402T140000
DTEND;TZID=America/Indiana/Indianapolis:20230402T153000
DTSTAMP:20260409T201931
CREATED:20230126T021421Z
LAST-MODIFIED:20240223T234022Z
UID:13320-1680444000-1680449400@www.theryder.com
SUMMARY:SLAVIC FILM FESTIVAL / OLGA
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nOur Slavic Film Festival continues on Sunday\, April 2 at 2pm at the IU Radio & Television Theater with OLGA. All screenings in the Slavic Festival are FREE! \n\nA talented young gymnast from Kyiv\, played by real-life former Ukrainian national team member Anastasiia Budiashkina\, moves to Switzerland to pursue her Olympic dreams in Elie Grappe’s award-winning drama. Set in 2014\, the film follows 15-year-old Olga as she tries to make friends on her new team and adjust to life in her new home. As she relentlessly trains in preparation for the European Championships\, her friends and family back in the Ukraine are taking to the streets in what would become known as the Maidan Revolution. Olga is left a powerless\, distant bystander as her mother\, an investigative journalist\, faces danger and violence in her work challenging the brutal Yanukovich regime. The historic events depicted in the film are intricately linked with the subsequent Russian invasion\, providing rich insight into the current situation in the Ukraine\, yet Grappe’s camera never strays from the point of view of a remarkable young woman struggling to find her way in the world. Can Olga reconcile her personal goals as a gymnast with the living history unfolding in her homeland? This tense yet delicate portrait of exile\, ambition\, and identity won the SACD Prize at Cannes Critics Week and features a star-making turn from its fearless lead. (87 min) \n\n 
URL:https://www.theryder.com/film/slavic-film-festival-murina/
CATEGORIES:Film Series
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DTSTART;VALUE=DATE:20230324
DTEND;VALUE=DATE:20230404
DTSTAMP:20260409T201931
CREATED:20230227T234439Z
LAST-MODIFIED:20240223T234022Z
UID:13462-1679619600-1680483599@www.theryder.com
SUMMARY:SAINT OMER
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nFri\, March 24 at 7pm • Sat and Sun\, March 25 and 26 at 4pm and 7pm IU Fine Arts Theater • Purchase Tickets \nSat and Sun\, April 1 and 2 at 4pm and 7pm\nIU Radio & Television Theater • Purchase Tickets \n  \nWhen asked why she killed her infant daughter\, the accused\, a young Senegalese-French woman – a PhD student writing on Wittgenstein – answers\, “I don’t know.  I hope this trial can help me understand.” What would compel such a shocking act\, and why would an accomplished writer obsessively attend the woman’s trial? The complex mysteries at the heart of this absorbing\, wholly original take on both the courtroom drama and the African immigrant experience\, unfold like a Russian nesting doll of gazes and projections. Is the accused a liar\, a victim\, a sorceress\, or all of the above? In her first fiction film\, Senegalese-French documentarian Alice Diop uses her sharp eye for political realism to craft a captivating portrait of motherhood amid cultural isolation. \nin French with subtitles • 122 minutes \n\nShortlisted for the 2023 Academy Award® for International Feature Film. \nA complex and brilliant film… [Alice] Diop creates a wide-ranging and probing drama… to explore such critical matters as the nature of personal and national identity\, the multigenerational traumas of migration\, France’s ongoing political and cultural failures to reflect its ethnic and racial diversity\, and\, centrally\, the very power of language to create images and to embody realities… [with] mightily inventive cinematic craft.\n– Richard Brody\, The New Yorker \nBrilliant. Extraordinary. Spellbinding. A stunner of a narrative debut… probes the mysteries of the seen and the unseen. Supremely intelligent and haunting. With remarkable stealth and concentration\, Diop rewires the generic circuitry of the courtroom drama\, avoiding its natural inclination toward sensationalism and grandstanding.\n– Justin Chang\, Los Angeles Times
URL:https://www.theryder.com/film/saint-omer/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230317
DTEND;VALUE=DATE:20230328
DTSTAMP:20260409T201931
CREATED:20230212T020833Z
LAST-MODIFIED:20240223T234022Z
UID:13304-1679014800-1679878799@www.theryder.com
SUMMARY:EVERYTHING EVERYWHERE ALL AT ONCE
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \nFri\, March 17 at 7pm • Sat\, March 18 and Sun\, March 19 at 4pm and 7pm • IU Fine Arts Theater  \nFri\, March 24 at 7:30 • Sat\, March 25 and Sun\, March 26 at 4:30 and 7:30 • IU Radio & Television Theater  Purchase Tickets\n \n\nWINNER! 7 ACADEMY AWARDS  \nincluding BEST PICTURE  BEST ACTRESS  BEST DIRECTOR\n \n\nBy turns very funny and surprisingly moving\, Everything Everywhere All at Once tells the story of a Chinese-American immigrant who is contacted from a parallel universe and told that only she can save the world. Everything Everywhere is an inter-dimensional head-trip through alternate universes comprising time\, luck\, regret\, and myriad parallel realities. \nWriter-directors Daniel Kwan and Daniel Scheinert (collectively known as Daniels) are best known for their inventive music videos and the 2016 feature Swiss Army Man \n139 minutes •  in English\, Mandarin and Cantonese with subtitles \nAn ORGIASTIC work of slaphappy genius. – Indiewire  \nOne of the most ORIGINAL and CREATIVE films of the past couple of years. – San Francisco Chronicle \nEverything Everywhere All At Once is everything cinema was invented for. – Empire \n \n  \n  \n 
URL:https://www.theryder.com/film/everything-everywhere-all-at-once/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230317
DTEND;VALUE=DATE:20230321
DTSTAMP:20260409T201931
CREATED:20230226T195528Z
LAST-MODIFIED:20240223T234022Z
UID:13439-1679014800-1679273999@www.theryder.com
SUMMARY:DECISION TO LEAVE
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nFri\, March 17 at 7:30 • Sat and Sun\, March 18 and 19 at 4:30 and 7:30 • IU Radio & Television Theater • Purchase Tickets \nPark Chan-wook\, the visionary director behind Oldboy and The Handmaiden\, won Best Director at Cannes this year for this stylish thriller. Decision to Leave begins with a man falling to his death from a Korean mountain peak\, and unravels into a sensual noir with subtle nods to Hitchcock’s Vertigo–a constantly surprising\, elegantly constructed film that builds in power to a truly haunting denouement. \n \nSouth Korea • in Korean and Chinese with English subtitles •  138 minutes \nOne of the many pleasures of  Decision to Leave is that the director Park Chan-wook clearly had as much fun making the movie as you will have watching it. Park dazzles you with the beauty of his images and the intoxicating bravura of his unfettered imagination. – The New York Times
URL:https://www.theryder.com/film/decision-to-leave/
CATEGORIES:Film Series
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