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DTSTART;TZID=America/Indiana/Indianapolis:20140209T173000
DTEND;TZID=America/Indiana/Indianapolis:20140209T173000
DTSTAMP:20260404T025259
CREATED:20140121T210908Z
LAST-MODIFIED:20200407T165008Z
UID:3490-1391967000-1391967000@www.theryder.com
SUMMARY:Free the Mind
DESCRIPTION:Feb 7\, 8\, 9 and 12 \nWhat is consciousness\, really? How does it manifest in the brain and body? And is it possible to physically change the brain solely through mental practices? By studying the practices of Tibetan monks and other meditative techniques\, Richard J. Davidson found that it is actually possible to rewire the brain through meditation and mental training exercises\, and he has dedicated himself to applying this discovery to improve the lives of people throughout the world. Dr. Davidson\, who was named one of Time Magazine’s 100 most influential people in 2006\, did just that\, and the results of his studies at Madison\, Wisconsin’s Center for Investigating Healthy Minds are portrayed in this fascinating new doc. \nDr. Davidson recently has been working with young children dealing with ADHD and anxiety in school settings\, as well as American war veterans struggling with PTSD\, in an attempt to discover whether mind-focused techniques\, such as meditation and yoga\, can ease their pain\, relax their nervous systems\, improve their attention and help them become happier and more peaceful.\nCan Professor Richard Davidson make a difference? Can he free these people from their troubled existences and help them lead ordinary lives? Free the Mind follows three test subjects – one school-aged boy and two veterans of the wars in Iraq and Afghanistan – on a daring journey into the deepest recesses of the human mind. (80 minutes)\n“Grips your heart from the first moment …a great and beautiful film. Visually Brilliant.”  — Film Comment\n“Artistically crafted. Riveting. Engrossing.” – Filmmaker Magazine\n“My main interest is promoting ethics without touching religion. Ethics are universal values. We must find a way to promote the basic human values in a secular way without touching religion. In order to do this\, the scientific findings are very\, very convincing and Richard’s work is very helpful in this field. Sometimes I call him guru of science! – His Holiness the Dalai Lama
URL:https://www.theryder.com/film/free-the-mind-3/
LOCATION:Bear’s Place  – All Ages during Ryder Films\, 1316 East 3rd Street\, Bloomington\, IN\, 47401\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Free-the-Mind_5.jpg
ORGANIZER;CN="The Ryder ":MAILTO:editor@theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140208T200000
DTEND;TZID=America/Indiana/Indianapolis:20140208T221500
DTSTAMP:20260404T025259
CREATED:20140122T214204Z
LAST-MODIFIED:20200407T165008Z
UID:3503-1391889600-1391897700@www.theryder.com
SUMMARY:A Pervert's Guide to Ideology
DESCRIPTION:Feb 7\, 8\, 9 \nThe author of works on subjects as wide-ranging as Alfred Hitchcock\, 9/11\, opera\, Christianity\, Lenin and David Lynch\, Slovenian philosopher Slavoj Zizek is one of the most important—and outrageous—cultural theorists working today. A Pervert’s Guide to Ideology is a wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture\, Zizek literally goes inside some truly epochal movies\, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed\, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver\, Zabriskie Point\, The Searchers\, The Dark Knight\, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”)\, Titanic\, Kinder Eggs\, verite news footage\, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Zizek’s stimulating\, provocative and often hilarious psychoanalytic-cinematic rant. \nDirected by Sophie Fiennes\, who worked with Peter Greenaway on several of his seminal films including The Cook\, The Thief\, His Wife and her lover. And yes\, she is part of that Fiennes family. (136 min)\n \nEssential viewing for cinephiles. -Time Out\, London\n \nThe philosopher Slavoj Zizek is not allergic to the sound of his own heavily-accented voice. Fortunately\, he’s a bravura lecturer with a keen sense of what draws audiences to movies.  Film schools could use this guy\, yet it probably won’t get more than a fraction of the art-house and festival crowd. “The Pervert’s Guide to Ideology” walks through cinematic history to link mythic movies to the needs that Zizek says they satisfy– a two-hour one-man punchline that teaches you something. Heaps of psychoanalytic theory are delivered in a Bela Lugosi voice in locations that replicate those in the films under discussion\, with the poker-faced Slovenian-born narrator costumed for everything from “Taxi Driver” to “The Searchers.”– Indiewire  \nIt’s EXHILARATING STUFF. Fiennes lightens the weight of Zizek’s discourse with a welcome scattering of sight gags. He’s a man to be taken seriously\, but not averse to donning a nun’s habit — and for that we love him. – Time Out New York   \nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/a-perverts-guide-to-ideology-6/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Perverts_banner_regular1.jpg
ORGANIZER;CN="The Ryder ":MAILTO:editor@theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140208T190000
DTEND;TZID=America/Indiana/Indianapolis:20140208T190000
DTSTAMP:20260404T025259
CREATED:20140121T210717Z
LAST-MODIFIED:20200407T165008Z
UID:3489-1391886000-1391886000@www.theryder.com
SUMMARY:Free the Mind
DESCRIPTION:Feb 7\, 8\, 9 and 12 \nWhat is consciousness\, really? How does it manifest in the brain and body? And is it possible to physically change the brain solely through mental practices? By studying the practices of Tibetan monks and other meditative techniques\, Richard J. Davidson found that it is actually possible to rewire the brain through meditation and mental training exercises\, and he has dedicated himself to applying this discovery to improve the lives of people throughout the world. Dr. Davidson\, who was named one of Time Magazine’s 100 most influential people in 2006\, did just that\, and the results of his studies at Madison\, Wisconsin’s Center for Investigating Healthy Minds are portrayed in this fascinating new doc. \nDr. Davidson recently has been working with young children dealing with ADHD and anxiety in school settings\, as well as American war veterans struggling with PTSD\, in an attempt to discover whether mind-focused techniques\, such as meditation and yoga\, can ease their pain\, relax their nervous systems\, improve their attention and help them become happier and more peaceful.\nCan Professor Richard Davidson make a difference? Can he free these people from their troubled existences and help them lead ordinary lives? Free the Mind follows three test subjects – one school-aged boy and two veterans of the wars in Iraq and Afghanistan – on a daring journey into the deepest recesses of the human mind.\n“Grips your heart from the first moment …a great and beautiful film. Visually Brilliant.”  — Film Comment\n“Artistically crafted. Riveting. Engrossing.” – Filmmaker Magazine\n“My main interest is promoting ethics without touching religion. Ethics are universal values. We must find a way to promote the basic human values in a secular way without touching religion. In order to do this\, the scientific findings are very\, very convincing and Richard’s work is very helpful in this field. Sometimes I call him guru of science! – His Holiness the Dalai Lama
URL:https://www.theryder.com/film/free-the-mind-2/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Free-the-Mind_5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140207T210000
DTEND;TZID=America/Indiana/Indianapolis:20140207T224500
DTSTAMP:20260404T025259
CREATED:20140122T212954Z
LAST-MODIFIED:20200407T165008Z
UID:3493-1391806800-1391813100@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 26\, 29\, 31\, Feb 1\, 7\, 8) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \n Mark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR
URL:https://www.theryder.com/film/bettie-page-reveals-all-9/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140207T200000
DTEND;TZID=America/Indiana/Indianapolis:20140207T221500
DTSTAMP:20260404T025259
CREATED:20140122T213936Z
LAST-MODIFIED:20200407T165008Z
UID:3502-1391803200-1391811300@www.theryder.com
SUMMARY:A Pervert's Guide to Ideology
DESCRIPTION:Feb 7\, 8\, 9 \nThe author of works on subjects as wide-ranging as Alfred Hitchcock\, 9/11\, opera\, Christianity\, Lenin and David Lynch\, Slovenian philosopher Slavoj Zizek is one of the most important—and outrageous—cultural theorists working today. A Pervert’s Guide to Ideology is a wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture\, Zizek literally goes inside some truly epochal movies\, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed\, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver\, Zabriskie Point\, The Searchers\, The Dark Knight\, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”)\, Titanic\, Kinder Eggs\, verite news footage\, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Zizek’s stimulating\, provocative and often hilarious psychoanalytic-cinematic rant. \nDirected by Sophie Fiennes\, who worked with Peter Greenaway on several of his seminal films including The Cook\, The Thief\, His Wife and her lover. And yes\, she is part of that Fiennes family. (136 min)\n \nEssential viewing for cinephiles. -Time Out\, London\n \nThe philosopher Slavoj Zizek is not allergic to the sound of his own heavily-accented voice. Fortunately\, he’s a bravura lecturer with a keen sense of what draws audiences to movies.  Film schools could use this guy\, yet it probably won’t get more than a fraction of the art-house and festival crowd. “The Pervert’s Guide to Ideology” walks through cinematic history to link mythic movies to the needs that Zizek says they satisfy– a two-hour one-man punchline that teaches you something. Heaps of psychoanalytic theory are delivered in a Bela Lugosi voice in locations that replicate those in the films under discussion\, with the poker-faced Slovenian-born narrator costumed for everything from “Taxi Driver” to “The Searchers.”– Indiewire  \nIt’s EXHILARATING STUFF. Fiennes lightens the weight of Zizek’s discourse with a welcome scattering of sight gags. He’s a man to be taken seriously\, but not averse to donning a nun’s habit — and for that we love him. – Time Out New York   \nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/a-perverts-guide-to-ideology-5/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Perverts_banner_regular1.jpg
ORGANIZER;CN="The Ryder ":MAILTO:editor@theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140207T190000
DTEND;TZID=America/Indiana/Indianapolis:20140207T190000
DTSTAMP:20260404T025259
CREATED:20140121T204616Z
LAST-MODIFIED:20200407T165008Z
UID:3486-1391799600-1391799600@www.theryder.com
SUMMARY:Free the Mind
DESCRIPTION:Feb 7\, 8\, 9 and 12 \nWhat is consciousness\, really? How does it manifest in the brain and body? And is it possible to physically change the brain solely through mental practices? By studying the practices of Tibetan monks and other meditative techniques\, Richard J. Davidson found that it is actually possible to rewire the brain through meditation and mental training exercises\, and he has dedicated himself to applying this discovery to improve the lives of people throughout the world. Dr. Davidson\, who was named one of Time Magazine’s 100 most influential people in 2006\, did just that\, and the results of his studies at Madison\, Wisconsin’s Center for Investigating Healthy Minds are portrayed in this fascinating new doc. \nDr. Davidson recently has been working with young children dealing with ADHD and anxiety in school settings\, as well as American war veterans struggling with PTSD\, in an attempt to discover whether mind-focused techniques\, such as meditation and yoga\, can ease their pain\, relax their nervous systems\, improve their attention and help them become happier and more peaceful.\nCan Professor Richard Davidson make a difference? Can he free these people from their troubled existences and help them lead ordinary lives? Free the Mind follows three test subjects – one school-aged boy and two veterans of the wars in Iraq and Afghanistan – on a daring journey into the deepest recesses of the human mind.\n“Grips your heart from the first moment …a great and beautiful film. Visually Brilliant.”  — Film Comment\n“Artistically crafted. Riveting. Engrossing.” – Filmmaker Magazine\n“My main interest is promoting ethics without touching religion. Ethics are universal values. We must find a way to promote the basic human values in a secular way without touching religion. In order to do this\, the scientific findings are very\, very convincing and Richard’s work is very helpful in this field. Sometimes I call him guru of science! – His Holiness the Dalai Lama
URL:https://www.theryder.com/film/free-the-mind/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Free-the-Mind_5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140205T190000
DTEND;TZID=America/Indiana/Indianapolis:20140205T190000
DTSTAMP:20260404T025259
CREATED:20140114T024558Z
LAST-MODIFIED:20200407T165008Z
UID:3357-1391626800-1391626800@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 26\, 29\, 31\, Feb 1\, 5\, 7\, 8) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs(some quite explicit)\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \n Mark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR
URL:https://www.theryder.com/film/bettie-page-reveals-all-4/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140201T194500
DTEND;TZID=America/Indiana/Indianapolis:20140201T213000
DTSTAMP:20260404T025259
CREATED:20140122T211411Z
LAST-MODIFIED:20200407T165008Z
UID:3495-1391283900-1391290200@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 26\, 29\, 31\, Feb 1\, 8\, 9) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Academy Award nominee Mark Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \nMark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR\nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/bettie-page-reveals-all-7/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140201T190000
DTEND;TZID=America/Indiana/Indianapolis:20140201T190000
DTSTAMP:20260404T025259
CREATED:20140122T212320Z
LAST-MODIFIED:20200407T165008Z
UID:3497-1391281200-1391281200@www.theryder.com
SUMMARY:A Pervert's Guide to Ideology
DESCRIPTION:The author of works on subjects as wide-ranging as Alfred Hitchcock\, 9/11\, opera\, Christianity\, Lenin and David Lynch\, Slovenian philosopher Slavoj Zizek is one of the most important—and outrageous—cultural theorists working today. A Pervert’s Guide to Ideology is a wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture\, Zizek literally goes inside some truly epochal movies\, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed\, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver\, Zabriskie Point\, The Searchers\, The Dark Knight\, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”)\, Titanic\, Kinder Eggs\, verite news footage\, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Zizek’s stimulating\, provocative and often hilarious psychoanalytic-cinematic rant. \nDirected by Sophie Fiennes\, who worked with Peter Greenaway on several of his seminal films including The Cook\, The Thief\, His Wife and her lover. And yes\, she is part of that Fiennes family. (136 min)\n \nEssential viewing for cinephiles. -Time Out\, London\n \nThe philosopher Slavoj Zizek is not allergic to the sound of his own heavily-accented voice. Fortunately\, he’s a bravura lecturer with a keen sense of what draws audiences to movies.  Film schools could use this guy\, yet it probably won’t get more than a fraction of the art-house and festival crowd. “The Pervert’s Guide to Ideology” walks through cinematic history to link mythic movies to the needs that Zizek says they satisfy– a two-hour one-man punchline that teaches you something. Heaps of psychoanalytic theory are delivered in a Bela Lugosi voice in locations that replicate those in the films under discussion\, with the poker-faced Slovenian-born narrator costumed for everything from “Taxi Driver” to “The Searchers.”– Indiewire  \nIt’s EXHILARATING STUFF. Fiennes lightens the weight of Zizek’s discourse with a welcome scattering of sight gags. He’s a man to be taken seriously\, but not averse to donning a nun’s habit — and for that we love him. – Time Out New York
URL:https://www.theryder.com/film/a-perverts-guide-to-ideology-2/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Perverts_banner_regular1.jpg
ORGANIZER;CN="The Ryder ":MAILTO:editor@theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140131T194500
DTEND;TZID=America/Indiana/Indianapolis:20140131T194500
DTSTAMP:20260404T025259
CREATED:20140123T031219Z
LAST-MODIFIED:20200407T165008Z
UID:3500-1391197500-1391197500@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 29\, 31\, Feb 1\, 7\, 8) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Academy Award nominee Mark Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs (some quite explicit)\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \nMark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR\nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/bettie-page-reveals-all-11/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140131T190000
DTEND;TZID=America/Indiana/Indianapolis:20140131T190000
DTSTAMP:20260404T025259
CREATED:20140103T171729Z
LAST-MODIFIED:20200407T165008Z
UID:3309-1391194800-1391194800@www.theryder.com
SUMMARY:A Pervert's Guide to Ideology
DESCRIPTION:The author of works on subjects as wide-ranging as Alfred Hitchcock\, 9/11\, opera\, Christianity\, Lenin and David Lynch\, Slovenian philosopher Slavoj Zizek is one of the most important—and outrageous—cultural theorists working today. A Pervert’s Guide to Ideology is a wildly entertaining romp through the crossroads of cinema and philosophy. With infectious zeal and a voracious appetite for popular culture\, Zizek literally goes inside some truly epochal movies\, all the better to explore and expose how they reinforce prevailing ideologies. As the ideology that undergirds our cinematic fantasies is revealed\, striking associations emerge: What hidden Catholic teachings lurk at the heart of The Sound of Music? What are the fascist political dimensions of Jaws? Taxi Driver\, Zabriskie Point\, The Searchers\, The Dark Knight\, John Carpenter’s They Live (“one of the forgotten masterpieces of the Hollywood Left”)\, Titanic\, Kinder Eggs\, verite news footage\, Beethoven’s “Ode to Joy” and propaganda epics from Nazi Germany and Soviet Russia all inform Zizek’s stimulating\, provocative and often hilarious psychoanalytic-cinematic rant. \nDirected by Sophie Fiennes\, who worked with Peter Greenaway on several of his seminal films including The Cook\, The Thief\, His Wife and her lover. And yes\, she is part of that Fiennes family. (136 min)\n \nEssential viewing for cinephiles. -Time Out\, London\n \nThe philosopher Slavoj Zizek is not allergic to the sound of his own heavily-accented voice. Fortunately\, he’s a bravura lecturer with a keen sense of what draws audiences to movies.  Film schools could use this guy\, yet it probably won’t get more than a fraction of the art-house and festival crowd. “The Pervert’s Guide to Ideology” walks through cinematic history to link mythic movies to the needs that Zizek says they satisfy– a two-hour one-man punchline that teaches you something. Heaps of psychoanalytic theory are delivered in a Bela Lugosi voice in locations that replicate those in the films under discussion\, with the poker-faced Slovenian-born narrator costumed for everything from “Taxi Driver” to “The Searchers.”– Indiewire  \nIt’s EXHILARATING STUFF. Fiennes lightens the weight of Zizek’s discourse with a welcome scattering of sight gags. He’s a man to be taken seriously\, but not averse to donning a nun’s habit — and for that we love him. – Time Out New York
URL:https://www.theryder.com/film/a-perverts-guide-to-ideology/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Perverts_banner_regular1.jpg
ORGANIZER;CN="The Ryder ":MAILTO:editor@theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140129T190000
DTEND;TZID=America/Indiana/Indianapolis:20140129T190000
DTSTAMP:20260404T025259
CREATED:20140102T210737Z
LAST-MODIFIED:20200824T143618Z
UID:3312-1391022000-1391022000@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 29\, 31\, Feb 1\, 8) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs(some quite explicit)\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \n 
URL:https://www.theryder.com/film/bettie-page-reveals-all/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140126T193000
DTEND;TZID=America/Indiana/Indianapolis:20140126T213000
DTSTAMP:20260404T025259
CREATED:20140115T023217Z
LAST-MODIFIED:20200824T143655Z
UID:3362-1390764600-1390771800@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 22\, 24\, 25\, 26\n  \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) \nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie. Salon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century.\n Los Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal.\n The New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS. \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined.
URL:https://www.theryder.com/film/blue-is-the-warmest-color-14/
LOCATION:Bear’s Place  – All Ages during Ryder Films\, 1316 East 3rd Street\, Bloomington\, IN\, 47401\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Blue-Banner-21.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140126T170000
DTEND;TZID=America/Indiana/Indianapolis:20140126T200000
DTSTAMP:20260404T025259
CREATED:20140114T020519Z
LAST-MODIFIED:20200407T165008Z
UID:3348-1390755600-1390766400@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \n  \n  \n 
URL:https://www.theryder.com/film/faust-8/
LOCATION:Bear’s Place  – All Ages during Ryder Films\, 1316 East 3rd Street\, Bloomington\, IN\, 47401\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140125T204500
DTEND;TZID=America/Indiana/Indianapolis:20140126T200000
DTSTAMP:20260404T025259
CREATED:20140114T021519Z
LAST-MODIFIED:20200407T165008Z
UID:3353-1390682700-1390766400@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n  \n  \n 
URL:https://www.theryder.com/film/faust-10/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140125T193000
DTEND;TZID=America/Indiana/Indianapolis:20140126T193000
DTSTAMP:20260404T025259
CREATED:20140114T020901Z
LAST-MODIFIED:20200407T165008Z
UID:3350-1390678200-1390764600@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 19\, 22\, 24\, 25\, 26\nMake no mistake\, Blue Is the Warmest Color constitutes a breakthrough\, in addition to being THE BEST FILM OF 2013. – The San Francisco Chronicle \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) \nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie. \nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century. \nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal. \nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS. \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined. \n 
URL:https://www.theryder.com/film/blue-is-the-warmest-color-9/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/blue_poster_web.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140125T184500
DTEND;TZID=America/Indiana/Indianapolis:20140125T190000
DTSTAMP:20260404T025259
CREATED:20140114T022135Z
LAST-MODIFIED:20200407T165008Z
UID:3355-1390675500-1390676400@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 26\, 29\, 31\, Feb 1\, 8\, 9) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Academy Award nominee Mark Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \nMark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR\nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/bettie-page-reveals-all-3/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140124T204500
DTEND;TZID=America/Indiana/Indianapolis:20140126T200000
DTSTAMP:20260404T025259
CREATED:20140114T021200Z
LAST-MODIFIED:20200407T165008Z
UID:3352-1390596300-1390766400@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n  \n  \n 
URL:https://www.theryder.com/film/faust-9/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140124T193000
DTEND;TZID=America/Indiana/Indianapolis:20140126T193000
DTSTAMP:20260404T025259
CREATED:20140114T021031Z
LAST-MODIFIED:20200407T165008Z
UID:3351-1390591800-1390764600@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 19\, 22\, 24\, 25\, 26\nMake no mistake\, Blue Is the Warmest Color constitutes a breakthrough\, in addition to being THE BEST FILM OF 2013. – The San Francisco Chronicle \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) \nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie. \nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century. \nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal. \nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS. \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined. \n 
URL:https://www.theryder.com/film/blue-is-the-warmest-color-10/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/blue_poster_web.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140124T184500
DTEND;TZID=America/Indiana/Indianapolis:20140125T190000
DTSTAMP:20260404T025259
CREATED:20140121T193452Z
LAST-MODIFIED:20200407T165008Z
UID:3484-1390589100-1390676400@www.theryder.com
SUMMARY:Bettie Page Reveals All
DESCRIPTION:(Jan 24\, 25\, 26\, 29\, 31\, Feb 1\, 8\, 9) In 2013\, in the Western world\, at least\, it’s not such a big deal to own your sexuality. In the 1950s\, when Bettie Page’s career was flowering — and before she mysteriously walked away from that career in 1957 — owning your sexuality could get you arrested. Today\, Bettie Page is often referred to as a “cult” icon but that term does not do justice to her enduring legacy; in 2012 she was ranked by Forbes as one of the top ten posthumous celebrity earners – who knew?  In Academy Award nominee Mark Mori’s alluring documentary\, the real Bettie Page emerges from the veil of myth and rumor via audio interviews taped a decade prior to her death in 2008.  With earthy\, razor sharp wit\, Bettie tells her life story — from humble beginnings as one of six children in an impoverished southern family\, to high school salutatorian\, to scandalous 50s pin-up model\, to sudden retirement in 1957 at the peak of her modeling career.   \nWith a stunning array of gorgeous photographs\, unusual archival material\, and playful movie footage\, BETTIE PAGE REVEALS ALL shows how Bettie’s unabashed sexual expression and provocative poses set the stage for the sexual revolution and ushered in a modern era in fashion.  For stars like Katy Perry and Beyonce\, as well as new generations of adoring fans around the world\, Bettie remains an irresistible style icon and an empowering role model. (101 min) \nMark Mori’s coup was to get Bettie’s voice on audiotape not long before she died. In a throaty smoker’s growl that’s enchantingly at odds with the flirty-ingenue image she projected in her prime\, Page comes across as worldly\, direct\, and both amused and appreciative at having been anointed a heroine of the women’s movement. –NPR\nTonight’s screening is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/bettie-page-reveals-all-6/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/bettie-page-reveals-all1.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140122T190000
DTEND;TZID=America/Indiana/Indianapolis:20140122T190000
DTSTAMP:20260404T025259
CREATED:20140114T024258Z
LAST-MODIFIED:20200407T165008Z
UID:3356-1390417200-1390417200@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 22\, 24\, 25   \nMake no mistake\, Blue Is the Warmest Color constitutes a breakthrough\, in addition to being THE BEST FILM OF 2013. – The San Francisco Chronicle \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif  Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) \n  \n  \nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie. \n  \nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century. \n  \nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal. \n  \nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS. \n\n  \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined.
URL:https://www.theryder.com/film/blue-is-the-warmest-color-11/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/blue_poster_web.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140119T190000
DTEND;TZID=America/Indiana/Indianapolis:20140119T213000
DTSTAMP:20260404T025259
CREATED:20140115T022946Z
LAST-MODIFIED:20200407T165008Z
UID:3361-1390158000-1390167000@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 22\, 24\, 25\, 26\nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17)\nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie.\nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century.\nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal.\nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS.\nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined.
URL:https://www.theryder.com/film/blue-is-the-warmest-color-13/
LOCATION:Bear’s Place  – All Ages during Ryder Films\, 1316 East 3rd Street\, Bloomington\, IN\, 47401\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Blue-Banner-21.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140118T200000
DTEND;TZID=America/Indiana/Indianapolis:20140118T200000
DTSTAMP:20260404T025259
CREATED:20140103T172100Z
LAST-MODIFIED:20200407T165008Z
UID:3324-1390075200-1390075200@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \nOn the 17th and 18th\, FAUST is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n  \n 
URL:https://www.theryder.com/film/faust-7/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140118T193000
DTEND;TZID=America/Indiana/Indianapolis:20140118T213000
DTSTAMP:20260404T025259
CREATED:20140103T165602Z
LAST-MODIFIED:20200407T165008Z
UID:3327-1390073400-1390080600@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 22\, 24\, 25\, 26\n  \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) Washington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie.  \nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century.  \nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal.  \nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS.  \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined.
URL:https://www.theryder.com/film/blue-is-the-warmest-color-5/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Blue-Banner-21.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140118T193000
DTEND;TZID=America/Indiana/Indianapolis:20140118T193000
DTSTAMP:20260404T025259
CREATED:20140115T181544Z
LAST-MODIFIED:20200407T165008Z
UID:3325-1390073400-1390073400@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \nOn the 17th and 18th\, FAUST is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n  \n 
URL:https://www.theryder.com/film/faust-11/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140118T183000
DTEND;TZID=America/Indiana/Indianapolis:20140118T183000
DTSTAMP:20260404T025259
CREATED:20140103T162956Z
LAST-MODIFIED:20200407T165008Z
UID:3321-1390069800-1390069800@www.theryder.com
SUMMARY:Noam Chomsky: Is the Man Who Is Tall Happy?
DESCRIPTION:  \nJan 3\, 4\, 10\, 11\, 17\, 18 From Michel Gondry\, the innovative director of Eternal Sunshine of the Spotless Mind and The Science of Sleep\, comes this unique animated documentary on the life of controversial MIT professor\, philosopher\, linguist\, anti-war activist and political firebrand Noam Chomsky. Through complex\, lively conversations with Chomsky and brilliant illustrations by Gondry himself\, the film reveals the life and work of the father of modern linguistics. The result is not only a dazzling\, vital portrait of one of the foremost thinkers of modern times\, but also a beautifully animated work of art. (88 min) \n\n \n\nVillage Voice: This is a film to see and then see again\, to soak in and marvel at. \nindieWIRE: Is the Man Who Is Tall Happy? bears the stamp of Gondry quirk but allows it to feel a lot more intimate than anything he’s done since “Eternal Sunshine.” \nLos Angeles Times: I don’t know whether the tall man is happy\, but I do know that Is the Man Who Is Tall Happy? is intellectually and visually groundbreaking\, and most certainly a film. \n Slant Magazine: A magnificently quizzical diagram of two ceaselessly inquiring minds in perfect tandem\, like a raw X-ray of atomized creativity. \n\nTonight’s screening is in Woodburn Hall (1100 East 7th Street). As you approach Showalter Fountain on 7th Street Woodburn is on your right\, next to the Lilly Library. Here is an exciting interactive map: http://www.iub.edu/~iubmap/bloomington/index.html \n 
URL:https://www.theryder.com/film/noam-chomsky-is-the-man-who-is-tall-happy-15/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Chomsky.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140117T200000
DTEND;TZID=America/Indiana/Indianapolis:20140117T200000
DTSTAMP:20260404T025259
CREATED:20140102T191037Z
LAST-MODIFIED:20200407T165008Z
UID:3299-1389988800-1389988800@www.theryder.com
SUMMARY:Faust
DESCRIPTION:Alexander Sokurov’s brooding\, hallucinatory\, freehanded adaptation of Goethe’s great allegorical drama surpasses simple comprehension\, continuing to grow in your mind — and perhaps to blow it — long after it’s over.\n–A.O. Scott\, The NY Times \nRussian filmmaker Aleksandr Sokurov’s adaptation of Goethe’s allegorical drama conjures up a unique and phantasmagoric vision of the Faustian legend. Faust is a man in search of the ideals of the Enlightenment but he becomes obsessed with the lovely Magarethe and eventually sells his soul to the Devil so that he may possess her. Comic\, cosmic\, painterly and stunningly beautiful scenes abound as the Devil takes Faust on a strange\, unforgettable journey. Winner: Golden Lion (Best Picture) Venice Film Festival. (2013; 140 min) \nOn the 17th and 18th\, FAUST is at Woodburn Hall\, perhaps our most intimate screening room. And its easy to get to. If you are walking on 7th Street towards the IU Auditorium\, Woodburn is on your right just before you reach Showalter Fountain. Enter through the first set of doors that you see (on the west side of the building). You’ll see us on the first floor immediately on your right. \n 
URL:https://www.theryder.com/film/faust-2/
LOCATION:IU Fine Arts Theater – north side of Showalter Fountain\, 1201 E 7th Street\, Bloomington\, IN\, 47405\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/FAUST-Large.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140117T183000
DTEND;TZID=America/Indiana/Indianapolis:20140117T183000
DTSTAMP:20260404T025259
CREATED:20140103T162700Z
LAST-MODIFIED:20200407T165008Z
UID:3320-1389983400-1389983400@www.theryder.com
SUMMARY:Noam Chomsky: Is the Man Who Is Tall Happy?
DESCRIPTION:Jan 3\, 4\, 10\, 11\, 17\, 18 From Michel Gondry\, the innovative director of Eternal Sunshine of the Spotless Mind and The Science of Sleep\, comes this unique animated documentary on the life of controversial MIT professor\, philosopher\, linguist\, anti-war activist and political firebrand Noam Chomsky. Through complex\, lively conversations with Chomsky and brilliant illustrations by Gondry himself\, the film reveals the life and work of the father of modern linguistics. The result is not only a dazzling\, vital portrait of one of the foremost thinkers of modern times\, but also a beautifully animated work of art. (88 min)\n \n\nVillage Voice: This is a film to see and then see again\, to soak in and marvel at. \nindieWIRE: Is the Man Who Is Tall Happy? bears the stamp of Gondry quirk but allows it to feel a lot more intimate than anything he’s done since “Eternal Sunshine.” \nLos Angeles Times: I don’t know whether the tall man is happy\, but I do know that Is the Man Who Is Tall Happy? is intellectually and visually groundbreaking\, and most certainly a film. \n Slant Magazine: A magnificently quizzical diagram of two ceaselessly inquiring minds in perfect tandem\, like a raw X-ray of atomized creativity. \n\n 
URL:https://www.theryder.com/film/noam-chomsky-is-the-man-who-is-tall-happy-14/
LOCATION:IU Woodburn Hall Theater\, - next to the Lilly Library - 1100 E 7th St\, Bloomington\, IN\, 47404
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Chomsky.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140115T190000
DTEND;TZID=America/Indiana/Indianapolis:20140115T190000
DTSTAMP:20260404T025259
CREATED:20140103T165228Z
LAST-MODIFIED:20200407T165008Z
UID:3326-1389812400-1389812400@www.theryder.com
SUMMARY:Blue is the Warmest Color
DESCRIPTION:Jan 10\, 11\, 12\, 15\, 17\, 18\, 22\, 24\, 25   \nMake no mistake\, Blue Is the Warmest Color constitutes a breakthrough\, in addition to being THE BEST FILM OF 2013. – The San Francisco Chronicle \nThe sensation of the Cannes Film Festival and the most controversial film of the year\, Blue is the Warmest Color made cinema history as the first film ever awarded the Palme d’Or to both its director and its actresses. In a star-making role\, Adele Exarchopoulos stars as Adele\, a passionate high school student who has a yearning she doesn’t quite understand until a chance encounter with the blue-haired Emma ignites a flame and brings her to life. Lea Seydoux (Midnight in Paris) gives a fearless performance as Emma\, the older\, more experienced art student who excites Adele’s desire and becomes the love of her life. Abdellatif  Kechiche’s (The Secret of the Grain) intimate epic of tenderness and passion charts their relationship over the course of several years\, from the ecstasy of a first kiss to the agony of heartbreak. Pulsing with gestures\, embraces\, furtive exchanges\, and arias of joy and devastation\, Blue is the Warmest Color is a profoundly moving hymn to both love and life. (3 hrs; NC-17) \n  \n  \nWashington Post: Hours\, even days later\, they may find themselves thinking of Adele and wondering how she’s doing — only then realizing how completely this fictional but very real creation has winnowed her way into their hearts and minds. That’s great acting. It’s great art. And that’s why Blue Is the Warmest Color is a great movie. \n  \nSalon.com: It’s perhaps the first great love story of the 21st century that could belong only to this century. \n  \nLos Angeles Times: The telling is beautiful and explicit. The truth of its emotionally raw\, romantic drama is eternal and universal. \n  \nThe New York Times: Mr. Kechiche’s style is dizzy\, obsessive\, inspired and relentless\, words that also describe Adele and Emma and the fearless women who embody them. Many more words can — and will — be spent on “Blue Is the Warmest Color\,” but for now I’ll settle for just one: GLORIOUS. \n\n  \nVillage Voice: Kechiche and his actresses explore the in-between—ecstasy\, exploration\, the comfort and eventual boredom of domesticity—and the aftermath\, the painful shards of feeling we cling to after something has shattered. And they don’t mess around when it comes to the ferocity of love\, sex\, or\, God help us\, the two combined.
URL:https://www.theryder.com/film/blue-is-the-warmest-color-4/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/blue_poster_web.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20140112T190000
DTEND;TZID=America/Indiana/Indianapolis:20140112T190000
DTSTAMP:20260404T025259
CREATED:20140102T222817Z
LAST-MODIFIED:20200407T165008Z
UID:3317-1389553200-1389553200@www.theryder.com
SUMMARY:Noam Chomsky: Is the Man Who Is Tall Happy?
DESCRIPTION:Jan 3\, 4\, 10\, 11\, 17\, 18 From Michel Gondry\, the innovative director of Eternal Sunshine of the Spotless Mind and The Science of Sleep\, comes this unique animated documentary on the life of controversial MIT professor\, philosopher\, linguist\, anti-war activist and political firebrand Noam Chomsky. Through complex\, lively conversations with Chomsky and brilliant illustrations by Gondry himself\, the film reveals the life and work of the father of modern linguistics. The result is not only a dazzling\, vital portrait of one of the foremost thinkers of modern times\, but also a beautifully animated work of art. (88 min)\n \n\nVillage Voice: This is a film to see and then see again\, to soak in and marvel at. \nindieWIRE: Is the Man Who Is Tall Happy? bears the stamp of Gondry quirk but allows it to feel a lot more intimate than anything he’s done since “Eternal Sunshine.” \nLos Angeles Times: I don’t know whether the tall man is happy\, but I do know that Is the Man Who Is Tall Happy? is intellectually and visually groundbreaking\, and most certainly a film. \n Slant Magazine: A magnificently quizzical diagram of two ceaselessly inquiring minds in perfect tandem\, like a raw X-ray of atomized creativity. \n\n 
URL:https://www.theryder.com/film/noam-chomsky-is-the-man-who-is-tall-happy-13/
LOCATION:Bear’s Place  – All Ages during Ryder Films\, 1316 East 3rd Street\, Bloomington\, IN\, 47401\, United States
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2014/01/Chomsky.jpg
ORGANIZER;CN="The Ryder Film Series":MAILTO:editor(at)theryder.com
END:VEVENT
END:VCALENDAR