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SUMMARY:Stand With Ukraine Film Festival
DESCRIPTION:Festival Schedule    Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter  \n  \nWe are hosting a micro festival of films by filmmakers from Ukraine: six rarely seen features and one program of shorts. Admission is free. We are\, however\, requesting donations; all proceeds will be sent to Ukrainian humanitarian relief organizations. Where will your donation go? A list of aid organizations appears below. \n\nThe festival is co-sponsored by the IU Department of Slavic and East European Languages and Cultures and the Robert F. Byrnes Russian & East European Institute. \n\n \nTHE GUIDE  Set in the 1930s\, the movie tells the story of a 10-year-old American orphan who joins forces with a blind kobzar (a traveling Ukrainian musician) in a dangerous trek across Soviet-subjugated Ukraine\, with a band of killers in pursuit. The film’s dramatic depiction of underdog resistance to armed aggression will resonate with viewers.  Directed by Oles Sanin (127 min) The Guide will be introduced by Iryna Voloshyna\, PhD Student Department of Folklore and Ethnomusicology*   \nTHE EARTH IS AS BLUE AS AN ORANGE  Krasnohorivka: a town on the front lines of the war-torn region of Eastern Ukraine. When poet/filmmaker Iryna Tsilyk first visits the Trofymchuk-Gladky family home\, she is surprised by what she finds: while the outside world is made up of bombings and chaos\, single mother Anna and her four children are managing to keep their home as a safe haven\, full of life and full of light. Every member of the family has a passion for cinema\, so it feels natural for them to shoot a film inspired by their own life during a time of war. Winner of the Directing Award for World Cinema Documentary at the 2020 Sundance Film Festival\, The Earth is as Blue as an Orange stands not only as a remarkable document of the Russo-Ukrainian War through the lens – literally – of this family’s creative process\, but as an optimistic testament to the power of art and beauty in the face of destruction. (2020 / 73 min) \n \nTHE CACOPHONY OF DONBAS  This film takes a hard look at the Kremlin’s disinformation playbook and shatters the “myth of the Donbas” — Russia’s official version of atrocities in Donbas\, a region in Ukraine. One such myth: following the fabrication of a “crucified boy\,” circulated by the pro-Kremlin media back2014\, there have been wild allegations of Ukrainian armed forces organizing “human safaris” where rich Westerners could allegedly buy the right to kill civilians in Donbas. The film uses archival footage and recordings of interviews with former Donbas residents who witnessed Russian aggression and became its victims. Life promised to become a symphony of work\, joy and welfare. Instead\, the symphony of the Donbas turned into a cacophony of the Donbas. Directed by Ihor Minaiev. Introduced by Stanislav Menzelevskyl* \n \nATLANTIS  A prize-winner at the Venice Film Festival and Ukraine’s official selection for the 2021 Academy Awards\, Atlantis is a gorgeous and visionary sci-fi drama. Eastern Ukraine\, 2025….A desert unsuitable for human habitation. Water is a dear commodity brought by trucks. A Wall is being built on the border. Sergiy\, a former soldier\, is having trouble adapting to his new reality. He meets Katya while on the Black Tulip mission dedicated to exhuming the past. Together\, they try to return to some sort of normal life in which they are allowed to fall in love again. (108 min) Introduced by Yuliya V. Ladygina* \n \nTOLOKA  Toloka is inspired by Ukrainian poet Taras Shevchenko’s 19th century romantic ballad. When Catherine’s lover is taken away\, she vows to rescue him. Catherine is beautiful and surrounded by suitors. She informs her admirers that she will marry whichever of them brings back her brother\, who is secretly her lover in disguise. The poem and the film are inextricably linked to the history of Ukraine and the concept of forming a national identity.. Directed by Mykhailo Illienko. (110 min)    \nSHADOWS OF FORGOTTEN ANCESTORS  “There is no devil in church\, only among men.” Deep in the Carpathian Mountains of 19th-century Ukraine\, love\, hate\, life\, and death among the Hutsul people are as they’ve been since time began. Ivan\, who has been cursed by a sorcerer\, is drawn to Marichka\, the beautiful young daughter of the man who killed his father. But fate decrees that the two lovers remain apart. Shadows of Forgotten Ancestors is a boldly conceived and astonishingly photographed blend of enchanting mythology\, hypnotic religious iconography\, and pagan magic. Its unsentimental depiction of the harsh realities of Russian regional history placed filmmaker Sergei Pararadjanov in direct conflict with bureaucrats then controlling the Soviet film industry. Nevertheless\, the film became an international sensation when it was released in 1964. (92 min) \nMARIUPOL\, I LOVE YOU  These four short films made by Mariupol localsshow life in the city before the invasion. It consists of four short films . These are stories of everyday life\, dreams\, and relationships. And how they were influenced by the first phase of the war in 2014. In Me and Mariupol a Donetsk-born director Piotr Armianovski is talking to people in search of the Mariupol he remembers from his childhood. Ma\, by Maria Stoianova is a conversation between a mother and daughter created from amateur phone footage in the face of war. Territory of Empty Windows and Diorama by Mariupol-born Zoya Laktionova explore how the war has changed the face of the city. (Total runtime: 49 min) \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination. Filmgoers must wear masks in the theater. Seating will be capped at 50% of capacity.  \n\n*An introduction to those who will be introducing the films… \nYuliya V. Ladygina\, Professor at Penn State Department of Germanic and Slavic Languages and Literatures\, specializes in 19th- and 20th-century Eastern European literatures and cultures\, with research interests in 19th-century Russian and Ukrainian literature\, 19th-century German and Russian intellectual history\, nationalism in Eastern Europe\, interwar literature\, Soviet and post-Soviet cinema\, and the state-sponsored informational warfare in contemporary Russia and Ukraine. Her book\, Bridging East and West: Ol’ha Kobylians’ka\, Ukraine’s Pioneering Modernist (University of Toronto Press\, 2019)\, stands out among many published articles\, reviews\, conference presentations\, and translations of Ukrainian literature into English. Currently\, Ladygina is working on a book project\, The Reel Story of the Russian-Ukrainian War\, 2014-2024\, which examines the legacy of Soviet and Hollywood war films\, as well as the influence of contemporary media practices in (mis)representing war\, terror\, and terrorism\, in cinematic depictions of the ongoing Russo-Ukrainian conflict. Before joining Penn State\, Ladygina was a Research Fellow at the Harvard Ukrainian Research Institute\, a Visiting Assistant Professor of Russian at Williams College\, and a Teaching Assistant Professor of Russian and Humanities at The University of the South (Sewanee)\, where she taught courses on Russian and comparative literature\, film\, rhetorical writing\, Russian language\, and the 19th- and 20th-century European and Russian intellectual history. At Sewanee\, she has also served as a director of the Sewanee Summer in Russia Program. \nStanislav Menzelevskyi (The Cacophony of Donbas\, April 24) is a PhD student in The Media School\, IUB. He has previously earned a BA and MA degrees in Arts in Cultural Studies from the National University of “Kyiv-Mohyla Academy”. Since November 2011 Stanislav had been working at the Ukrainian State Film State Archive (Oleksandr Dovzhenko National Center)\, whereas a Head of Research and Programming Department researched silent and sound soviet cinema\, was involved in publishing activities\, programmed film retrospectives\, etc. Additionally\, Stanislav was a visiting scholar at Columbia University (Carnegie Fellowship\, 2013) and the University of California\, Berkeley (Fulbright Scholarship\, 20 \nIryna Voloshyna (The Guide\, both screenings) is a PhD student at the Department of Folklore and Ethnomusicology at Indiana University Bloomington. She is a Fulbright fellow\, and received her MA in Folklore at the University of North Carolina-Chapel Hill. She earned her BA with honors in Philology and a specialist diploma in Translation at Khmelnytskyi National University.  \nIryna worked with the New York State Council on the Arts\, New York Folklore Society\, Yara Arts Group\, Ukrainian Museum in New York and Ukrainian-American Museum and Archive in Detroit; she also sang with the NYC-based ensemble Ukrainian Village Voices.   \nIryna Voloshyna has published in Voices: Journal of New York Folklore\, and Folklorica: Journal of Slavic\, East European\, and Eurasian Folklore Association\, and her film review is forthcoming in Journal of American Folklore.  \nResearch interests: cultural identity; politics of culture; material culture; performance studies; folk music; migration; diaspora studies; ICH; Slavic folklore; Ukraine; Eastern Europe; Ukrainian-Americans \n\nHere is a list of organizations that your donation will help to support: \n\n\n\n\nhttps://savelife.in.ua/en/donate/ (works directly with the command and personnel of military units\, purchasing infrared thermal imaging cameras\, night vision goggles\, hemostatics etc) \n \nArmy SOS – https://armysos.com.ua/pomoch-armii (manages purchases of necessary ammunition\, shields\, intercommunication and reconnaissance facilities\, etc. and delivers all goods directly) \n \nHospitallers – https://www.facebook.com/hospitallers/posts/2953630548255167 (works directly on the frontline)\n \nPhoenix Wings – http://wings-phoenix.org.ua/en/about-fund/ ( the appropriate equipment & uniform\, personal non-lethal protection (vests\, helmets)\, treatment of wounded soldiers\, and repair of the buildings used by the army)\n \nUkrainian Women Veteran Movement – https://www.uwvm.org.ua/?page_id=3437&lang=en (a consolidation of female veterans\, amongst other things organizes preparation for actions in case of emergencies and defense situations. \n \nVostok SOS – https://vostok-sos.org/pidtrymaty/donation/ (raising funds for various needs of the army)\n\n\n\nAny other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/stand-with-ukraine-film-festival/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220408
DTEND;VALUE=DATE:20220419
DTSTAMP:20260409T150124
CREATED:20220216T214405Z
LAST-MODIFIED:20240223T234023Z
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SUMMARY:A Night of Knowing Nothing
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \n\nApril 8 and 9 at 7:30 at the IU Fine Arts Theater • April 15 and 16 at 7:30 at the IU Radio & Television Theater • Purchase Tickets\n \nAn essential portrait of contemporary Indian students engaged in university life\, protests and the ongoing struggle for resistance. Filmmaker Payal Kapadia shows how artistic creativity goes hand in hand with the fight for political freedom. A Night of Knowing Nothing won the Golden Eye award for Best Documentary at the Cannes Film Festival. \n  \nCO-FEATURE: WRITING WITH FIRE \nGenerously supported by the Indiana University Dhar India Studies program \nDirected by Payal Kapadia  • in Hindi w/subtitles  • 96 min \nThe best film of the year. -Michael Phillips\, The Chicago Tribune \n  \n 
URL:https://www.theryder.com/film/night-of-knowing-nothing/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220406
DTEND;VALUE=DATE:20220409
DTSTAMP:20260409T150124
CREATED:20220408T203617Z
LAST-MODIFIED:20240223T234023Z
UID:12465-1649206800-1649379599@www.theryder.com
SUMMARY:Ukraine Festival Schedule
DESCRIPTION:Friday\, April 22 \nShadows of Forgotten Ancestors 7pm at the IU Fine Arts Theater\n \nThe Earth is Blue as an Orange 8pm at the IU Radio & Television Theater\n \n  \n   Sat\, April 23 \nThe Guide 7pm at the IU Fine Arts Theater\n \nAtlantis 8pm at the IU Radio & Television Theater\n \n  \n   Sun\, April 24 \nCacophony of Donbas 3pm at the IU Radio & Television Theater \nToloka 3:45  at the IU Fine Arts Theater                   \nI Love You\, Mariupol 4:15 at the IU Radio & Television Theater\n \n  \n  \n   Friday\, April 29 \nShadows of Forgotten Ancestors 7pm at the IU Fine Arts Theater\n \nThe Earth is Blue as an Orange 8pm at the IU Radio & Television Theater\n \n  \n   Sat\, April 30 \nThe Guide  7pm at the IU Fine Arts Theater\n \nAtlantis 8pm at the IU Radio & Television Theater\n \n  \n   Sun\, May 1 \nCacophony of Donbas 3pm at the IU Radio & Television Theater \nToloka 3:45 at the IU Fine Arts Theater\n \nI Love You\, Mariupol 4:15 at the IU Radio & Television Theater
URL:https://www.theryder.com/film/ukraine-festival-schedule/
CATEGORIES:Film Series
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220401
DTEND;VALUE=DATE:20220412
DTSTAMP:20260409T150124
CREATED:20220216T214933Z
LAST-MODIFIED:20240223T234023Z
UID:11912-1648774800-1649638799@www.theryder.com
SUMMARY:WRITING WITH FIRE
DESCRIPTION:Locations     Free Parking     What else is Showing this Month?     Contact Us      Subscribe to our Newsletter \nApril 1\, 2\, 8\, 9 at 7pm   Sunday Matinees April 3 and 10 at 3pm    All screenings at the IU Radio & Television Theater    Purchase Tickets\n \nProminent Indian journalists are regularly being arrested and jailed for “spreading disaffection against the Indian state.” Writing With Fire chronicles the challenges and triumphs of Khabar Lahariya\, a newspaper staffed entirely by Dalit women (“Untouchables”). \nA determined group of fearless young women\, empowered by outrage and armed with a handful of smartphones (which they’re just learning to use)\, interview marginalized voices around the country\, including rape victims whom the police ignore. This is investigative reporting at its most vital: bringing to account systemic sexist violence\, corruption\, and cynicism. Writing With Fire won the Audience Award at Sundance; it is nothing less than jawdropping. \n\nDirected by Sushmit Ghosh and Rintu Thomas  • in Hindi w/subtitles  • 93 min \nCO-FEATURE: A NIGHT OF KNOWING NOTHING \nGenerously supported by the Indiana University Dhar India Studies program and the IU Media School  \n“A rousing\, inspirational tribute to the pride of grassroots Indian journalism.” – Jessica Kiang\, Variety \n“CRITIC’S PICK! At a time when the profession faces increasing dangers in India\, the film’s faith in the powers of grassroots journalism is nothing short of galvanizing.” – The New York Times \n \nTickets: only $8 \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.\nFilmgoers must wear masks in the theater. Seating will be capped at 50% of capacity. \nAny other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/writing-with-fire/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220312
DTEND;VALUE=DATE:20220405
DTSTAMP:20260409T150124
CREATED:20220313T021700Z
LAST-MODIFIED:20240223T234023Z
UID:12339-1647046800-1649033999@www.theryder.com
SUMMARY:SERVANTS
DESCRIPTION:You can watch Servants right here\, right now\, in our virtual theater – Ends Sunday!\n \nCzechoslovakia\, 1980…the totalitarian Communist regime demands allegiance from all its subjects\, including the clergy. Mihal and Juraj are two conflicted novitiates whose seminary is under increasing pressure by the Party to mold its students into satisfactory citizens. Their tutors probe their allegiance to the Party\, frowning upon the slightest hint of individual thinking\, but subversion is bubbling beneath the façade of compliance. Directed by Ivan Ostrochovský\, Servants is at once a thoughtful morality tale and a noir-tinted political thriller. \n2022  • Slovakia • 81 minutes  • Slovak w/English subtitles \nCaptivating! SERVANTS pairs black-and-white imagery\, reminiscent of films by Robert Bresson\, with an austere kind of choreography.. CRITIC’S PICK\n– The New York Times
URL:https://www.theryder.com/film/servants/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220224T080000
DTEND;TZID=America/Indiana/Indianapolis:20220224T170000
DTSTAMP:20260409T150124
CREATED:20220224T231426Z
LAST-MODIFIED:20240223T234024Z
UID:12265-1645689600-1645722000@www.theryder.com
SUMMARY:Stand With Ukraine Film Schedule
DESCRIPTION:   Friday\, April 22 \nShadows of Forgotten Ancestors 7pm \nThe Earth is Blue as an Orange 8pm \n  \n   Sat\, April 23 \nThe Guide 7pm \nAtlantis 8pm \n  \n   Sun\, April 24 \nCacophony of Donbas 3pm  \nToloka 3:45                      \nI Love You\, Mariupol 4:15 \n  \n  \n   Friday\, April 29 \nShadows of Forgotten Ancestors 7pm \nThe Earth is Blue as an Orange 8pm \n  \n   Sat\, April 30 \nThe Guide  7pm \nAtlantis 8pm \n  \n   Sun\, May 1 \nCacophony of Donbas 3pm  \nToloka 3:45 \nI Love You\, Mariupol 4:15
URL:https://www.theryder.com/film/oscar-shorts-schedule/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;TZID=America/Indiana/Indianapolis:20220219T140000
DTEND;TZID=America/Indiana/Indianapolis:20220219T160000
DTSTAMP:20260409T150124
CREATED:20220129T031426Z
LAST-MODIFIED:20240223T234024Z
UID:11915-1645279200-1645286400@www.theryder.com
SUMMARY:TONI MORRISON: The Pieces I Am
DESCRIPTION:Saturday\, February 19 at 2pm at the Monroe County Public Library \nThis special screening is co-presented by Friends of the Library is part of the 2022 Power of Words initiative bringing author Jacqueline Woodson to Bloomington for a talk at the Buskirk-Chumley Theater on February 5 and the Marian Armstrong Exhibit\, Our Voice: Celebrating the Coretta Scott King Illustrator Awards on display at the Downtown Library February 1–March 20. \nWith the peerless style and rich perspective on Black America she brought to such acclaimed novels as Beloved\, The Bluest Eye\, and Song of Solomon\, Toni Morrison earned a reputation as one of America’s greatest living writers.\n \nShe wrote her books from a vital\, underrepresented point of view. Inspired to write because no one took a “little black girl” seriously\, Morrison was one of the few who wrote for an African American audience\, and she understood the way language could operate as an oppressive or uplifting force—she refused to let her words be marginalized. After years of fighting to be heard\, Morrison was awarded a Nobel Prize for her writing\, and her novels are now taught in schools around the world. \nThrough a trove of archival material\, evocative works of contemporary art\, and interviews with Oprah Winfrey\, Angela Davis\, and Morrison herself\, we revisit her famed books and learn about the inspiration for her writing. Throughout\, Morrison is effortlessly graceful\, insightful\, and candid\, making this intimate\, comprehensive portrait of her life and works an exploration of what it means to be a writer whose stories are so deeply intertwined with often-unrealized national truths. \n2019 |  120 min \nThe film is brought alive by the charisma and brilliance of its subject. -NY Times \n 
URL:https://www.theryder.com/film/toni-morrison/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220211
DTEND;VALUE=DATE:20220222
DTSTAMP:20260409T150124
CREATED:20220116T010732Z
LAST-MODIFIED:20240223T234024Z
UID:11791-1644541200-1645405199@www.theryder.com
SUMMARY:Bad Luck Banging or Loony Porn
DESCRIPTION:February 11\, 12\, 18 and 19 at 8:15 at the IU Radio and Television Theater \nSunday Matinees: February 13 and 20 at 4pm at Radio & TV • Purchase Tickets\n \nA bold\, transgressive social satire that unfolds like a mashup of Luis Buñuel\, Jean-Luc Godard\, and John Waters. When a school teacher’s private sex tape gets leaked to the internet\, it engenders hysterical outrage from a mob of angry parents. \nDirector Radu Jude\, shooting on the streets of Bucharest during the pandemic\, eviscerates common assumptions regarding obscenity. Playfully divided into three sections—a walking-portrait of pandemic-era Bucharest\, a whimsical film essay on the nature and history of obscenity\, and a heated\, absurdist public trail—Bad Luck Banging or Loony Porn is a darkly comic\, grandiose cinematic vision of modern life as unforgettable as its title. 2021 • Romania • 106 min \nHeads Up: Contains several scenes with explicit sexual content. But it’s a comedy. Still\, if full frontal nudity and graphic sexual activity give you the heebie jeebies\, you should probably see another film.\n \nCRITIC’S PICK! There is no American filmmaker I can think of who tackles our modern-day culture wars and their historical roots with anything approaching Jude’s honesty\, wit or intellectual rigor. – The New York Times \nBRILLIANT! A Bold\, Hilarious take on society’s awful state. The filmmaker’s bold approach suggests what might happen if someone spliced a late-period Jean-Luc Godard essay film into the middle of Luis Buñuel’s The Discreet Charm of the Bourgeosie\, with such mesmerizing results that you just have to roll with it. It’s A DARING AND HILARIOUS CINEMATIC GAMBLE that gives a justifiable middle finger to the sheer inanity of the Western world – and it’s also an unpredictable blast\, an angry editorial cartoon that invites us into its outrage. – IndieWire \nAn Irreverent Contemporary Satire…Unapologetically Profane…A PROVOCATIVE BUNUELIAN PRANK. An absurdist time capsule. Jude presents three possible outcomes to this grotesque mock trial\, each one more preposterous than the last\, before freeze-framing on the film’s most blasphemous image yet (a high bar\, considering all that’s come before). – Variety \nA scathing social satire about sex\, lies and videotape. A scattershot attack on sexual hysteria and political hypocrisy in an era of online slut-shaming. Formally daring as cinema… (the film) will divide viewers and critics with its tonally jarring mix of fact and fiction\, explicit imagery\, salty language\, bawdy comedy and social commentary. Jude remains A BOLDLY ORIGINAL VOICE IN MODERN EUROPEAN CINEMA\, with serious things to say and increasingly adventurous ways of saying them. The film’s second act is a quick-fire montage of horror and hypocrisy.  Jude mischievously offers three alternative endings\, including an orgiastic revenge fantasy worthy of John Waters. It’s not subtle\, but it is deliciously demented. A bumpy ride\, audacious and witty.  –  The Hollywood Reporter \n \nTickets: only $8 \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. \nWhere Are Films Shown?      \nWhere Can I Park for free on Campus? \n\nWhat else is Showing this Month? \nAny other Questions? Send an email to editor@TheRyder.com \n 
URL:https://www.theryder.com/film/bad-luck-banging-or-loony-porn/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220222
DTSTAMP:20260409T150124
CREATED:20211214T020046Z
LAST-MODIFIED:20240223T234024Z
UID:11788-1643245200-1645405199@www.theryder.com
SUMMARY:Drive My Car
DESCRIPTION:February 11\, 12\, 18 & 19 at 7pm at the IU Fine Arts Theater    \n\n\n Sunday Matinees: Feb 13 & Feb 20 at 3pm at IU Fine Arts • Purchase Tickets  \nA film about language\, sexuality\, trust\, and infidelity adapted by auteur Ryûsuke Hamaguchi from a short story by Haruki Murakami. DRIVE MY CAR is a head-on collision between an emerging filmmaker fascinated by the interior lives of women\, and a famous author who…is not. Hamaguchi specializes in revelations of the heart\, and Drive My Car—a beautiful melding of two distinct authorial sensibilities—consistently steers clear of the familiar in its characters’ journeys towards self-understanding. But these two wildly disparate storytellers aren’t the only people vying for control of the wheel in this beguiling gem\, as a third major player is introduced — legendary playwright Anton Chekhov. Drive My Car has been named Film of the Year by both the New York Film Critics Circle\, the LA Film Critics Circle and the National Society of Film Critics. It won Best Screenplay at Cannes\, Best Foreign Film at the Golden Globes and is on the shortlist for Oscar nominations in multiple categories. Let’s update that last sentence. Drive My Car just received 4 Academy Award nominations including Best Picture and Best Director. 2021 • Japan • in Japanese with subtitles • 180 min   \nCritic’s Pick. A QUIET MASTERPIECE… a story about grief\, love and work as well as the soul-sustaining\, life-shaping power of art. – Manohla Dargis\, The New York Times A passionate deployment of art as resistance to mortality. – Richard Brody\, The New Yorker 5 out of 5 stars. An engrossing and exalting experience. – Peter Bradshaw\, The Guardian   Watch a conversation between Ryûsuke Hamaguchi and Bong Joon-ho (Parasite) at the Busan International Film Festival…  Tickets: only $8 \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination. Filmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. \nWhere Are Films Shown?      \nWhere Can I Park for free on Campus?  \nWhat else is Showing this Month? \nAny other Questions? Send an email to editor@TheRyder.com      
URL:https://www.theryder.com/film/drive-my-car/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220127
DTEND;VALUE=DATE:20220215
DTSTAMP:20260409T150124
CREATED:20211213T011926Z
LAST-MODIFIED:20240223T234024Z
UID:11827-1643245200-1644800399@www.theryder.com
SUMMARY:HIVE
DESCRIPTION:Feb 11 and 12 at 6:30 at the IU Radio & Television Theater • Purchase Tickets \nIn a small village in Kosovo\, years after her husband went missing during wartime\, Fahrije awaits evidence of his death. Without it\, not only is she unable to mourn\, but the hovering patriarchy deems it disrespectful\, morally loose even\, to move forward: to get a job\, a driver’s license — to provide for her family. Stoically determined\, with inspiring pluck and humor\, Fahrije openly drives around town and begins a business selling ajvar (roasted red pepper paste). If that weren’t enough\, she pulls together other widows to help. The men in the village condemn Fahrije’s efforts to empower herself and threaten her newfound sovereignty. Based on one woman’s true story\, Hive is a universal tale of quiet\, potent resistance. \nHive won the Audience Award\, Directing Award\, and World Cinema Grand Jury Prize at Sundance. 2021 • Kosovo • 84 min \n  \nTickets: only $8 \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. \nWhere Are Films Shown?      \nWhere Can I Park for free on Campus? \n\nWhat else is Showing this Month? \nAny other Questions? Send an email to editor@TheRyder.com \n  \n\n\n\n\n\n\n\n\n\n 
URL:https://www.theryder.com/film/hive/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/png:https://www.theryder.com/wp-content/uploads/2021/12/Screenshot-2021-12-12-at-20-12-35-Hive-2021.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211209
DTEND;VALUE=DATE:20220125
DTSTAMP:20260409T150124
CREATED:20211212T164936Z
LAST-MODIFIED:20240223T234024Z
UID:11796-1639011600-1642985999@www.theryder.com
SUMMARY:BENEDETTA
DESCRIPTION:Jan 14\, 15\, 21\, 22 at 7pm at the IU Fine Arts Theater • Sunday Matinees Jan 16 and 23 at 3pm at the IU Fine Arts Theater • Purchase Tickets \nBenedetta is inspired by the true story of Benedetta Carlini\, a 17th century nun who as a child in the convent was told\, “You are an intelligent girl…but intelligence can be dangerous.” She believed she saw visions of Christ and in fact\, came to believe she was Jesus’ bride. Her erotic desires resulted in a forbidden love affair with another woman. Wildly entertaining\, Benedetta is directed by Dutch auteur/provocateur Paul Verhoeven (best known in the States for RoboCop and Basic Instinct) in his signature salacious style\, featuring standout performances from Virginie Efira as the title character and Charlotte Rampling as the stoic\, conflicted Mother Abbess. 2021 • France/Belgium/Netherlands • 141 min \nVerhoeven brings more vitality to his work than many filmmakers half his age. AN UNHOLY GOOD TIME! – The New York Times \nAt Cannes\, in my press screening\, the movie was received with shocked laughter and applause\, and at the larger Lumiere screening\, a five-minute standing ovation. – Vulture \nA GRAND SUMMATION of all the director’s ideas about eroticism\, rationality\, moral ambiguity\, and faith.  – RogerEbert.com \n  \nYou might enjoy this interview with the filmmaker from the New York Film Festival… \n \nTickets: only $8 \nPandemic Protocols: Filmgoers must be vaccinated and must show proof of vaccination.\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. \nWhere Are Films Shown?      \nWhere Can I Park for free on Campus? \n\nWhat else is Showing this Month? \nAny other Questions? Send an email to editor@TheRyder.com \n  \n\n\n\n\n\n\n\n\n\n 
URL:https://www.theryder.com/film/benedetta/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/12/benedetta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211207
DTEND;VALUE=DATE:20220111
DTSTAMP:20260409T150124
CREATED:20211017T232614Z
LAST-MODIFIED:20240223T234024Z
UID:11311-1638838800-1641776399@www.theryder.com
SUMMARY:The Hidden Life of Trees
DESCRIPTION:Back By Popular Demand! Jan 7 & 8 at 6:45 at the IU Fine Arts Theater       Sunday Matinee! Jan 9 at 4pm at the IU Fine Arts Theater\n \nAre trees able to talk? Do they have a memory and a social life? The forester and bestselling author Peter Wohlleben gets to the bottom of these questions and opens our eyes to the hidden world of the woods. \nThe whole world is talking about the environment\, but frequently fails to listen to nature itself. Peter Wohlleben has changed all that: in The Hidden Life of Trees he opens our eyes to the hidden world of the woods. When Peter Wohlleben published his book in 2015\, he stormed all the bestseller charts; no-one had ever written about the German woods and recognized trees as living in solidarity as part of a community. \nWe humans can only survive if the woods are healthy. The eleventh hour may already be upon us. \nGermany / 2021 / 96 min) \n\n\n\n  \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/the-hidden-life-of-trees/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/png:https://www.theryder.com/wp-content/uploads/2021/07/Hidden-Life-of-Trees-Review-German-Documentary.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211204
DTEND;VALUE=DATE:20211220
DTSTAMP:20260409T150124
CREATED:20211204T233830Z
LAST-MODIFIED:20240223T234024Z
UID:11635-1638579600-1639875599@www.theryder.com
SUMMARY:LUZZU
DESCRIPTION: Dec 10\, 11\, 17 and 18 at 8:30 at the IU Fine Arts Theater\n\n\n\nA hardworking Maltese fisherman\, Jesmark\, is faced with an agonizing choice. He can repair his leaky luzzu – a traditional\, multicolored wooden fishing boat – in the hopes of eking out a meager living at sea for his wife and newborn son\, just as his father and father’s father did before him. Or he could cast his lot with a sinister black-market operation that is decimating the Mediterranean fish population and the livelihoods of the local families who depend on it.\nLuzzu heralds the arrival of writer-director-editor Alex Camilleri\, a gripping storyteller in the neorealist tradition of early Luchino Visconti and the Dardenne brothers and and calls to mind the work of the film’s producer Ramin Bahrani (Man Push Cart\, The White Tiger). Nonporofessional actor Jesmark Scicluna\, a real-life Maltese fisherman\, won an award at Sundance for his extraordinary performance.\n\nMalta / 95 min / in Maltese with subtitles
URL:https://www.theryder.com/film/luzzu/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/12/Luzzu_still-1-2-1-1600x900-c-default.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211204
DTEND;VALUE=DATE:20211206
DTSTAMP:20260409T150124
CREATED:20211204T232441Z
LAST-MODIFIED:20240223T234024Z
UID:11738-1638579600-1638665999@www.theryder.com
SUMMARY:ALGREN
DESCRIPTION:Opens December 10 in our virtual cinema \nA journey through the gritty world\, brilliant mind\, and noble heart of Nelson Algren. Exploding onto the national scene in 1950 after winning the first-ever National Book Award for The Man with the Golden Arm\, Algren defined post-war American urban fiction with his gritty\, brilliant depiction of working class Chicago. \nHemingway declared him second only to Faulkner; Vonnegut dubbed him a literary groundbreaker. Hollywood soon came calling\, immortalizing his breakout novel with none other than Frank Sinatra in the lead role. Algren even won a notorious place in both the heart and work of Simone de Beauvoir. \nIncluding never-before-seen archival footage\, newly uncovered audio recordings and his own rarely seen\, personal photo collages\, ALGREN charts the rise and fall of a man whose transgressions\, compassion and thirst for justice pushed him to dedicate his life and career to giving a voice to the voiceless. Through interviews with Algren’s friends\, literary experts and artists – including William Friedkin\, Russell Banks\, Philip Kaufman\, Billy Corgan and John Sayles – the film is an intimate\, witty and even antagonistic portrait of a tireless champion of America’s most marginalized. \n2021 / 85 miniutes
URL:https://www.theryder.com/film/algren/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211116
DTEND;VALUE=DATE:20211221
DTSTAMP:20260409T150124
CREATED:20211125T234327Z
LAST-MODIFIED:20240223T234024Z
UID:11722-1637024400-1639961999@www.theryder.com
SUMMARY:WILDLAND
DESCRIPTION:Dec 17 and 18 at 6:30 at the IU Fine Arts Theater\nSidse Babett Knudsen stars as kindly Aunt Bodil (a 180-degree reversal from her role as the morally impeccable Danish Prime Minister in the TV series Borgen)\, who provides a home for her orphaned teen-aged niece. As it turns out\, her smiling aunt is the grande dame of a ruthless crime family. Sandra Guldberg Kampp is riveting as an emotionally fragile\, grieving young woman who is grateful to her new relations but conflicted about their enterprise.\n2021 • Denmark • in Danish with subtitles • 88 min \n \nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can show us your vaccination card us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/wildland/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/11/wildland-slide-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211114
DTEND;VALUE=DATE:20211215
DTSTAMP:20260409T150124
CREATED:20211125T234028Z
LAST-MODIFIED:20240223T234024Z
UID:11721-1636851600-1639443599@www.theryder.com
SUMMARY:The Village Detective
DESCRIPTION:Dec 3\, 4\, 5\, 10 and 11 at 7pm at the IU Fine Arts Theater\nDuring the summer of 2016\, a fishing boat off the shores of Iceland made a most curious catch: four reels of 35mm film\, seemingly of Soviet provenance. The film turned out to be an incomplete print of a popular Soviet comedy from 1969\, water damaged no less. Did that mean it had no value? Filmmaker Bill Morrison thought not. (Some of you saw his film Dawson City\, Frozen Time when we screened it in 2017) Morrison makes movies from ghostly fragments of lost films. He uses these four reels as a jumping off point for his latest meditation on cinema’s past\, offering a journey into Soviet history and film accompanied by a gorgeous score by Pulitzer and Grammy-winning composer David Lang. 2021 • in English and in Russian with subtitles • 81 min\nMorrison’s movies feel like half-remembered reveries formed from memories you can no longer consciously recall. Hovering at the intersection of reappropriation\, preservation\, history\, music\, and art\, any one of his works will haunt you for the rest of your life. – Hyperallergic \n \nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can show us your vaccination card us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/the-village-detective/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/11/title_the_village_detective_a_song_cycle_blu-ray_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211018
DTEND;VALUE=DATE:20211121
DTSTAMP:20260409T150124
CREATED:20211019T021026Z
LAST-MODIFIED:20240223T234024Z
UID:11639-1634518800-1637369999@www.theryder.com
SUMMARY:LA PISCINE (The Swimming Pool)
DESCRIPTION:Nov 12\, 13\, 19 and 20 at 8:30 at the IU Fine Arts Theater \n\n\n\n\n\nSexual tension simmers on the French Riviera in this late-’60s\, Euro-chic erotic thriller. Jane Birkin stars alongside Alain Delon\, Romy Schneider\, and Maurice Ronet as a quartet of tanned\, toned\, beautiful people who spend their summer swimming\, lounging the pool (la piscine) and trysting with one another amid the crystal-blue waters of the Côte d’Azur. But jealousy and a creeping sense of unease gradually infect their languorous idyll. Director Jacques Deray and co–writer Jean-Claude Carrière deliver a sultry\, sun-baked master class in slow-burn suspense. \n\n\n\n\n\n123 min / In French with English subtitles. \n\n\n\nRestored in 4K from the original 35mm negative.  \n\n\n\nCritic’s Pick! – The New York Times
URL:https://www.theryder.com/film/la-piscine/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/10/la-piscine-slide-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211017
DTEND;VALUE=DATE:20211122
DTSTAMP:20260409T150124
CREATED:20211017T173903Z
LAST-MODIFIED:20240223T234024Z
UID:11591-1634432400-1637456399@www.theryder.com
SUMMARY:SWAN SONG
DESCRIPTION:Nov 12\, 13\, 19 and 20 at 7:30 at the IU Radio & TV Theater\nA retired hairdresser has given up on life and now lives in a nursing home in Sandusky\, Ohio. But when he gets word that a former client’s dying wish was for him to style her final hairdo\, he sets out on an epic journey across Sandusky to confront the ghosts of his past–and collect the beauty supplies necessary for the job. \nThe legendary German character actor Udo Kier stars. (Kier’s acting career goes back to the 1960s and the films of Werner Herzog and Rainer Werner Fassbinder.) Linda Evans co-stars Her career also dates back to the early ’60s–anyone remember The Adventures of Ozzie and Harriet? \nDirected by Todd Stephens\, Swan Song is a comical and bittersweet journey about rediscovering oneself and looking gorgeous while doing so.\n \n(2021 • 105 min) \nKier gets the role of his lifetime as a fabulously snarky\, acerbic\, long-retired hairdresser. – IndieWire \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/swan-song/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/10/swansong_637790.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20211112
DTSTAMP:20260409T150124
CREATED:20211015T193829Z
LAST-MODIFIED:20240223T234024Z
UID:11565-1634259600-1636592399@www.theryder.com
SUMMARY:WIFE OF A SPY
DESCRIPTION:Nov 5\, 6 and 7 at 7:15 at the IU Radio & TV Theater\nThe new film by Kiyoshi Kurosawa is an espionage drama in the league of Hitchcock’s Notorious. Wife of a Spy is set in 1940 in Kobe\, on the eve of the outbreak of World War II. After traveling to Manchuria\, a Japanese colony\, an amateur filmmaker decides to bring to light the things he witnessed there\, and secretly filmed. Meanwhile\, his wife must seduce\, scheme\, and even betray in order to outwit a ruthless secret police lieutenant who is suspicious of her husband’s activities. \nWife of a Spy is co-written by Ryusuke Hamaguchi\, whose new film\, Wheel of Fortune & Fantasy\, opened several weeks ago to critical enthusiasm. We will be screening Wheel of Fortune in December. \n2021 • Japan • 115 min \n“Critic’s Pick!  Linear narrative perfection with every scene perfectly calibrated.” –The New York Times \n“Worthy of John Le Carre’s storied blend of tradecraft\, history and insight into the ramifications of duplicity.” –The Wrap \n  \n\n \n\n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/wife-of-a-spy/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/10/wife-of-a-spy-movie-review-2021.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211015
DTEND;VALUE=DATE:20211109
DTSTAMP:20260409T150124
CREATED:20211015T195815Z
LAST-MODIFIED:20240223T234024Z
UID:11563-1634259600-1636333199@www.theryder.com
SUMMARY:UNDINE
DESCRIPTION:October Nov 5 and 6 and 7 at 6:30 at the IU Fine Arts Theater\nAt first blush\, the new film from Christian Petzold might seem a departure for the German director\, especially to those only acquainted with him from his most recent film\, the award-winning Transit (which some of you may have seen at the IU Cinema). Like his earlier films\, Undine tells a story of star crossed lovers but this time with a supernatural twist (it’s that time of year). 2021 • Germany • 96 min \nCRITIC’S PICK! An offbeat gem! Christian Petzold’s latest begins in the middle of a breakup\, with the standard explanations and platitudes\, until Undine (Paula Beer)\, the woman on the receiving end\, says something you don’t typically hear in such conversations: “If you leave me\, I’ll have to kill you. You know that!” This is no ordinary romance; true to her name\, Undine is a water nymph.” –The New York Times \n  \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/undine/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/10/undine-3_poster_goldposter_com_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210926
DTEND;VALUE=DATE:20211109
DTSTAMP:20260409T150124
CREATED:20210928T170554Z
LAST-MODIFIED:20240223T234024Z
UID:11515-1632618000-1636333199@www.theryder.com
SUMMARY:The Velvet Underground
DESCRIPTION:November 5\, 6 and 7 at 8:30 at the IU Fine Arts Theater \nTodd Haynes’s new film about the seminal band\, The Velvet Underground\, mirrors its members’ experimentation and formal innovation. Combining contemporary interviews and archival documentation with newscasts\, advertisements\, and a trove of avant-garde film from the era\, Haynes constructs a vibrant cinematic collage that is as much about the New York of the ’60s and ’70s as it is about the rise and fall of the band. Haynes unearths rich details about Andy Warhol\, The Factory\, Nico\, and others\, adding vivid context and texture that never diminish the ultimate enigma of the group that has been called as influential as the Beatles. 2021 • 120 min \n  \n“Critic’s Pick!” – The New York Times (Oct 15) Read the full review \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://www.theryder.com/film/the-velvet-underground/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/The_Velvet_Underground_Photo_0103-1-1600x900-c-default.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210925
DTEND;VALUE=DATE:20211026
DTSTAMP:20260409T150124
CREATED:20210928T164417Z
LAST-MODIFIED:20240223T234024Z
UID:11507-1632531600-1635123599@www.theryder.com
SUMMARY:POSSESSION
DESCRIPTION:October 15\, 16\, 22\, and 23 at 7:15 at the IU Radio & TV Theater. \nA woman starts acting strangely after asking her husband\, a professional spy\, for a divorce. His initial suspicions of a secret lover soon give way to something much more sinister. Isabel Adjani won the Best Actress Award at Cannes for her performance. Written and directed by Polish novelist/filmmaker Andrej Zulawski. Possession received mixed reviews upon its release in 1981. Today it is considered a masterpiece of surrealism and cat-and-mouse suspense.  \n(in Polish and German w/subtitles / 1981; 2021 / 124 min)\n \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com\n\n\n\n\n 
URL:https://www.theryder.com/film/possession/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/possession-1200-1200-675-675-crop-000000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210920
DTEND;VALUE=DATE:20211026
DTSTAMP:20260409T150124
CREATED:20210920T223616Z
LAST-MODIFIED:20240223T234024Z
UID:11346-1632099600-1635123599@www.theryder.com
SUMMARY:Little Girl (PrideFest)
DESCRIPTION:October 15\, 16\, 22\, 23 at 6:30 pm at the IU Fine Arts Theater \nLittle Girl is the moving portrait of 7-year-old Sasha\, who loves ballet\, dolls and dresses and has always known that she is a girl\, despite the fact that she was born male. Sasha’s family has recently accepted her gender identity\, embracing their daughter for who she truly is while working to confront outdated norms and find affirmation in a small community of rural France. Realized with delicacy and intimacy\, Sébastien Lifshitz’s documentary poetically explores the emotional challenges\, everyday feats\, and small moments in Sasha’s life. \n  \n88 min • France • Not Rated • In French with English subtitles \n  \n“Critic’s Pick! — The New York Times \nExtraordinary\, Illuminating and Moving.” –The Guardian \n  \n  \n \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity. \nWhere Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com\n\n\n\n\n  \n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:https://www.theryder.com/film/little-girl/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/little-girl-website.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210909
DTEND;VALUE=DATE:20211003
DTSTAMP:20260409T150124
CREATED:20210924T015027Z
LAST-MODIFIED:20240223T234024Z
UID:11499-1631149200-1633136399@www.theryder.com
SUMMARY:The Dark Crystal
DESCRIPTION:Free Screening! Friday Oct 1st in Switchyard Park \n  \nThis 1982 fantasy film is directed by Jim Henson and Frank Oz . On another planet in the distant past\, a Gelfling embarks on a quest to find the missing shard of a magical crystal\, and so restore order to his world. It was marketed as a family film\, but was notably darker than the creators’ previous material. The Dark Crystal was originally marketed as a family film\, but was scarier than fans of Jim Henson were expecting. Today the film is considered a dark masterpiece. (93 min) \nThis is a free screening in Switchyard Park. The film will begin at dusk. Rain date: Oct 2nd
URL:https://www.theryder.com/film/the-dark-crystal/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/dark-e1632850295379.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210905
DTEND;VALUE=DATE:20211013
DTSTAMP:20260409T150124
CREATED:20210902T011346Z
LAST-MODIFIED:20240223T234024Z
UID:11308-1630803600-1634000399@www.theryder.com
SUMMARY:EYIMOFE (This is My Desire)
DESCRIPTION:October 1\, 2\, 8 and 9 at 7:30 at the IU RTV Theater \nThis stunning debut drama\, set in colorful\, chaotic Lagos\, the former Nigerian capital\, is made by twin brothers\, Arie and Chuko Esiri. The film traces the journeys of two distantly connected strangers—Mofe\, an electrician dealing with the fallout of a family tragedy\, and Rosa\, a hairdresser supporting her pregnant teenage sister—as they each pursue their dream of starting a new life in Europe.   \nNIGERIA   2021   110 MINS.   IN NIGERIAN ENGLISH WITH ENGLISH SUBTITLES \nCRITIC’S PICK! -The New York Times \n
URL:https://www.theryder.com/film/eyimofe-this-is-my-desire/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/07/eyimofe-slide-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210904
DTEND;VALUE=DATE:20211013
DTSTAMP:20260409T150124
CREATED:20210902T004916Z
LAST-MODIFIED:20240223T234024Z
UID:11379-1630717200-1634000399@www.theryder.com
SUMMARY:Summer of 85 (PrideFest)
DESCRIPTION:October 1\, 2\, 8\, and 9 at 8:30 at the IU Fine Arts Theater \nFrancois Ozon’s gorgeous period piece … When Alexis capsizes off the coast of Normandy\, David comes to the rescue and soon opens the younger boy’s eyes to a new horizon of friendship\, art\, and bliss. David’s worldly demeanor and Jewish heritage deliver an ardent jolt to Alexis’s traditional\, working-class upbringing.  Their relationship is soon rocked by a romantic oath that transcends life itself. (2021 / France / 100 min)\n \nTickets: only $8 \nWhere Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.\n\n\n\n\n
URL:https://www.theryder.com/film/summer-of-85/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/Summer_Of_85_Francois_Ozon-1392x884-1.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210903
DTEND;VALUE=DATE:20211013
DTSTAMP:20260409T150124
CREATED:20210902T000833Z
LAST-MODIFIED:20240223T234024Z
UID:11315-1630630800-1634000399@www.theryder.com
SUMMARY:SCALES
DESCRIPTION:Oct 1\, 2\, 8 and 9 at 6:45 at the IU Fine Arts Theater \nA rebellious teenage girl fights back against patriarchal oppression in Saudi director Shahad Ameen’s visually arresting feminist fable ‘Scales.’ \nSet in a dystopian landscape\, Scales is the story of a young strong-willed girl\, Hayat\, who lives in a poor fishing village governed by a dark tradition in which every family must give one daughter to the sea creatures who inhabit the waters nearby. In turn the sea creatures are hunted by the men of the village. Saved from this fate by her father\, Hayat is considered a curse on the village and grows up an outcast. Nevertheless\, she does not surrender to this fate and fights for a place within her village. After her mother gives birth to a baby boy\, Hayat must accept the brutal custom of giving herself to the sea creatures or finding a way to escape. (75 min / Saudi Arabia / in Arabic with subtitles)\n\n
URL:https://www.theryder.com/film/scales/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/07/scales_-_2_copy.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210902
DTEND;VALUE=DATE:20211019
DTSTAMP:20260409T150124
CREATED:20210914T015923Z
LAST-MODIFIED:20240223T234024Z
UID:11450-1630544400-1634518799@www.theryder.com
SUMMARY:DAYS
DESCRIPTION:You can watch DAYS right here\, right now\, in our virtual theater\n \n\nThe great Taiwanese filmmaker Tsai Ming-liang has been directing exquisite examinations of alienation\, isolation\, and the fleeting beauty of human connection featuring his muse\, Lee Kang-sheng\, for decades. His latest film\, DAYS\, will undoubtedly stand as one of his best\, sparest\, and most intimate works. Lee once again stars as a variation on himself\, wandering through a lonely urban landscape and seeking treatment in Hong Kong for a chronic illness; at the same time\, a young Laotian immigrant working in Bangkok\, played by Anong Houngheuangsy\, goes about his daily routine. These two solitary men eventually come together in a moment of healing\, tenderness\, and sexual release. Among the most cathartic entries in Tsai’s filmography\, DAYS is a work of longing\, constructed with the director’s customary brilliance at visual composition and shot through with profound empathy. \n\n\n\nAmong the most striking evocations of the quiet anguish of loneliness that any form of cinema can offer. — Glenn Kenny\, The New York Times\n\n\n\nPure rapture. A full body massage for the soul.— Jonathan Romney\, Film Comment\n\n 
URL:https://www.theryder.com/film/days/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/days-3-2048x1369-1.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210828
DTEND;VALUE=DATE:20211101
DTSTAMP:20260409T150124
CREATED:20210827T221205Z
LAST-MODIFIED:20240223T234024Z
UID:11339-1630112400-1635641999@www.theryder.com
SUMMARY:In Balanchine's Classroom
DESCRIPTION:You can watch In Balanchine’s Classroom right here!\n \nIN BALANCHINE’S CLASSROOM takes us back to the glory years of George Balanchine’s New York City Ballet through the remembrances of his former dancers and their quest to fulfill the vision of a genius. Opening the door to his studio\, Balanchine’s private laboratory\, they reveal new facets of the groundbreaking choreographer: taskmaster\, mad scientist\, and spiritual teacher. Today\, as his former dancers teach a new generation\, questions arise: what was the secret of his teaching? Can it be replicated? \nFilled with never before seen archival footage of Balanchine at work during rehearsals\, classes\, and in preparation for his most seminal works\, along with interviews with many of his adored and adoring dancers and those who try to carry on his legacy today\, this is Balanchine as you have never seen him\, and a film for anyone who loves ballet and the creative process. (2021 / 104 min) \nFunded in part by the IU Jacobs School of Music.  \nALSO SCREENING IN OUR VIRTUAL THEATER: DAYS \n 
URL:https://www.theryder.com/film/in-balanchines-classroom/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/08/1_Still-of-Mr-B-Teaching.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20210827
DTEND;VALUE=DATE:20210928
DTSTAMP:20260409T150124
CREATED:20210827T222956Z
LAST-MODIFIED:20240223T234024Z
UID:11348-1630026000-1632704399@www.theryder.com
SUMMARY:FAUCI
DESCRIPTION:September 24 and 25 at 6:45 at the IU Fine Arts Theater \nLast Chance! Sunday\, Sept 26 at 5:15 at the IU Fine Arts Theater \nDubbed “America’s Doctor” by The New Yorker\, Dr. Fauci has become America’s most unlikely cultural icon\, with his signature blend of scientific acumen\, candor\, courage and integrity in the face of COVID-19. At times he’s surprisingly funny. He’s been affectionately spoofed by Oscar winner Brad Pitt and memorialized by Fauci fans who’ve put his face on everything from coffee mugs to candles. He’s a tireless and effective communicator who has captured hearts and minds across the nation and around the world for his willingness to speak truth to power during an unprecedented pandemic. But less is known about the journey that led him to where he is today. (2021 / 105 min) \nFauci is screening in just a handful of theaters. We were chosen primarily because of IU’s nationally recognized stance on vaccination and mask mandates. \nTickets: only $8\n \n\n\n\n\nCovid Protocols: Filmgoers must be vaccinated and must show proof of vaccination. This includes IU students\, faculty and staff. (You can photograph your vaccination card and show it to us on your phone.)\nFilmgoers must wear masks in the theater. Seating will be capped at 35% of capacity.\n\n\n\n\n\n\n\n 
URL:https://www.theryder.com/film/fauci/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2021/09/Fauci-Movie-Trailer.jpg
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