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DTSTART;VALUE=DATE:20200529
DTEND;VALUE=DATE:20200812
DTSTAMP:20260409T090413
CREATED:20200708T221508Z
LAST-MODIFIED:20240223T234052Z
UID:10089-1590714000-1597107599@www.theryder.com
SUMMARY:Guest of Honour
DESCRIPTION:You can watch Guest of Honour right here\, right now\n \n\n\nCanadian filmmaker Atom Egoyan (Family Viewing\, The Sweet Hereafter) returns with the astonishing Guest of Honour\, a characteristically psychologically nuanced drama that also delivers a succession of twists that strike like a flurry of gut punches. \nA Toronto health inspector\, spends his days frequenting family-owned restaurants and wielding the power to shutter their dreams at the slightest provocation. But serving as a guardian angel for unsuspecting diners can’t begin to ease the conscience of this deeply conflicted man. His adult daughter\, Veronica (Laysla De Oliveira)\, is incarcerated for a crime she clearly didn’t commit. And\, yet\, she insists that she deserves to remain imprisoned for other transgressions for which she cannot forgive herself. \nDavid Thewlis gives an extraordinary performance as the conflicted health inspector with a fondness for rabbits. We become so enraptured delving into the dark histories of these beautifully rendered characters\, with their emotional wounds and ill-advised coping mechanisms\, that you’ll be forgiven if you don’t immediately notice that Egoyan has nimbly interwoven multiple timelines into an enthralling narrative whole that’s punctuated by one of the finest scenes of both his and Thewlis’ storied careers. \nAbove all\, Guest of Honour serves as a haunting reminder that our memories not only offer us the opportunity to become storytellers – they also threaten to turn us into unreliable narrators as well. (Canada/105 min) \n\n\nWe have a pair of virtual Q&As that you can attend…\n\n\n\nDavid Thewlis\, co-star Luke Wilson\, and Atom Egoyan on Sunday\, July 12 at 12:00pm PT\, hosted by Canada Now and the American Cinematheque. RSVP here. \nAtom Egoyan on Tuesday\, July 14 at 6:00pm CT\, hosted by the Gene Siskel Film Center. RSVP here. \n\n\n\n \n\n\n\n\n\n\n\n\n\nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/guest-of-honour/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200528
DTEND;VALUE=DATE:20201028
DTSTAMP:20260409T090413
CREATED:20200828T232323Z
LAST-MODIFIED:20240223T234052Z
UID:10348-1590627600-1603760399@www.theryder.com
SUMMARY:from Israel: God of the Piano
DESCRIPTION:WHY THE RYDER NEEDS YOUR SUPPORT TODAY \nBack in March\, when we made the decision to publish the magazine without ad revenue\, we thought the pandemic would be under control by September. Clearly\, we were wrong about that. Today\, with the end nowhere in sight\, we are asking for your support to publish The Ryder into the spring. Read more \n\n  \nYou can watch God of the Piano right here\, right now. We hope you enjoy the film\n \nA Greek tragedy set in contemporary Israel\, God of the Piano is the story of a concert pianist from a respected musical family who has never been able to live up to her father’s stratospheric expectations. When she becomes pregnant\, she transfers her hope of being a musical prodigy onto her child. She is devastated when her son is born deaf\, but she doubles down on her dream\, obsessively grooming him for stardom. But as the young pianist grows up\, his lack of respect for his grandfather becomes an obstacle to his career. This beautifully composed film has the pacing of a thriller. (Israel / 80 minutes) \n“CRITIC’S PICK! Tal’s style has a simultaneous simplicity and density that has an affinity with the works of Lucrecia Martel and Michael Haneke. Rarely does a debut feature showcase a talent so fully formed. This is a remarkably potent film.” – Glenn Kenny\, The New York Times \n \n\n\n\n\n\n\n\n\n\nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nRent This Movie Now \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/god-of-the-piano-opens-sept-25/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200527
DTEND;VALUE=DATE:20200819
DTSTAMP:20260409T090413
CREATED:20200707T191913Z
LAST-MODIFIED:20240223T234052Z
UID:10066-1590541200-1597712399@www.theryder.com
SUMMARY:FLANNERY
DESCRIPTION:You can watch Flannery right here\, right now\n \n“In a small town you can lie… you can commit adultery\, you can even murder somebody\, but you can’t not go to church.” Here\, Louise Abbott evokes the social hypocrisy and harsh realism that inspired the stories of her friend\, the celebrated Southern writer Flannery O’Connor. Flannery is the lyrical\, intimate exploration of her life and work. Her distinctive Southern Gothic style influenced a generation of artists and activists. With her family home at Andalusia (the Georgia farm where she grew up and later wrote her best known work) as a backdrop\, a picture of the woman behind her sharply aware\, starkly redemptive style comes into focus. Including conversations with those who knew her and those inspired by her — Mary Karr\, Tommy Lee Jones\, Lucinda Williams\, Hilton Als and Conan O’Brien (an O’Connor scholar – who knew?) — Flannery employs never-before-seen archival footage\, newly discovered personal letters and her own published words (read by Mary Steenburgen) (96 min)\nFLANNERY is an extraordinary documentary. — Ken Burns\n \n  \nFlannery is one of two movies we are showing about mid-20th century writers. You might also want to watch Shirley. \n  \nBonus  Feature: A four-part live virtual discussion series will be available for any participating organizations: The Modern Consciousness: A ‘Flannery’ Discussion Series will feature guest moderators and panelists alongside the filmmakers for conversations ‘On Race’ (Monday\, July 20); ‘On Faith’ (Monday\, July 27); ‘On Disability’ (Monday\, August 3) and ‘On Craft’ (Monday\, August 10) in relation to O’Connor’s work and writings. More information on these virtual events\, which audiences can participate in via the film’s Facebook Live stream\, to come. \nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/flannery/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200524
DTEND;VALUE=DATE:20200826
DTSTAMP:20260409T090413
CREATED:20200701T213410Z
LAST-MODIFIED:20240223T234052Z
UID:10056-1590282000-1598317199@www.theryder.com
SUMMARY:Aria
DESCRIPTION:You can watch Aria right here\, right now (but not until July 24th)\nSexy\, audacious\, thought-provoking and funny: these are all good things\, right? And that’s what we get from Aria. In 1987\, ten of the world’s most creative and celebrated directors were each given the same brief: to choose a piece of opera music and then present a visual interpretation of that music with complete artistic freedom. The result: ten short pieces directed by ten different filmmakers\, each interpreting a particular an aria (Vivaldi\, Bach\, Wagner). These are freewheeling interpretations so if you are looking for something traditional\, you might be disappointed. But if you’re OK with sexy\, audacious\, thought-provoking and funny\, well\, then\, this just might be your cup of tea. \nThe 10 filmmakers are Robert Altman\, Bruce Beresford\, Bill Bryden\, Jean Luc Godard\, Derek Jarman\, Franc Roddam\, Nicolas Roeg\, Ken Russell\, Charles Sturridge\, and Julien Temple. Going back to the original 35mm internegative\, the film has now been painstakingly restored and transferred to a widescreen HD master. Music was sourced from the massive RCA Red Seal catalog; the score features some of the world’s best opera singers. \nAria includes Bridget Fonda’s electrifying film debut\, a breathtaking performance from Elizabeth Hurley\, as well as performances by Tilda Swinton\, John Hurt\, and Theresa Russell as the trigger-happy King Zog of Albania. \n“Ten directors work magic!” – Critics Choice\, Time Magazine\n“Wonderfully demented…very funny!” – Los Angeles Magazine\n“Extravagant\, fascinating\, and outrageous!” – Philadelphia Magazine\n \nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY?\nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/10056/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200520
DTEND;VALUE=DATE:20201122
DTSTAMP:20260409T090413
CREATED:20200829T021933Z
LAST-MODIFIED:20240223T234052Z
UID:10351-1589936400-1605920399@www.theryder.com
SUMMARY:from Italy: SICILIA!
DESCRIPTION:You can watch Sicilia right here\, right now\nFilm has never seen a collaboration like that between Jean-Marie Straub and Danièle Huillet\, a fiercely intellectual husband-wife duo whose decades-spanning oeuvre aimed to spark a revolution among the masses. It contains adaptations of Kafka and Brecht\, homages to D.W. Griffith\, Renoir\, and Bresson\, and treatises on political matters both current and eternal. \n\nOne of Straub-Huillet’s most engaging and accessible works\, Sicilia! is the story of a man who returns to a village in Sicily after 15 years to visit his mother. Adapted from Elio Vittorini’s novel “Conversations in Sicily\,” the film is so exquisitely rendered that herring roasting on a hearth or a meal of bread\, wine and winter melon\, can take on the humble aura of a Caravaggio painting. The actors\, all nonprofessionals\, declaim their extended discussions with grand\, high-relief diction\, and the film’s starkly exquisite black-and-white images set the dialogue as if to visual music. (66 minutes) \n“One of their great later works.” – The Village Voice\n \n  \n“Straub-Huillet’s aesthetic abounds in anomalies. One finds comfort\, albeit austere\, in encountering patented elements of the filmmakers’ approach in Sicilia!” – James Quandt\, Artforum \n  \n\n\n\n\n\n\n\n\n\n\nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/sicilia/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200518
DTEND;VALUE=DATE:20210102
DTSTAMP:20260409T090413
CREATED:20201019T000938Z
LAST-MODIFIED:20240223T234052Z
UID:10536-1589763600-1609462799@www.theryder.com
SUMMARY:from Italy: CITIZENS OF THE WORLD
DESCRIPTION:You can watch Citizens of the World right here\, right now \nIt is never too late to change your life. Three Italians in their seventies\, all single and looking for a change\, decide to leave their beloved Rome and settle abroad. But where? A rash decision?–perhaps. The Professor\, retired after teaching Latin his whole life\, is getting bored. Giorgetto\, one of the last true Romans\, struggles to make ends meet every month. Attilio\, an antiques dealer\, wants to experience once again the sense of adventure he had while traveling as a hippie-youth. Things will change for our three musketeers\, but not quite as expected. Writer/director Gianni de Gregorio has been called “the Italian Larry David.” He also co-stars as “the Professor.”   90 min  / Italy / subtitled / 2020 \n  \n \nco-features: if you like pasta and Italian-language films\, then you might want to check out Martin Eden\, The Mouth of the Wolf and Sicilia\, all playing this week in our virtual theater
URL:https://www.theryder.com/film/from-italy-citizens-of-the-world-opens-oct-30th/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200515
DTEND;VALUE=DATE:20201027
DTSTAMP:20260409T090413
CREATED:20201015T175555Z
LAST-MODIFIED:20240223T234052Z
UID:10519-1589504400-1603673999@www.theryder.com
SUMMARY:THE BLACK POWER MIXTAPE 1967-1975 - Free Screening Oct 24 in Switchyard Park
DESCRIPTION:We are co-hosting a free screening of The Black Power Mixtape 1967-1975\, on Sat\, Oct 24th at 2pm in the Switchyard Park Pavilion (yes\, there will be heat lamps). The screening is co-presented by the City of Bloomington and the Dr. Martin Luther King Jr. Commission and will be followed by a Roundtable  Discussion on Race\, Racism and Social Justice. \n\n\n \nThe Black Power Mixtape 1967-1975 mobilizes a treasure trove of 16mm material shot by Swedish journalists who came to the US drawn by stories of urban unrest and revolution. Gaining access to many of the leaders of the Black Power Movement—Stokely Carmichael\, Bobby Seale\, Angela Davis and Eldridge Cleaver among them—the filmmakers captured them in intimate moments and remarkably unguarded interviews. Thirty years later\, this lush collection was found languishing in the basement of Swedish Television. Director Göran Olsson and co-producer Danny Glover bring this footage to light in a mosaic of images\, music and narration chronicling the evolution one of our nation’s most indelible turning points\, the Black Power movement. Music by Questlove and Om’Mas Keith\, and commentary from prominent African- American artists and activists who were influenced by the struggle — including Erykah Badu\, Harry Belafonte\, Talib Kweli\, and Melvin Van Peebles — give the historical footage a fresh\, contemporary resonance and makes the film an exhilarating\, unprecedented account of an American revolution. \n\n\n \nWhile the film is free\, seating is limited. (Masks are required.) Register here. \n\n\n \nThe New Issue of The Ryder magazine is on the virtual news stands! You can read The Ryder here.    \n\n  \n
URL:https://www.theryder.com/film/the-black-power-mixtape-1967-1975/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200514
DTEND;VALUE=DATE:20201216
DTSTAMP:20260409T090413
CREATED:20201028T174351Z
LAST-MODIFIED:20240223T234052Z
UID:10593-1589418000-1607993999@www.theryder.com
SUMMARY:from Italy: The Mouth of the Wolf
DESCRIPTION:Winner of major prizes at the Berlin and Turin film festivals\, the hauntingly beautiful debut feature from Pietro Marcello (Martin Eden) is the story of a Sicilian tough guy and a transsexual former junkie whom he met in prison. Commissioned by the Fondazione San Marcellino\, a Jesuit order dedicated to helping society’s poor and marginalized\, The Mouth of the Wolf masterfully combines documentary with fictional film techniques\, melancholy home movies from the past century\, and poetic images\, sounds\, and music of the waterfront today. Set against the crumbling splendor of the Italian port city of Genoa—which becomes a character unto itself—The Mouth of the Wolf is a stirring essay on human connection. (Italy\, 2009/2020\, 68 min) \nCo-feature: Martin Eden \n“Critic’s Pick! Impressionistic\, extravagantly poetic.” — Stephen Holden\, The New York Times \n  \n \n\nThank you! To everyone who helped make our GoFundMe campaign a success. Your contributions will allow us to publish The Ryder magazine and continue the Film Series into the spring.
URL:https://www.theryder.com/film/the-mouth-of-the-wolf/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200513
DTEND;VALUE=DATE:20200528
DTSTAMP:20260409T090413
CREATED:20200125T195711Z
LAST-MODIFIED:20240223T234052Z
UID:8899-1589331600-1590541199@www.theryder.com
SUMMARY:The Woman Who Loves Giraffes - Now Playing
DESCRIPTION:  \nYou can watch The Woman Who Loves Giraffes right here\, right now          \nIn 1956\, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas\, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild. Now 86 years old\, Anne retraces the steps of her harrowing expedition. Documentarian Alison Reid lovingly chronicles Dagg’s life as a trailblazing zoologist who\, despite all her groundbreaking research\, faced numerous obstacles trying to get her work recognized in academic communities run by men. Using letters and stunning\, original 16mm footage\, The Woman Who Loves Giraffes offers stark insights into the world of giraffes Anne once knew and the world it has become. (2020; 83 minutes)\n \nFilmmaker Alison Reid began her film career as a stunt performer and coordinator\, and a second unit director. After accumulating over 300 credits\, she formed the independent production company “Free Spirit Films” which aims to produce films that are diverse in genre but similar in their exploration of the human spirit. Her feature-length comedy The Baby Formula (2009) had a worldwide\, award-winning festival run. The Woman Who Loves Giraffes (2018) is her first feature-length documentary. \nHere’s a heads up: these films are priced at $12. At first glance\, this might seem more expensive than a typical Ryder movie. Virtual screening ticket prices are set by the distributor and are the same for every “art house” theater or film program in the country. That said\, some of you – perhaps most of you – will be watching the film with at least one other person. Tickets should still average pretty close to $6 per person. Although prices are set nationally\, your local independent theater (in this case\, us) will receive 50% of the proceeds which will help us stay afloat until we can once again show films in person.\n \nWhen you purchase a ticket to watch a Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner while you watch your film\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket. \nQuestions or Comments? Send an email to editor@TheRyder.com \n \n  \n 
URL:https://www.theryder.com/film/the-woman-who-loves-giraffes/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200512
DTEND;VALUE=DATE:20200606
DTSTAMP:20260409T090413
CREATED:20200512T195502Z
LAST-MODIFIED:20240223T234052Z
UID:9762-1589245200-1591318799@www.theryder.com
SUMMARY:Mephisto
DESCRIPTION:You can watch Mephisto in our virtual theater\, right here\, right now\n\n\n“What do they want from me now? After all\, I am just an actor.” So how did an up-and-coming thespian with a mixed-race mistress and left-wing sympathies make it to the top of Nazi Germany’s theatrical world? Klaus Maria Brandauer overwhelmingly triumphs in the role of Mephistopheles\, the demonic tempter in Goethe’s Faust. \nMephisto was adapted from Klaus Mann’s 1936 novel (Klaus is the son of Nobel laureate Thomas Mann). The novel was so transparently based on the life of Klaus’s brother-in-law\, Gustaf Gründgens (the bowler-hatted criminal boss in Lang’s M and one of Germany’s greatest stage actors) that it couldn’t be published in Germany until 1971. Mephisto would win the Academy Award in 1981 for Best Foreign Language Film and in fact\, a few of you may have seen it that year when we screened it at Bear’s Place. This marks Hungary’s first-ever Foreign Film Oscar winner\, keyed by Brandauer’s riveting performance. \n146 minutes / 4K Restoration / in German and Hungarian with subtitles / \n\n\n“THIS FILM IS A WORK OF ART. The film transmits its messages so forcefully that no one can remain unaffected.”  – Ingmar Bergman \n“One of the GREATEST MOVIE PERFORMANCES I’VE EVER SEEN! A performance of electrifying power.”  \n– Roger Ebert\, Chicago Sun-Times \n“MAGNIFICENT!  It’s more than a mercy\, it’s a coup!”  \n– David Thompson \n“Few have dared what Brandauer accomplishes: showing us a good actor responding to the same neurotic drive for the center of the stage\, the immortalizing role. His is a great performance\, nothing less.” \n– Richard Schickel\, Time Magazine \n \nEvery film released in our Virtual Cinema is available through the individual distributor’s websites and streaming services. The link to purchase a virtual ticket will take you to their website\, but 50% of the ticket price will eventually find its way back to us and help support both our magazine and film series during the pandemic. \nWhen you purchase a ticket to watch a Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner while you watch yourfilm\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket.
URL:https://www.theryder.com/film/mephisto-opens-may-15/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2020/05/mephisto-slide-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200507
DTEND;VALUE=DATE:20200620
DTSTAMP:20260409T090413
CREATED:20200513T003524Z
LAST-MODIFIED:20240223T234052Z
UID:9772-1588813200-1592528399@www.theryder.com
SUMMARY:Santiago\, Italia
DESCRIPTION:You can watch SANTIAGO\, ITALIA right here\, right now \nIn the early seventies\, the world was watching as Chilean voters elected Socialist leader Salvador Allende. His political ideals and aspirations—among them providing education for all children and distributing land to the nation’s workers—terrified the country’s right-wing\, as well as the U.S.\, who helped orchestrate a military coup that replaced him with dictator Augusto Pinochet. This tragic history has been well documented\, but Italian filmmaker Nanni Moretti (Caro Diario\, Ecce Bombo) tells a story that many viewers may not know about: the efforts of the Italian Embassy to save and relocate citizens targeted by the fascist regime. Told through the testimonies of those who were there\, Santiago\, Italia is a chilling depiction of living under junta rule and an ultimately inspiring expression of hope amidst dire circumstances. \n80 min/in Spanish and Italian with subtitles \n“The Italian director Nanni Moretti crafts this fiercely earnest documentary with a frank simplicity that feels remarkably original.”  – The New Yorker \nThis is one of three Chilean films that we are screening. You might also like The Wolf House and Mysteries of Lisbon. \n \nYou can watch SANTIAGO\, ITALIA right here\, right now \nEvery film released in our Virtual Cinema is available through the individual distributor’s websites and streaming services. The link to purchase a virtual ticket will take you to their website\, but 50% of the ticket price will eventually find its way back to us and help support both our magazine and film series during the pandemic. \nWhen you purchase a ticket to watch a virtual Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket. \nQuestions or suggestions? You can contact us at editor@TheRyder.com
URL:https://www.theryder.com/film/santiago-italia/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200501
DTEND;VALUE=DATE:20201016
DTSTAMP:20260409T090413
CREATED:20200929T174825Z
LAST-MODIFIED:20240223T234052Z
UID:10442-1588294800-1602723599@www.theryder.com
SUMMARY:SURGE: Film + Panel Talk
DESCRIPTION:SURGE is a feature documentary about the record number of first-time female candidates who ran\, won and upended politics in the historic 2018 midterm elections\, featuring Liz Watson’s 2018 run for Congress. \nThe film follows three candidates who each were looking to flip their red district to blue: Jana Lynne Sanchez of Texas\, Liz Watson of Indiana\, and Lauren Underwood of Illinois. \nSURGE is not only about women running for office\, but about women getting behind women running for office. It’s about grassroots activism. It’s about putting everything on the line. \nFollowing the screening\, Liz Watson will be joined by candidate Shelli Yoder\, filmmakers Hannah Rosenzweig and Wendy Sachs\, Jennifer Crossley (Monroe County Democratic Party)\, and Nicole Yates (Hoosier Women Forward) for a discussion led by Lisa-Marie Napoli (IU PACE). \nTUESDAY\, OCTOBER 13*\, 6:30 pm\, followed by panel discussion at 8:05 \n*Surge will be available for viewing from Oct 10th through Oct 13th. \nThe film screening is FREE but registration is required.\n \nRegister Today! \n  \nSpecial Thanks to our Sponsors\n\nIU Dept. of Gender Studies \nHoosier Women Forward\nMonroe County Democratic Party \nDemocratic Women’s Caucus \nIU Department of History \nIU Department of Political Science \n IU College of Arts and Sciences\, Political and Civil Engagement \nShelli Yoder for State Senate \nThe Hamilton-Johnsen family \nBob Arnove \nJudy Klein
URL:https://www.theryder.com/film/surge/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200501
DTEND;VALUE=DATE:20200613
DTSTAMP:20260409T090413
CREATED:20200422T013605Z
LAST-MODIFIED:20240223T234052Z
UID:9710-1588294800-1591923599@www.theryder.com
SUMMARY:Capital in the 21st Century
DESCRIPTION:Watch this film  right here\, right now \nBased on the international bestseller by rock-star economist Thomas Piketty (which sold over three million copies worldwide and landed Piketty on Time Magazine‘s list of most influential people)\, this entertaining documentary is an accessible journey through wealth and power\, a film that breaks the popular assumption that the accumulation of capital runs hand in hand with social progress\, and shines a new light on today’s growing inequalities. Traveling through time\, the film combines pop-culture references and interviews with some of the world’s most influential experts to deliver an insightful and empowering journey through the past and into our future. \nin English and in French with subtitles \n\n\n\nAbout the Book:\n\n“The most important economics book of the year — and maybe the decade.” – Paul Krugman\, The New York Times \n\n\n“The book aims to revolutionize the way people think about the economic history of the past two centuries. It may well manage the feat.” – The Economist \n\n“A sweeping account of rising inequality… Piketty has written a book no one interested in a defining issue of our era can afford to ignore.” – The New Yorker\n\n\n\n\n\n\nAbout the movie: \n“A massive achievement\, turning this weighty volume into enthralling cinema.” – Austin Chronicle \n“Engaging and clear… Piketty is not only a brilliant economist but also one with a gift for making complicated ideas accessible.” –The New York Times \n“A financial detective story that exposes our current crisis. Provokes a consistent sense of ‘whoa!'” –Variety \n 
URL:https://www.theryder.com/film/capital-in-the-21st-century-may-1-14/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200501
DTEND;VALUE=DATE:20200602
DTSTAMP:20260409T090413
CREATED:20200415T192130Z
LAST-MODIFIED:20240223T234052Z
UID:9677-1588294800-1590973199@www.theryder.com
SUMMARY:The Booksellers
DESCRIPTION:opens April 24th    Tickets: $9.99*      You can watch The Booksellers right here\, right now\n \nThe Booksellers is presented by The Ryder and Caveat Emptor (see below) \nAntiquarian booksellers have personalities and knowledge bases that are as broad and deep as the material they handle. ​ Their job requires the disparate skills of a scholar\, a detective\, and a businessperson. (The same can be said about the skills of the film programmers at The Ryder\, minus the “businessperson” part.” D.W. Young’s new film burrows deep inside the fascinating world of booksellers\, a community populated by an lovable assortment of obsessives\, intellects\, oddballs and dreamers. \nExecutive produced by Parker Posey\, the film features interviews with some of the most important dealers in the business\, as well as prominent collectors\, auctioneers\, and writers such as Fran Lebowitz\, Susan Orlean\, Kevin Young and Gay Talese. \nPerhaps best of all\, the film offers a rare glimpse of many unique and remarkable objects\, including the most expensive book ever sold\, Da Vinci’s The Codex Leicester; handwritten Borges manuscripts; jeweled bindings; books bound in human flesh; essential early hip-hop documents; accounts of polar expeditions published with samples of real wooly mammoth fur; and many more \nThe Booksellers — which premiered at the New York Film Festival — is both a loving celebration of book culture and a serious exploration of the future of the books. (2020; 99 min) \n\n\n \n*You can watch this film in our new virtual screening room. Virtual ticket prices are set nationally; nevertheless\, your local independent theater (in this case\, us) will receive 50% of the proceeds which will help us stay afloat until we can once again show films in person. \nWe are not suggesting that virtual screenings can ever replace the communal experience of watching a film in a theater. But there are certain advantages. Chances are there is plenty of free parking in your driveway. You can take your shoes off. And there’s no gum on the seats. At least we hope not. \nWhen you purchase a ticket to watch a virtual Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket. \nOur wonderful local bookstore\, Caveat Emptor\, is offering Ryder filmgoers a deal that’s hard to pass up. They will match any purchase dollar-for-dollar with store credit. So if you buy $20 worth of books\, you will get $20 in store credit towards a future purchase. Just show them your receipt from your ticket to The Booksellers. This special offer is valid within five days from the date you purchase your ticket. \nQuestions or suggestions? You can contact us at editor@TheRyder.com \n\n\n 
URL:https://www.theryder.com/film/the-booksellers/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200412
DTEND;VALUE=DATE:20200425
DTSTAMP:20260409T090413
CREATED:20200326T220113Z
LAST-MODIFIED:20240223T234053Z
UID:9100-1586653200-1587689999@www.theryder.com
SUMMARY:The Whistlers - Ends Wed!
DESCRIPTION:We have been working with film distributors to come up with creative ways to celebrate cinema culture in Bloomington during this time of social distancing. We are happy to announce that we have been able to reschedule four films that were cancelled due to the Covid-19 pandemic: Once Were Brothers\, The Whistlers and Corpus Christi and The Woman Who Loved Giraffes.  You can watch each of these at any time on our site in our virtual screening room. \nWATCH THE WHISTLERS RIGHT NOW\, RIGHT HERE \n\nIf the Coen Brothers were Romanian\, they might have made The Whistlers. –A.O. Scott\, The New York Times \nIn a delightful twist\, acclaimed Romanian director Corneliu Porumboiu\, whose inventive comedies such as Police\, Adjective and The Treasure have brought deadpan charm and political perceptiveness to his country’s cinematic renaissance\, has made his first all-out genre film—a clever\, swift\, and elegant neo-noir with a wonderfully off-kilter central conceit. \nBucharest police detective Cristi is equally at home on both sides of the law. He is simultaneously investigating\, and involved in\, an ingenious gangster scheme involving a stash of Euros hidden in a mattress and a sultry femme fatale named\, of course\, Gilda. His investigation takes him to one of the Canary Islands\, where he learns a clandestine\, tribal language\, comprised entirely out of whistling. This secret method of  communication will keep his superiors off his trail.  The eternally stoic Vlad Ivanov stars in Corneliu Porumboiu’s take on the crime drama furthers his explorations of the intricacies and limitations of language\, but is also his most playful\, even exuberant\, film. \n\nRomania / in Romanian\, English and Spanish with subtitles / 97 min \nHere’s a heads up: these films are priced at $12. At first glance\, this might seem more expensive than a typical Ryder movie. Virtual screening ticket prices are set by the distributor and are the same for every “art house” theater or film program in the country. That said\, some of you – perhaps most of you – will be watching the film with at least one other person. Tickets should still average pretty close to $6 per person. Although prices are set nationally\, your local independent theater (in this case\, us) will receive 50% of the proceeds which will help us stay afloat until we can once again show films in person. \nWhen you purchase a ticket to watch a Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner while you watch your film\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket. \nWATCH THE WHISTLERS \n\n \nQuestions? Send an email to editor@TheRyder.com
URL:https://www.theryder.com/film/the-whistlers/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200412
DTEND;VALUE=DATE:20200425
DTSTAMP:20260409T090413
CREATED:20200109T231344Z
LAST-MODIFIED:20240223T234053Z
UID:8768-1586653200-1587689999@www.theryder.com
SUMMARY:Once Were Brothers: Robbie Robertson and The Band - Ends Wed!
DESCRIPTION:We have been working with film distributors to come up with creative ways to celebrate cinema culture in Bloomington during this time of social distancing. We are happy to announce that we have been able to reschedule four films that were cancelled due to the Covid-19 pandemic: Once Were Brothers\, The Whistlers and Corpus Christi and The Woman Who Loved Giraffes.  You can watch each of these at any time on our site in our new virtual screening room.\n \nCLICK HERE TO WATCH ONCE WERE BROTHERS \nAnyone who was a fan of The Band or has an interest in Americana will want to see Once Were Brothers. The story of Bob Dylan’s one time legendary backup band is a colorful\, cautionary tale. Simply called The Band\, they would become one of the most influential ensembles in music history. Robbie Robertson serves as tour guide. Interviews with Bruce Springsteen\, Martin Scorsese\, Eric Clapton\, Van Morrison and George Harrison are combined with a terrific storytelling arc\, a treasure trove of archival footage and\, naturally\, those iconic songs.  Bruce Springsteen puts it best: “Their music is like nothing that you’ve ever heard before and it sounds like you’ve known it forever.”  2020 / 100 min \nAmericana as a musical genre starts with The Band. -The Daily Beast \nHere’s a heads up: these films are priced at $12. At first glance\, this might seem more expensive than a typical Ryder movie. Virtual screening ticket prices are set by the distributor and are the same for every “art house” theater or film program in the country. That said\, some of you – perhaps most of you – will be watching the film with at least one other person. Tickets should still average pretty close to $6 per person. Although prices are set nationally\, your local independent theater (in this case\, us) will receive 50% of the proceeds which will help us stay afloat until we can once again show films in person.\n \nWhen you purchase a ticket to watch a Ryder film you will receive a confirmation in your inbox. Hold on to that email. If you’d like to order dinner while you watch your film\, our friends at Bucceto’s will offer Ryder filmgoers a 20% discount. Be sure to let them know when you call in your order that you’ll be using your Ryder discount and show them your ticket confirmation when you pick up dinner. (East Side Restaurant 812 331-1234; West Side Restaurant 812 323-0123) The discount is valid one time only within five days from the date you purchase your ticket. \nQuestions or Comments? Send an email to editor@TheRyder.com \n \n  \n 
URL:https://www.theryder.com/film/once-were-brothers-robbie-robertson-and-the-band/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200409
DTEND;VALUE=DATE:20200501
DTSTAMP:20260409T090413
CREATED:20200417T174925Z
LAST-MODIFIED:20240223T234053Z
UID:9692-1586394000-1588208399@www.theryder.com
SUMMARY:EARTH - April 22-29
DESCRIPTION:opens April 22nd  –  You can watch EARTH right here\, right now \nEarth was filmed at seven places where humans are transforming the planet on a grand scale: Entire mountains being moved in California\, a tunnel being sliced through rock at the Brenner Pass\, an open-cast mine in Hungary\, the world-famous Carrara marble quarry in Italy\, a copper mine in Spain\, the salt mine used to store radioactive waste in Wolfenbüttel and a Northern Canadian tar sands site where the destruction of indigenous lands threatens local communities. \nFilmmaker Nicholas Geyrhalter contrasts these large scale projects with interviews with the individuals helping to realize them to highlight our fraught struggles for and against the planet. (2020; 116 min) \nWATCH THE TRAILER \n “CRITIC’S PICK! Despite its apocalyptic visions\, Earth feels curiously optimistic because Geyrhalter hasn’t given up on us.” \n—Manohla Dargis\, New York Times \nFILM OF THE WEEK! “Spectacular\, even awe-inspiring.”\n—Jonathan Romney\, Film Comment \n“Geyrhalter proves again that he is a unique figure in world cinema.”\n—The Guardian
URL:https://www.theryder.com/film/earth-opens-april-22nd/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200401
DTEND;VALUE=DATE:20210223
DTSTAMP:20260409T090413
CREATED:20201222T000834Z
LAST-MODIFIED:20240223T234053Z
UID:10760-1585702800-1613955599@www.theryder.com
SUMMARY:FILM ABOUT A FATHER WHO
DESCRIPTION:You can watch Film About A Father Who right here\, right now\n\nOver a period of 35 years between 1984 and 2019\, filmmaker Lynne Sachs shot 8 and 16mm film\, videotape and digital images of her father\, Ira Sachs Sr.\, a bon vivant and pioneering businessman from Park City\, Utah. Film About a Father Who is her attempt to understand the web that connects a child to her parent and a sister to her siblings. \nWith a nod to the Cubist renderings of a face\, Sachs’ cinematic exploration of her father offers simultaneous\, sometimes contradictory\, views of one seemingly unknowable man who is publicly the uninhibited center of the frame (“the Hugh Hefner of Park City”) yet privately ensconced in secrets. With this meditation on fatherhood and masculinity\, Sachs allows herself and her audience to see beneath the surface of the skin\, beyond the projected reality. As the startling facts mount\, she discovers more about her father than she had ever hoped to reveal. (74 min) \nFilmmaker Lynne Sachs is the subject of a retrospective at the Museum of Moving Image in New York City \nLynne Sachs’ spirit of intelligent compassion lights up the film\, giving voice to the anger and pain\, but also providing the space and distance needed to recover from it… a spectacular gift to the viewer.\n– Matthew Sorrento\, Film International \nLynne Sach’s greatest achievement to date… a unique\, brilliant film that has stayed with me ever since.\n– Benjamin Hollis\, Documentary Weekly \n  \n \n\nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/opens-jan-22-film-about-a-father-who/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200401
DTEND;VALUE=DATE:20210210
DTSTAMP:20260409T090413
CREATED:20201221T234415Z
LAST-MODIFIED:20240223T234053Z
UID:10764-1585702800-1612832399@www.theryder.com
SUMMARY:from Argentina: The Weasel's Tale
DESCRIPTION:You can watch The Weasel’s Tale right here\, right now \nSchemers meet their match in The Weasel’s Tale\, a comedic thriller by Academy Award-winning filmmaker Juan José Campanella (The Secret in Their Eyes). Four long-time\, showbiz friends share a decaying mansion in the countryside outside of Buenos Aires. Their peaceful coexistence is menaced by a young couple who\, feigning to be lost\, slowly insinuate themselves into their lives. It’s Sunset Boulevard meets The Best Exotic Marigold Hotel\, with a Latin twist. Financial gain\, seduction\, betrayal\, and memories run amok are the elements that create the recipe for this delightful game of cat…and weasel. (129 min) \n \n  \n\n\n\nAn homage to the golden age of Argentine cinema…with the irony\, snappy retorts and humor of Campanella’s filmmaking. – Claritin \n \n\n\n 
URL:https://www.theryder.com/film/from-argentina-the-weasels-tale/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200401
DTEND;VALUE=DATE:20210119
DTSTAMP:20260409T090413
CREATED:20201207T021834Z
LAST-MODIFIED:20240223T234053Z
UID:10651-1585702800-1610931599@www.theryder.com
SUMMARY:FREE TIME
DESCRIPTION:You can watch Free Time right here\, right now\n \n  \nFree Time\, the latest film by one of our greatest documentarians\, Manny Kirchheimer. A New York Film Festival selection\, Free Time presents meticulously restored and poetically assembled 16mm black-and-white footage shot in New York between 1958 and 1960\, set to the stirring music of Ravel\, Bach\, Eisler\, and Count Basie. \nManny Kirchheimer is one of the great masters of the American city symphony\, as is clear from films like Stations of the Elevated (1981) and Dream of a City. In his latest work\, the 88-year-old Kirchheimer has meticulously restored and constructed 16mm black-and-white footage that he and Walter Hess shot in New York between 1958 and 1960. This lustrous evocation of a different rhythm of life captures the in-between moments—kids playing stickball\, window washers\, folks reading newspapers on their stoops—and the architectural beauty of urban spaces. \nThe breathtaking footage was shot in several distinct New York neighborhoods\, including Washington Heights\, the Upper West Side\, and Hell’s Kitchen\, and features impressionistic stops throughout the city\, making time for an auto junkyard in Inwood\, a cemetery in Queens\, and the elegant buildings of the financial district. \nAn indispensable New York filmmaker\, a noticer and listener without peer.— A.O. Scott\, The New York Times\n \n  \nA jazzy montage of exquisitely lensed Manhattan street scenes — musical passages from the likes of Bach and Basie share a soundtrack with select cues. In FREE TIME\, you don’t hear noise\, you hear notes.— Eric Hynes\, Film Comment\n \n\n\n \n\nWHERE CAN I PURCHASE A TICKET AND HOW MUCH ARE THEY? \nDo you have a comment or a suggestion for a film? Maybe you’d like to write something for our magazine. Send an email to editor@theryder.com. We can be talked into almost anything.
URL:https://www.theryder.com/film/free-time/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200325
DTEND;VALUE=DATE:20200403
DTSTAMP:20260409T090413
CREATED:20200326T023316Z
LAST-MODIFIED:20240223T234053Z
UID:9140-1585098000-1585789199@www.theryder.com
SUMMARY:The Ryder: Going Forward
DESCRIPTION:Since the Ryder Film Series began in 1979\, we’ve rarely gone more than a week without bringing at least one new film to Bloomington. Now\, realistically\, the earliest we will begin in-theater programming again will be ​​in mid-May. We hope to reschedule all of those films that have been postponed\, as well as to program several exciting new films that have recently been released. \nWe plan to continue to publish The Ryder magazine.\nWith most of our distribution locations closed\, however\, the magazine will be published electronically. In the meantime\, here’s what you can do to help sustain us: \nWe are offering virtual Ryder gift cards\n\nThese can be redeemed at Bear’s Place and at our campus screenings. There is no expiration date. \nYou can order a gift card for $25\, $50\, or $100. Actually\, any amount will work – $37.25 would be fine. Although it would be harder for us to do the math. What math\, you ask? We’re offering the gift cards right now at a 20% discount. So if you were to purchase a $50 card you would save $10. If you were to purchase a card for $37.25 you would save . . . well\, see\, now we’re not so sure. When in doubt\, stick to round numbers. \nOrder A Gift Card Now!\nOf course\, we also gratefully accept donations.\nWith a donation\, you can designate a community organization of your choice and we will share the donation with them in the form of recognition on our website\, in our magazine\, and prior to Ryder films\, in the theater\, on the movie screen. \nMake A Donation Now!\nFor those of you who have purchased semester passes\, we will offer pro-rated refunds or credit toward a new pass. We are talking to film distributors about creative ways to continue celebrating cinema as a communal experience… albeit apart from one another. We should know more about this in a few days. \nStay safe. Be smart. Keep your chins up.
URL:https://www.theryder.com/film/the-ryder-going-forward/
CATEGORIES:Film Series
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200307
DTEND;VALUE=DATE:20200310
DTSTAMP:20260409T090413
CREATED:20191207T214338Z
LAST-MODIFIED:20240223T234053Z
UID:8641-1583542800-1583715599@www.theryder.com
SUMMARY:Rigoletto on the Lake
DESCRIPTION:Single Tickets $10    Semester Passes $35     Where Are Films Shown?     Where Can I Park for free on Campus?       Any other Questions? Send an email to editor@TheRyder.com   \n\nMake A Donation Now!\n\nVerdi’s Thrilling Masterpiece Performed on the Breathtaking Bregenz Lake Stage Giuseppe Verdi’s masterwork – compelling\, blood – curdling and beautiful – is being performed for the first time on the breathtaking water stage of Lake Constance\, Bregenz. One of Verdi’s most popular works\, Rigoletto is an unforgettable tale of a sacrifice and revenge; of a father’s rage and a daughter’s shame. It features several of opera’s best-known arias-including Rigoletto’s passionate denouncement “Cortigiani\, vil razza dannata\,” Gilda’s dreamy “Caro nome” and the Duke’s instantly recognizable “La donna è mobile. ”Rigoletto was first performed in 1851 and is the first of the extraordinary “middle-period” trio of Verdi masterpieces that also includes La Traviata and Il Trovatore. Directed and designed by Philipp Stölzl\, this timeless tragedy will delight audiences with a powerhouse combination of entertainment and emotional intensity from the spectacular shore of Lake Constance\, Bregenz. TICKETS: $10    \nhttps://www.theryder.com/wp-content/uploads/2019/12/Rigoletto-on-the-Lake-v2.mp4\n  Saturday\, March 7  Rigoletto – 4pm – IU Fine Arts Theater (Upstairs) Beanpole – 6:45 – IU Global Theater Lemon Tree – 7:30 – IU Fine Arts Theater – Last Chance!  Sunday\, March 8 Rigoletto – 4pm – IU Fine Arts Theater (Downstairs) Beanpole – 7:30 – Bear’s Place – Last Chance!
URL:https://www.theryder.com/film/rigoletto-on-the-lake/
CATEGORIES:Film Series
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200306
DTEND;VALUE=DATE:20200309
DTSTAMP:20260409T090413
CREATED:20200220T025923Z
LAST-MODIFIED:20240223T234053Z
UID:8607-1583456400-1583629199@www.theryder.com
SUMMARY:Lemon Tree
DESCRIPTION:Tickets $6     Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com \nTwo Nights Only!  Lemon Tree is set in the West Bank\, where Palestinian widow Salma Zidane tends her lemon grove. However\, when Israeli Defense Minister Navon moves in across the way\, his security guards demand she removes the trees\, which could shelter terrorists. Salma refuses to back down. \nLemon Tree is part of a series of film screenings and discussions at Ryder and at the IU Cinema. The community organization\, Citizens for a Just Peace in Palestine/Israel\, has curated several films in accord with its conviction that peace between Israelis and Palestinians remains one of the crucial imperatives of our time. Such a peace can be achieved only when both parties enjoy the blessings of real justice and security. The films explore the forces that generate conflict as well as possible avenues of peaceful resolution\, while underscoring the common humanity of those involved in existential struggles. \nFriday\, March 6\nLemon Tree (Q&A hosted by David McDonald) – 7:30 – IU Fine Arts Theater\n \nSaturday\, March 7 \nRigoletto – 4pm – IU Fine Arts Theater\nBeanpole – 6:45 – IU Global Theater\nLemon Tree – 7:30 IU Fine Arts Theater – Last Chance! \n 
URL:https://www.theryder.com/film/the-lemon-tree/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2020/02/lemon-tree-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200228
DTEND;VALUE=DATE:20200310
DTSTAMP:20260409T090413
CREATED:20191230T235046Z
LAST-MODIFIED:20240223T234053Z
UID:8700-1582851600-1583715599@www.theryder.com
SUMMARY:Beanpole - Last Chance!
DESCRIPTION:Single Tickets $6     Semester Passes $35     Where Are Films Shown?     Where Can I Park for free on Campus?      Any other Questions? Send an email to editor@TheRyder.com \nCritic’s Pick! A brilliantly told\, deeply moving story about love — in all its manifestations\, perversity and obstinacy.\n– Manohla Dargis\, The New York Times \nIn post-WWII Leningrad\, two women\, Iya and Masha (astonishing newcomers Viktoria Miroshnichenko and Vasilisa Perelygina)\, intensely bonded after fighting side by side as anti-aircraft gunners\, attempt to readjust to a haunted world. As the film begins\, Iya\, long and slender and towering over everyone–hence the film’s title–works as a nurse in a shell-shocked hospital\, presiding over traumatized soldiers. A shocking accident brings them closer and also seals their fates. The 28-year-old Russian director Kantemir Balagov won Un Certain Regard’s Best Director prize at this year’s Cannes Film Festival for this richly burnished\, occasionally harrowing rendering of the persistent scars of war. \n2019 / Russia / subtitled / 137 min / presented in part by the Indiana University Russian and East European Institute \nWATCH AN INTERVIEW WITH THE FILMMAKER \nFive stars! Brilliant… Balagov is a fiercely individual and quite staggeringly accomplished talent. – Peter Bradshaw\, The Guardian \n  \n \n  \nFriday\, March 6\nLemon Tree (with guest speaker) – 7:30 – IU Fine Arts Theater\n \nSaturday\, March 7 \nRigoletto – 4pm – IU Fine Arts Theater\nBeanpole – 6:45 – IU Global Theater\nLemon Tree – 7:30 IU Fine Arts Theater\n \nSunday\, March 8\nRigoletto – 4pm – IU Fine Arts Theater (Downstairs)\nBeanpole – 7:30 – Bear’s Place – Last Chance! \n  \n 
URL:https://www.theryder.com/film/beanpole/
CATEGORIES:Film Series
ATTACH;FMTTYPE=image/jpeg:https://www.theryder.com/wp-content/uploads/2019/12/beanpole-slide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200221
DTEND;VALUE=DATE:20200303
DTSTAMP:20260409T090413
CREATED:20191231T002134Z
LAST-MODIFIED:20240223T234053Z
UID:8707-1582246800-1583110799@www.theryder.com
SUMMARY:WHAT SHE SAID: The Art of Pauline Kael
DESCRIPTION:Single Tickets $6     Semester Passes $35     Where Are Films Shown?     Where Can I Park for free on Campus?     Any other Questions? Send an email to editor@TheRyder.com \n“The most powerful\, loved\, and hated film critic of her time.” – Roger Ebert on Pauline Kael. In a field that has historically embraced few women film critics\, Kael was controversial\, witty\, and fiercely discerning. Her decades-long berth at The New Yorker energized her fans (“Paulettes”) and infuriated her detractors. Her turbo-charged prose famously championed the New Hollywood Cinema of the late 1960s and ‘70s (Bonnie and Clyde\, Carrie\, Taxi Driver) and the work of major European directors (François Truffaut\, Bernardo Bertolucci)\, while mercilessly panning some of the biggest studio hits (The Sound of Music). Sarah Jessica Parker voices Kael’s reviews; filmmakers Quentin Tarantino\, Paul Schrader\, and Francis Ford Coppola and critics Camille Paglia\, Molly Haskell\, Greil Marcus\, and David Edelstein speak to her enormous gifts and influence. \nPauline Kael’s papers are archived at IU’s own Lilly Library; filmmaker Rob Garver  researched Kael’s unpublished writings and watched her home movies\, some of which are included in the film\, at the Lilly. During breaks\, he ate lunch at Bear’s Place! \nreleased Dec 22\, 2019 / 94 min / Pauline Kael\, Bonnie and Clyde and the Essay that Changed Film Criticism \n  \n \n  \n  \n  \nFriday\, Feb 28 \nBeanpole – 7:15 – IU Fine Arts Theater\nWHAT SHE SAID: The Art of Pauline Kael – 8pm – IU Fine Arts Theater \nSaturday\, Feb 29 \nBeanpole – 7:15 – IU Fine Arts Theater\n \nSunday\, March 1 at Bear’s Place\nWHAT SHE SAID: The Art of Pauline Kael – 5 pm – Last Chance!\nBeanpole – 7:15\n \nFriday\, March 6\nLemon Tree (with guest speaker) – 7:30 – IU Fine Arts Theater\n \nSaturday\, March 7 \nRigoletto – 4pm – IU Fine Arts Theater\nBeanpole – 6:45 – IU Global Theater\nLemon Tree – 7:30 – IU Fine Arts Theater – Last Chance!\n \nSunday\, March 8\nRigoletto – 4pm – IU Fine Arts Theater (Downstairs)\nBeanpole – 7:30 – Bear’s Place – Last Chance! \n 
URL:https://www.theryder.com/film/what-she-said-the-art-of-pauline-kael/
CATEGORIES:Film Series
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DTSTART;VALUE=DATE:20200221
DTEND;VALUE=DATE:20200225
DTSTAMP:20260409T090413
CREATED:20200121T020820Z
LAST-MODIFIED:20240223T234053Z
UID:8818-1582246800-1582505999@www.theryder.com
SUMMARY:Oscar Shorts: Live Action - Held Over!
DESCRIPTION:Single Program Tickets $10      Oscar Festival Passes $15        Where Are Films Shown?       Where Can I Park for free on Campus?\n\n  \nLike short stories\, short films are sometimes overlooked. But they often display all of the scope\, power\, insight and resonance of feature length films. The five films in the Live Action program run 105 minutes \nBrotherhood:  A hardened shepherd living in Tunisia\, is deeply shaken and suspicious when his estranged eldest son\, Malek\, returns home with a mysterious young wife in tow. (Dir. by Meryan Joobeur\, 2019\, Tunisia\, English subtitles\, 25 mins.\, Not Rated) \nNefta Football Club:  Two boys bump into a donkey wearing headphones in the desert in Tunisia on the border of Algeria. Unaware that the donkey is carrying a hidden drug stash\, the boys take the animal back to their village. (Dir. by Yves Piat\, 2018\, Tunisia/France\, in Arabic with English subtitles\, 17 mins.\, Not Rated) \nThe Neighbors’ Window: The life of a middle-aged woman with small children is shaken up when two free-spirited twenty-somethings move in across the street and she realizes that she can see into their apartment. (Dir. by Marshall Curry\, 2019\, USA\, 20 mins.\, Not Rated) \nSaria: Inseparable orphaned sisters Saria and Ximena face daily challenges at the Virgen de La Asuncion Safe Home in Guatemala when a tragic fire claims the lives of 41 orphaned girls. (Dir. by Bryan Buckley\, USA\, in Spanish with English subtitles\, 23 mins.\, Not Rated) \nA Sister:  The phone rings and the emergency services dispatcher answers the call. But this is no ordinary call. The dispatcher must unravel a crime in progress and rescue the woman who called her\, all without leaving her desk. (Dir. by Delphine Girard\, 2018\, Belgium\, in French with English subtitles\, 16 mins.\, Not Rated) \n  \n  \nFriday\, Feb 21\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nDocumentary Program 1 – IU Fine Arts Theater upstairs  – 6:45\nDocumentary Program 2 – IU Fine Arts Theater upstairs – 8:15 \nSaturday\, Feb 22\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nOscar Shorts: Animation – 5pm – IU Fine Arts Theater upstairs\nOscar Shorts: Live Action – 6:45 – IU Fine Arts Theater upstairs  \nSunday\, Feb 23 at Bear’s Place (Children welcome for Ryder films)\nOscar Shorts: Animation – 3pm\nOscar Shorts: Live Action – 5:15\nWHAT SHE SAID: The Art of Pauline Kael – 7:45 \n 
URL:https://www.theryder.com/film/oscar-shorts-festival-live-action/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200221
DTEND;VALUE=DATE:20200225
DTSTAMP:20260409T090413
CREATED:20200121T014941Z
LAST-MODIFIED:20240223T234053Z
UID:8820-1582246800-1582505999@www.theryder.com
SUMMARY:Oscar Shorts Festival: Animation - Held Over!
DESCRIPTION:Single Program Tickets $10      Oscar Festival Passes $15        Where Are Films Shown?       Where Can I Park for free on Campus?  \nOne of the most entertaining categories at the Academy Awards — and one of the least heralded — is for the Best Animated Short Subject. We are screening the five nominees in along with four “bonus” films that were short-listed for a nomination. So there will be nine films in all totaling 85 minutes.  \nThis year\, the nominees make full use of the medium. There are shorts in stop motion\, employing papier-mâché\, clay\, and felt; along with a pivot back to hand-drawn 2D movies on painted backgrounds. \nThe films are not rated but if they were they would probably be rated PG-13. None of them contain anything that most people would consider objectionable\, but several deal with mature subject matter: the death of a parent\, China’s one-child policy. You know your kids better than we do. But it’s safe to say that while younger children may be intrigued by the animation\, they will probably have questions about some of the films. On the other hand\, they might spark thoughtful conversations around the dinner table.\n \nDcera (Daughter): A young woman recalls a painful moment\, when as a child she brought home an injured bird and her father seemed unconcerned. (Dir. by Daria Kashcheeva\, 2019\, Czech Republic\, 15 mins.\, Not Rated) \nHair Love: A father learns to do his daughter’s hair\, a task her mother\, a natural hair vlogger\, normally does. (Dir. by Matthew A. Cherry\, 2019\, USA\, 7 mins.\, Not Rated) \nKitbull: A fiercely independent stray kitten and a chained-up pit bull experience friendship for the first time. (Dir. by Rosana Sullivan\, 2019\, USA\, 9 mins.\, Not Rated) \nMemorable: Painter Louis and his wife Michelle are experiencing strange events. Their world seems to be mutating. Slowly\, furniture\, objects\, and people lose their realism. They are “destructuring\,” sometimes disintegrating. (Dir. by Bruno Collet\, 2019\, France\, 12 mins.\, Not Rated) \nSister: A man remembers his childhood\, growing up with an annoying little sister in 1990s China. How would his life have been if things had gone differently? (Dir. by Siqi Song\, 2019\, China/USA\, 8 mins.\, Not Rated) \nSHOWTIMES \nFriday\, Feb 21\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nDocumentary Program 1 – IU Fine Arts Theater upstairs  – 6:45\nDocumentary Program 2 – IU Fine Arts Theater upstairs – 8:15 \nSaturday\, Feb 22\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nOscar Shorts: Animation – 5pm – IU Fine Arts Theater upstairs\nOscar Shorts: Live Action – 6:45 – IU Fine Arts Theater upstairs  \nSunday\, Feb 23 at Bear’s Place (Bring the Kids! Bear’s is All-Ages for Ryder films)\nOscar Shorts: Animation – 3pm\nOscar Shorts: Live Action – 5:15\nWHAT SHE SAID: The Art of Pauline Kael – 7:45 \n  \n 
URL:https://www.theryder.com/film/oscar-shorts-festival-animation/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200221
DTEND;VALUE=DATE:20200225
DTSTAMP:20260409T090413
CREATED:20191214T221147Z
LAST-MODIFIED:20240223T234053Z
UID:8657-1582246800-1582505999@www.theryder.com
SUMMARY:2020 Oscar Short Film Festival - Held Over!
DESCRIPTION:  \nSingle Tickets and Festival Passes (Special Pricing\, See Below)     Where Are Films Shown?        Where Can I Park for free on Campus?         Any other Questions? Send an email to editor@TheRyder.com\n \nThe Oscar Shorts offer a vision of what the Academy Awards should and could be but very rarely are: eclectic\, cosmopolitan\, scrappy and surprising.\n-A.O. Scott\, The New York Times\n  \nThere is still one more weekend to see the 15 Oscar nominees for Best Short Animation\, Live Action and Documentary Film. \nMeet the Nominees! Read short\, snappy descriptions of the Animation films\, the Live Action films and the Documentaries\n  \nTickets: Individual Programs: $10    Oscar Festival Pass $15* \n*Your Oscar Festival Pass includes admission to the Animation\, Live-Action\, and  Documentary Oscar nominated films. \n  \n \nSHOWTIMES: \n  \nFriday\, Feb 21\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nDocumentary Program 1 – IU Fine Arts Theater upstairs  – 6:45\nDocumentary Program 2 – IU Fine Arts Theater upstairs – 8:15 \nSaturday\, Feb 22\nWHAT SHE SAID: The Art of Pauline Kael – 7:30 – IU Global Theater\nOscar Shorts: Animation – 5pm – IU Fine Arts Theater upstairs\nOscar Shorts: Live Action – 6:45 – IU Fine Arts Theater upstairs  \nSunday\, Feb 23 at Bear’s Place  \nOscar Shorts: Animation – 3pm (Bring the Kids – Bear’s is All-Ages during Ryder Films)\nOscar Shorts: Live Action – 5:15\nWHAT SHE SAID: The Art of Pauline Kael – 7:45 \n  \n 
URL:https://www.theryder.com/film/2020-oscar-short-film-festival/
CATEGORIES:Film Series
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DTSTART;VALUE=DATE:20200221
DTEND;VALUE=DATE:20200223
DTSTAMP:20260409T090413
CREATED:20200121T015302Z
LAST-MODIFIED:20240223T234053Z
UID:8822-1582246800-1582333199@www.theryder.com
SUMMARY:Oscar Shorts: Documentary - Held Over!
DESCRIPTION:Single Program Tickets $10      Oscar Festival Passes $15        Where Are Films Shown?       Where Can I Park for free on Campus?  \nFive of the bravest international filmmakers working today tell thoughtful\, compelling stories in this year’s documentary short film program. This year’s slate of nominees runs three hours and will be presented in two programs with a brief intermission. One ticket admits you into both programs and you can see the films on two different nights.\n \nPROGRAM 1 \nLearning to Skateboard in a Warzone (if You’re a Girl) : In Afghanistan\, many young girls are not able to participate in sports. Cultural and religious norms\, along with other factors such as safety concerns and years of warfare\, have resulted in limited athletic and recreational opportunities for women and girls\, especially those who come from impoverished neighborhoods. But a new generation of Afghan girls are learning to read\, write — and skateboard — in Kabul. Over the course of the school year\, the girls grow and become empowered through the joy of skateboarding and the warmth and inspiration of the women who teach them. (Dir. by Carol Dysinger\, 2019\, UK\, in Dari with English subtitles 39 mins.\, Not Rated) \nLife Overtakes Me: Something peculiar is going on in Sweden\, a strange phenomenon affecting children that has defied explanation by doctors and psychiatrists. In recent years hundreds of kids around the Scandinavian country have slipped into a mysterious\, coma-like state lasting many months or more—transformed from bright\, active youngsters into limp creatures in need of round-the-clock care. Identifying the cause has proven elusive (Dir. John Haptas and Kristine Samuelson\, 2019\, Sweden/USA\, in English\, 39 mins.\, Not Rated) \nPROGRAM 2 \nIn the Absence: When the passenger ferry MV Sewol sank off the coast of South Korea in 2014\, over three hundred people lost their lives\, most of them schoolchildren. Years later\, the victims’ families and survivors are still demanding justice from national authorities. (Dir. by Yi Seung-Jun\, 2018\, South Korea\, in Korean with English subtitles\, 28 mins.\, Not Rated) \nSt. Louis Superman:  A Black battle rapper with face tattoos\, was an unlikely candidate for political office in a state where a majority of lawmakers are white and Republican. But activist Bruce Franks Jr. has been elected to the Missouri House of Representatives\, and seems to be making a real difference in his community. (Dir. by Smriti Mundhra and Sami Khan\, 2019\, USA\, 28 mins.\, Not Rated) \nWalk Run Cha-Cha:  Paul and Millie Cao lost their youth to the aftermath of the Vietnam War.  Forty years later\, they have become successful professionals in Southern California – and are rediscovering themselves on the dance floor. “Today I can use my body to reach another level of freedom\,” says Paul. (Dir. by Laura Nix\, 2019\, USA\, 21 mins.\, Not Rated) \nSHOWTIMES: \n  \n 
URL:https://www.theryder.com/film/oscar-shorts-documentary-3/
CATEGORIES:Film Series
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20200214
DTEND;VALUE=DATE:20200218
DTSTAMP:20260409T090413
CREATED:20191204T005854Z
LAST-MODIFIED:20240223T234053Z
UID:8618-1581642000-1581901199@www.theryder.com
SUMMARY:RAISE HELL: The Life And Times of Molly Ivins
DESCRIPTION:Single Tickets $6     Semester Passes $35     Where Are Films Shown?     Where Can I Park for free on Campus?     \nMolly Ivins was often compared to Mark Twain. She was six feet of Texas trouble who\, despite her Houston pedigree\, took on Good Old Boy corruption wherever she found it. Best-selling author\, Pulitzer Prize nominated journalist\, popular TV pundit\, Molly had a nation of “fans” and “frenemies.” She courageously spoke truth to power and it cost her more than once. But Molly always served up her quality reportage with a heaping dollop of humor. Her razor-sharp wit left both sides of the aisle laughing and craving ink in her columns. At the height of her popularity 400 newspapers carried her column.  Molly’s words have proved prescient. She knew the Bill of Rights was in peril and said “Polarizing people is a good way to win an election and a good way to wreck a country.” \nMolly spoke from the heart. She was not a cynic. She gave voice to people who didn’t have one.  When she died of breast cancer in 2007\, the nation lost a true champion and a woman who seemed to be afraid of nothing. America is in crisis. Who today can fill Molly Ivins’ size-12 shoes? Why all of us\, of course! \nDirected by: Janice Engel / 94 min    WATCH THE TRAILER \n  \n  \nFriday\, Feb 21\nWHAT SHE SAID: The Art of Pauline Kael – 7pm – IU Fine Arts Theater\nRAISE HELL: The Life and Times of Molly Ivins – 7:45 – IU Global Theater \nSaturday\, Feb 22\nWHAT SHE SAID: The Art of Pauline Kael – 7pm – IU Fine Arts Theater\nRAISE HELL: The Life and Times of Molly Ivins – 7:45 – IU Global Theater \nSunday\, Feb 23 at Bear’s Place\nRAISE HELL: The Life and Times of Molly Ivins – 4:45 – Last Chance!\nWHAT SHE SAID: The Art of Pauline Kael – 7pm \n  \n 
URL:https://www.theryder.com/film/raise-hell-the-life-and-times-of-molly-ivins/
CATEGORIES:Film Series
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