The Ryder’s Fiction issue
Our annual fiction issue is on the stands. Special thanks to Fiction Editor Justin Chandler who read through the many submissions we received and chose the six that we have published. “Fiction is often most celebrated when it is most individualistic,” Justin says, “presenting an experience that is unlike any other, equating privacy and originality with authenticity. If that’s the case, is fiction capable of presenting life as a collective exercise? How do you tell the story of a pandemic? Of a divided populace? Of indifferent or even malevolent elected officials? It’s a year like no other and I hope that each of these stories offers you something new—if nothing else, the pleasure of reading, the opportunity to briefly step away from the endless barrage of information and to think newly and differently about the world.”
We would be remiss if we did not also acknowledge the work of Ali Maidi, whose distinctive illustrations accompany and enhance each story.
Also in our August issue:
The Many Faces of David Ortiz Y Pino: A downtown street artist who is finding a new path. by Mason Cassady
A Brief, Unauthorized History of the NRA: If anyone knows about guns and the NRA it is Frank Smyth. He’s heard more than his fair share of shots fired in anger in dodgy spots the world over while investigating human rights violations. He’s written an unauthorized history of the NRA and he talks to Ryder editor-at-large Jason Vest
From Farm to Table-Reading: Singer-songwriter Krista Detor is bringing nine NYU theatre-grads to Bloomington, re-imaging her farm as an artist’s residency. By Kellen Sillanpaa
Talk Talk Talk: Mike Leigh’s Peterloo: The award-winning filmmaker has turned his sights on the 1813 Peterloo massacre, in which armed British troops attacked peaceful protesters. Sound like anything you’ve read about recently? By Tom Prasch
The Hidden Cost of IU’s Reopening: By opting for on-campus instruction this fall, colleges and universities are essentially sacrificing the quality and equity of K-12 education in their local communities. By Jessica Calarco
We are normally supported by by paid advertising but that is not the case during the pandemic. There are no paid ads in this issue. The display ads that you will see as you flip through the magazine are published at no cost to the advertiser. And while it is true that by publishing electronically we are avoiding a printing bill, we do have other monthly expenses. And so if you see an article you like, or just want to support locally produced, independent journalism please consider making a donation.