A loner tries to win back his estranged lover, a lounge singer in a bar named Titanik, in Hungarian filmmaker Bela Tarr’s otherworldly film noir. Some of you may have seen Tarr's classic, 7-hour film Satantango when it was screened at the IU Cinema in 2019. Relax, Damnation is a mere 1 hour, 56 minutes. Originally filmed in 1988, Damnation has recently been released in the States in a new 4K restoration by the Hungarian National Film Institute

Márta Vizy (Natasa Stork) is a 39-year-old Hungarian neurosurgeon. After 20 years in the United States, she returns to Budapest for a romantic rendezvous at the Liberty Bridge with János (Viktor Bodó), a fellow doctor she met at a conference in New Jersey. Márta waits in vain, while the love of her life is nowhere to be seen. When she finally tracks him down, the bewildered man claims the two have never met.

Mary Lou Williams was ahead of her time, a genius. Her musical career began in the 1920s; in an era when jazz was the nation’s popular music, she was one of its greatest innovators. As both a pianist and composer, she was a wellspring of daring and creativity who helped shape the sound of 20th century America.

In this collection of six shorts, filmmakers gaze at themselves and their world, attempting to make sense of what they see reflected back. From gripping drama to heart-warming comedy, Our Right to Gaze: Black Film Identities features timely stories from Black artists that take us outside of the ordinary.

After nearly a decade exploring different facets of the African diaspora — and his own place within it — Ephraim Asili makes his feature-length debut with The Inheritance, an astonishing ensemble work set almost entirely within a West Philadelphia house where a community of young, Black artists and activists form a collective.

Part psychological thriller, part realist drama, this exhilarating debut feature from Shatara Michelle Ford, Test Pattern offers a Black woman's perspective on institutional racism and misogyny, inequitable healthcare, and issues of sex and consent.

Shot over a period of four years, Un Film Dramatique follows the creative intuitions of 20 budding Parisian artists at Dora Maar Middle School in Saint-Denis as they experiment with cameras on their own terms, theoretically reflect on the medium, and debate issues of ethnicity, discrimination, and representations of power and identity.